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Aduku Addae
Bio
Aduku Addae, born in 1959, is a Jamaican by
birth and an internationalist freedom fighter by choice and
conviction.
As a young boy he roamed the hills of his rural village,
Bohemia, located at the southwestern tip of the "Garden
Parish," St. Ann, dreaming about Maroons (the reputed
ancestors of his paternal grandmother) and fighting many shadow
(imaginary) battles against the British Army of colonial times. The ultimate "mental assassin" in
his daydreams he never lost a single conflict to the enemy, the
"Red Coats." This childhood past-time transmuted into
'manful' vocation. The fire of resistance burns fiercely and
unremittingly in his gut. His writings bear evidence of this.
Addae's education commenced at home in a tight-nit peasant
family and continued through his attendance at both Bohemia and
Moravia Primary schools. He entered high school in 1971 on
a "full place scholarship" and gained some
enlightenment at Knox College (a school run by the Presbyterian
Church) graduating in 1976. After a wonderful year of "ital
livity" in the hills of St. Ann he picked up his studies in
1978 at the College of Arts, Science and Technology (C.A.S.T.),
recently renamed University of Technology. He departed the
campus of this Kingston institution in 1981, at the height of
his studies, to take up family rearing and agriculture.
He published a "roots" Jamaican entertainment magazine
called "Cooling Out" from 1989 to 1992. The
publication featured many renowned reggae artists, some at the
very inception of their careers. He briefly managed/edited a
grass-roots publication in San Diego called "The Talking
Drum."
Addae currently resides in the outskirts of San Diego,
California, where he writes, poetically and journalistically,
for self-clarification and in an earnest effort to light the
pathways in the Pan African and working class struggles. His
poetry carries the fire of a righteous rage, and the flavor and
vital "heartbeat vibration" of his Jamaican Culture.
He is the original host and originator of "Expressions
Unlimited," a literary forum which features local authors
and poets. At present, Addae is organizing The Diamond Literary
Festival to be held in San Diego in May 2004.
Contact: Aduku Addae, P.O. Box 120411, San Diego, CA
92112;
Adukuaddae@aol.com
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African Revolutions
By
Mukoma wa Ngugi
Her womb pressed against the desert to
bear the parasite
that eats her insides like termites
drill into dry wood.
He is born into an empty bowl, fist
choking umbilical cord.
She dies sighing, child son at last. He
couldn't have known,
instinct told him - always raise your
arm in defense of your
own -Strike! Strike until they are all
dead! Egg shells
in your hands milk bottle held between
your toes,
you have been anointed twice, you strong
enough to kill
at birth and survive. You will want to
name the world
after yourself but you will have no
name- a collage of dead
roots, tongues and other things. You
will point your sword
to the center of the earth, duel the
world to split into perfect
mirrors after your imperfect mutations
but you will be
too weak having latched your self onto
too many streams
straddling too many continents, pulling
patches of a self
as one does fruits from an from an
orchard, building a home
of planks with many faces. How does one
look into a mirror
with a face that washes clean every
rainy season?
He has an identity for every occasion -
here he is Lenin
there Jesus and yesterday Marx -
inflexible truths inherited
without roots. To be nothing to remain
nothing, to kill
at birth - such love can only drink from
our wrists. We
storming from our past to Jo'Burg eating
wisdom of others
building homes made of our grandparent's
bones. We
gathering momentum that eats out of our
earth, We standing
pens and bullets hurled at you, your
enemies. Comrade, there
are many ways to die. A dog dies never
having known
why it lived but a free death belongs to
a life lived in roots,
roots not afraid of growing where they
stand, roots tapped all over
the earth. Comrade,
for a tree to grow, it must first own
its earth.
Source:
Zeleza |
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Ancient African Nations
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The Slave Ship
By Marcus Rediker
In this
groundbreaking work, historian and scholar
Rediker considers the relationships between
the slave ship captain and his crew, between
the sailors and the slaves, and among the
captives themselves as they endured the
violent, terror-filled and often deadly
journey between the coasts of Africa and
America. While he makes fresh use of those
who left their mark in written records (Olaudah
Equiano, James Field Stanfield, John
Newton), Rediker is remarkably attentive to
the experiences of the enslaved women, from
whom we have no written accounts, and of the
common seaman, who he says was a victim of
the slave trade . . . and a victimizer.
