In the
"1831
Confessions," Nathaniel Turner speaks of
his parents as his spiritual guides. These parents, most likely,
were his surrogate grandparents, Harriet and Tom. It was quite
customary to separate mother and child as Frederick Douglass pointed
out in his
1845 Narrative. His birth mother
"Nancy of the Nile" would neither have so quickly mastered English nor
absorbed the Christian tradition to provide the child such religious
training and insight. This certainly could not have taken place, of
course, if we follow Gilbert Francis’ timeline, that is, of
Nancy's arrival in Virginia on January/February 1800. That Nancy was purchased in 1800, the
Africana, the monumental tome of Gates and Appiah, has mysteriously
determined another timeline for Nancy's arrival in Virginia.
The
Africana's Turner article states that Nathaniel Turner’s
African mother was purchased by Benjamin Turner in 1793. But he offers no
document to sustain such a date of purchase. For none exists.
Moreover, it was very unlikely that a Virginia slaveholder would have
allowed a youthful female slave to go seven years, to wait until she
was in her early twenties, before birthing a child. This option
seems much more incredulous than Francis’ scenario. This
Africana
date of purchase seemed to have been determined as a means to
account for what Turner narrated in his
"1831
Confessions" about his parents’ spiritual guidance.
The spirituality exhibited by Turner’s
"mother" in the
"1831
Confessions" seems to have been
derived from a person older and more seasoned in the culture than
his biological mother Nancy would have been, even if she were brought to
Suffolk in 1793. Such depth and spiritual conviction could not have
been provided by Nancy during these formative years. Thus, I shall
proceed with Francis' assertion that Turner was raised by Harriet and
Tom. As can be seen in Douglass’
1845
Narrative, this process of
raising children by surrogate grandparents may occur over a period
of six to nine years.
Having absorbed the religious culture in which
they lived, Nathaniel’s "parents" had a significant impact on
Turner’s earliest memories. Harriet, Turner’s spiritual mother,
discovered "certain marks" (birth marks) on the child’s
head and breast. Turner’s parents believed these marks bore
religious significance and that their child "was intended for
some great purpose."
Mechal Sobel believes this mode of
interpretation was derived from an "African tradition,"
rather than Christian practice in Cross Keys (Trabelin’
On, p.
162).
Sobel probably accepted the view that Nancy is
the person to whom Turner referred to in his
"1831
Confessions"
as mother. His African speculation is intuitive, that is, not based
on factual evidence. He assumes Nancy’s incomplete Christian
education was supplemented by her memories of Africa. But Sobel can
not fix the "tradition" in West African tribal society.
The notion of "prophethood" seems to be more a tradition
of Asia and the Near East, than one that was endemic to West Africa
tribal societies. The notion of
prophethood, however, did enter West
Africa, by the tenth century through the spread of Islam. But for
the Muslims Muhammad was the last of the prophets.
The reading of body signs to determine wisdom and
special skills, however, seems universal. Arabian Islamic scholars
still relate the legend of wise men acknowledging a large mole
between the shoulders of the Prophet Muhammad as the physical proof
that Muhammad was a true prophet (Muhammad, p. 30). In Indian folklore,
there is a story of the destiny of the prince being foretold by the
reading of body signs. Soothsayers of the royal court noted the
birth marks on the feet of the infant and divined that "the boy
would become a universal monarch or a Buddha" (The Mythology of All Races, p. 195).
For Turner’s parents in Cross Keys, the most
immediate source was the Christian Bible and biblical stories, that
is, the Judeao-Christian scriptures and tradition. In the
"1831
Confessions," Turner pointed out that his grandparents
were in Ben Turner’s Methodist study group. Only Turner’s surrogate
grandparents could have possessed such skill in biblical
interpretation. Harriet and Tom, then, to be precise were Turner’s
spiritual parents. It is worthwhile to note sections of
George W. Williams' romantic commentary on the relationship of
Turner and his mother in W. E. B. Du
Bois'
The Negro Church.
They planted deep the notion that the spirit of
God was in him. Harriet, his spiritual mother, was she who first
taught him about God and the ways of God. A mother always hopes and
sometimes plans for her son to reach the highest realms. In the
Christian tradition, good comes into the world through a child being
born.
Birth marks indicate visually that there was a
consciousness at work even in the womb. In
Galatians 1:12, Paul
wrote that God had set him apart before he was born. This tradition
extended back to the Old Testament. Isaiah wrote, "The Lord
called me from the womb" (Isaiah 49.1). And God spoke to Jeremiah
thusly, "before I formed you in the womb, I knew you, and
before you were born I consecrated you; I appointed you a prophet to
the nations" (Jeremiah1.5). Luke also relates "the recognition by
the unborn John of the presence of the unborn Jesus [Luke
1.44]" (Dictionary of the Bible, p. 442).
Nathaniel Turner’s birth marks were thus signs of God’s
presence in him before his birth. Evidently, Harriet and Tom deeply
desired, longed, that some good would come into their lives. Tom
would eventually "run away" and escape Virginia slavery.
So Harriet and Tom offered him two approaches to slavery and
oppression. Their feeling that their child was special was sustained
several years after his birth.
When Nathaniel was about three or four years old,
Harriet overheard him relate to other children an incident that
occurred before his birth. Again, as in the birth marks, the
recurring notion of a knowledge existing before birth, beyond
natural comprehension. Even in his mother’s womb, Nancy of the
Nile’s belly, Turner possessed a consciousness of his familial
surroundings. Harriet understood definitively that Nathaniel was no
ordinary child.
