ChickenBones: A Journal

for Literary & Artistic African-American Themes

   

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Somewhere between the grace of haiku and the weight of the epic,

 Sekou has crafted his most elegant work to date

 

 

Books by Lasana M. Sekou

37 Poems / Brotherhood of the Spurs / Big Up St. Martin  / Born Here Love Songs Make You Cry

Mothernation: Poems from 1984 to 1987  /  National Symbols of St. Martin / Quimbé: Poetics of Sound

The Salt Reaper: Poems from the Flats

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37 Poems

newest book by Lasana M. Sekou 

 

GREAT BAY, St. Martin (August 24, 2005)—According to Indian novelist and scholar Tabish Khair, 37 Poems  by Lasana M. Sekou “is significant, vigorous and radical.”

The newest book by the St. Martin, Caribbean poet range in topics and graphic imagery from the homeless in glittering Hong Kong to young people in school or boys on the block seeking to “belong” in green Middle Region. The poems were written while Sekou was an International Writers Workshop visiting fellow in China late last year.

From contemporary love poems to contempt for unjust wars, the 37 poems are “life-affirming in an age when jaded cynicism often passes for wisdom,” writes Khair in his introduction to the slim volume.

Among what are for Sekou seamless “nation,” regional and international topics and themes, he slips in another darkman poem, “dm5,” the latest slingshot from the insurgency-brooding series that began in The Salt Reaper (2004).

In the poem “homework” he challenges “the manner of the talk … that we come to in habit” about the broken Black family. He is not convinced. He heralds why. Recently, he reiterated the avenues to success as “a compound of constant working solutions: love, labor, liberation.”

“Somewhere between the grace of haiku and the weight of the epic, Sekou has crafted his most elegant work to date,” states the poet/artist Drisana Debbie Jack about 37 Poems. So Sekou again does more than champions the cause of “the darkman” and defend “the dark mane” of his  “brothers … locks in the cross hairs.”

But with the current term of terrorism victimizing the innocent as much as being used, in Sekou’s eyes, to intimidate legitimate freedom fighters, he “will not wince.”

Why does the poet not believe in what is to him the new imperial hype of, “who is not with us is our enemy?” “history knows,” he counters in a set of four “nation suite” poems. In that mini-series of verse we might get an idea of why the book is called 37.

Some of these poems are uncommonly playful for Sekou and some are as profound as an “eyeball stare.”

Jack’s comment on the book concludes: “These are the poems we should read to our children, lullabies for this new/old world.

“Each verse reaches across topographical, cultural, and emotional divides and reveals that the heart is home.” Jack is a lecturer at New Jersey City University.

For you lovers of poetry for poetry sake, don’t miss the wonderfully sad but sultry true “city of poetry,” where “he and she and sheet reach in the deep soak/ a wanton geography of sea.”

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Photo caption: The book cover of 37 Poems , capturing contemporary and old symbolism during recital in Beijing, China. (Saltwater photo)

posted 18 September 2005

 

 

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