Regarding these vessels as a strange and
potent combination of war machine, mobile
prison, and factory, Rediker expands the
scholarship on how the ships not only
delivered millions of people to slavery,
[but] prepared them for it. He engages
readers in maritime detail (how ships were
made, how crews were fed) and renders the
archival (letters, logs and legal hearings)
accessible. Painful as this powerful book
often is, Rediker does not lose sight of the
humanity of even the most egregious
participants, from African traders to
English merchants.—
Publishers
Weekly |
Marcus Rediker
is professor of maritime history at the University of
Pittsburgh and the author of
Between the Devil and the Deep Blue Sea (1987),
The Many-Headed Hydra (2000), and
Villains of All Nations (2005), books that
explore seafaring, piracy, and the origins of
globalization. In The Slave Ship, Rediker
combines exhaustive research with an astute and highly
readable synthesis of the material, balancing
documentary snapshots with an ear for gripping
narrative. Critics compare the impact of Rediker’s
history, unique for its ship-deck perspective, to
similarly compelling fictional accounts of slavery in
Toni Morrison’s
Beloved and Charles Johnson’s
Middle Passage. Even scholars who have written
on the subject defer to Rediker’s vast knowledge of the
subject. Bottom line:
The Slave Ship is sure to become a
classic of its subject.— Bookmarks
Magazine
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Wild Women Don’t Have the
Blues
By Ida Cox
I hear these women raving 'bout their
monkey men
About their fighting husbands and their
no good friends
These poor women sit around all day and
moan
Wondering why their wandering papas
don't come home
But wild women don't worry, wild women
don't have the blues.
Now when you've got a man, don't ever be
on the square
'Cause if you do he'll have a woman
everywhere
I never was known to treat no one man
right
I keep 'em working hard both day and
night
because wild women don't worry, wild
women don't have no blues.
I've got a disposition and a way of my
own
When my man starts kicking I let him
find another home
I get full of good liquor, walk the
streets all night
Go home and put my man out if he don't
act right
Wild women don't worry, wild women don't
have no blues
You never get nothing by being an angel
child
You better change your ways and get real
wild
I wanna tell you something, I wouldn't
tell you no lie
Wild women are the only kind that ever
get by
Wild women don't worry, wild women don't
have no blues.
Born
Ida
Prather,25 February 1896 in Toccoa,
Habersham County, Georgia, United
States. Died 10 November 1967 (aged 71)
Genres Jazz, Blues Instruments Vocalist. |
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Guarding the Flame of Life
/
Strange Fruit Lynching Report
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The State of African Education
(April 200)
Attack On Africans Writing Their Own
History Part 1 of 7
Dr Asa Hilliard III speaks on the assault of academia on
Africans writing and accounting for their own history.
Dr Hilliard is A
teacher, psychologist, and historian.
Part 2 of 7
/
Part
3 of 7 /
Part 4 of 7
/
Part 5 of 7 /
Part 6 of 7 /
Part 7 of 7
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The Death of Emmett Till by Bob Dylan
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The Lonesome Death of Hattie Carroll
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Only a Pawn in Their Game
Rev. Jesse Lee Peterson Thanks America for
Slavery
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The Journal of Negro History issues at Project Gutenberg
The
Haitian Declaration of Independence 1804
/
January 1, 1804 -- The Founding of
Haiti
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John Henrik Clarke—A Great and Mighty Walk
This
video chronicles the life and times of the
noted African-American historian, scholar
and Pan-African activist
John Henrik Clarke
(1915-1998). Both a biography of Clarke
himself and an overview of 5,000 years of
African history, the film offers a
provocative look at the past through the
eyes of a leading proponent of an Afrocentric view of history. From ancient
Egypt and Africa’s other great empires,
Clarke moves through Mediterranean
borrowings, the Atlantic slave trade,
European colonization, the development of
the Pan-African movement, and present-day
African-American history. |
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updated 11 June
2008 |