ChickenBones: A Journal

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Letters of an Abiding Faith:

Legacy of a Slave's GrandDaughter to her Son

written by Ella Lewis to her Son (Rudolph Lewis)

 

 

Letter 26

 

August 4, 1984

 

Dear Son,

just a Word to give answer to your letter. I glade you Find a school.* But I hate you got to move again. But I hope you can find a place all Furniture in it because spending Money Buying Furniture is Just a waste of money. How Far is this place from Where you living at now. You say you diden want to lose your girl friend.* If she love you and you love her you will not lose her Because if it meant For you to marry you Will no matter how long it Take.

Here's some mail come For you. I sending it any way. All here send love to you. Every Body is still Working. I do hope you all are doing fine. Give my love to Jean. Tell her rite me some Times. Altho I am a poor riter. I rite more When I hear from you. So dont wait So long. It all most time For the mail Man. So I send off much love.

All ways Mother

I love you

 

 
 

 Commentary

*I found another position at the University of New Orleans UNO, teaching composition and literature. I may still have been in Monroe, readying myself to move to New Orleans. My stay in New Orleans would prove to be the most productive and creative period to date. But it would also bring much sadness. First, it meant that Ella Jean and I would have to part. Though she visited me in New Orleans, I never again went to Monroe. 

In New Orleans, I fell among numerous writers and artists, including Kalamu ya Salaam, Richard Katrovas, Maxine Cassin, Lee Meitzen Grue, Grace Bauer, Jesse Benvenuto, Labertha McCormick, James Baptiste, Sharon Olinka, Mona Lisa Saloy, Gillian Conoley, and Yusef Komunyakaa. While there I started a little magazine of graphics and poems, entitled CRICKET: Poems and Other Jazz. I was greatly assisted in this effort by Gillian Conoley. I paid for three issues out of pocket. I also sponsored a poetry contest and offered prizes, with a reading at an uptown bar, called Maple Leaf. I created a stir in my two years in New Orleans. It was there in New Orleans that I discovered the magnificence of Marcus Bruce Christian, who in many ways changed the direction of my life.

Lee Meitzen Grue continues as editor of The New Laurel Review (NLR). She is also author of French Quarter Poems and In the Sweet Balance of the Flesh. Lee was kind enough to publish several of my poems and essays in NLR, including a bio-sketch of Mama and photographic images of her home-made quilts (Spring/Fall 1984 issue). Kalamu authored Iron Flowers (1976) and programmed seven hours of jazz for WWOZ. John Baptiste was a writer for The Louisiana Weekly and was former editor for The Black Pages. Labertha McCormick was a member of the then revived Congo Square Writers Workshop. Carnegie University Press published Gillian Conoly’s Some Gangster Pain (1987). Jesse Benvenuto did the graphics for the third and final issue of CRICKET (1985).

While in New Orleans, I flew to San Francisco and spent a week with a young lady in Oakland who had come to New Orleans for a visit. While there we went on a retreat to the wine country. This was my first and only trip to California. Leaving the heat and humidity of New Orleans, the coolness of the nights surprised me. I also visited Berkeley. I also spent a day walking throughout San Francisco, from community to community. I loved the hills and pastel colors of the houses. The walk was so appealing I never rode the San Francisco streetcar. Though I was in northern California for a week, I spent only a day across the bay.

 

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