Here was a
miracle. But miracles, as some might
say, occur only for those who desire the miraculous. Observant of
such a wonder in her child, and sharing it with her fellow servants,
Harriet was convinced that her son was a messenger from God. In his
presence, Harriet said, Turner told Gray, "I surely would be a
prophet, as the Lord had shewn me things that happened before my
birth." His spiritual mother’s view that God makes himself
known in the world by signs and symbols can be found extensively in
Christian scriptures. What child could dismiss such a prophecy
proclaimed with such forceful certainty?
In the
Epistle to the Hebrews, Paul
(or the unknown writer) assures us,
God bears witness, "both with signs and wonders, and with
divers miracles, and gifts of the Holy Spirit, according to his own
will" (Hebrews 2.3-4). Clearly, Paul did not place black Christian
slaves beyond God’s grace or his miracles. Nevertheless, the
secular values placed on race and color undermined and hindered the
true expression of Christianity in America.
The notion that God "spoke" to a
Christian slave in Southampton defied credulity for Christian
slaveholders and other so-called orthodox Christians. Yet the faith
of Christian slaves in Cross Keys held up the biblical view, the
"blood-stained banner," that God makes use of whom he
wills.
Benjamin Turner (1766-1810), Turner’s master
and possibly his biological father, was equally central to Turner’s
formative years. Benjamin Turner, unfortunately, at the age of
forty-four, died of typhoid. Those ten years (1800-1810) seem to
have been Nat’s most care-free years, if such is possible,
understanding that one was considered property by law and tradition.
Of all the men he knew, Nathaniel revered Ben Turner, who was a father
figure, if not biologically, at least, symbolically.
Benjamin Turner was a Methodist and founder of a
local Methodist congregation. Gilbert Francis, who lost seven of his
kinsmen in "Nat’s Fray," believed that Benjamin Turner was a
"Quaker in sentiment" (Nat Turner Insurrection—1831,
tape 1). Ben Turner was one of "the old patriarchs," as
the Virginia Negro used to say, with sincere reverence, for such men
were thought to be fair and just, even as slaveholders.
According to F. Roy Johnson, Benjamin Turner had
"three sons and two daughters—by age, Samuel, Nancy, John
Clark, Susanna, and Benjamin B." With the exception of Nancy,
Benjamin Turner drew his children’s names from the Hebrew. His children
also "were given educational instruction by private tutors and
in small community schools which sprang up at the opening of the
nineteenth century" (The Nat Turner Slave Insurrection, p. 18).
Of significance, John Clark and Nathaniel, about the same age, were
childhood friends. Elizabeth, the wife of Ben Turner, was probably
carrying John Clark when Nat was conceived.
Turner, according to F. Roy Johnson, bypassed
John Clark’s place during the Insurrection. Johnson viewed this
exception as Turner's recognition of an old childhood friendship.
Like Thomas Gray, John Clark, as a man, became the poor son of a
deceased slaveholder. Most likely, as children, John Clark and Nathaniel
studied together under the watchful eye of Benjamin Turner (Nat
Turner Insurrection—1831, tape 1).
This domestic situation probably provided a
delightful and passing fancy for the master of the manor. John
Clark, however, is not mentioned in Turner’s
"1831
Confessions." Though only found in Southampton folklore,
this tale seems probable and represents an important key to Turner’s
humanity and the depth of intimacy among slave children and the
children of slaveowners.
Benjamin Turner’s family rose from an English class
of dissenters to become slaveowners. He was a Methodist
"enthusiast." Initially, Southampton was part of an
Anglican parish, St. Luke’s. The Anglicans (later, the
Episcopalians) proselytized very little among plantation slaves or
among the "dissenting" masses. By the estimate of some,
the Established Church in Virginia had little or no attraction for
"the mass of the English settlers" that came from a class
"trained in Dissent" and adverse to the Anglican church.
"This dissenting class came to America," according to
Thomas Cuming Hall, "not to write books but to better
themselves in an economic sense" (The Religious Background of American
Culture, p. 116).
Their hatred of
Anglicanism became fallow ground
for the seeds of dissenting denominations, such as
Quakers,
Baptists, and
Methodists. These groups made the Bible, the Holy
Spirit, and common sense central to their religious experience.
Rising in the economic sphere, some of these dissenters used their
religion in a "common sense" manner to defend their new
privileges as slaveholders, a boon gained through the Revolutionary
War (1775-1783).
The religious leanings of the masses were in
great contrast to the upper classes and large plantations owners.
The eighteenth-century leaders of Virginia were heavily affected and
influenced by rationalism and the natural philosophy of the
Enlightenment. "As far as one can judge, the educated members
of the Virginia generation that later fought the war for
independence were all more or less
Deists and skeptics like
Washington,
Jefferson,
Randolph of Roanoke,
Madison and most of the
leaders of thought," according to Thomas Cuming Hall.
"But with the exception of Jefferson, who
belonged to no Christian body, nearly all seem to have gone to the
Established Church and most of the leaders seem to have been members
in good standing" (The Religious Background of American
Culture, p. 120). With the coming of the Revolutionary War, the
Anglican church was disestablished in Virginia, an opportunity that
opened the way for the spread of Methodism, a radical wing of the
Established Church in England.
From 1760 to about 1800 Methodists made great
strides in Christianizing the Negro in Virginia. In 1786, the
Methodists broke away from the Anglicans, whom they believed
corrupted the faith of Christ to establish the
Methodist Church in America (American
Churches and the Negro, pp. 86-87).
By the first decade of the1800s in Cross Keys,
Benjamin Turner, with other Elders, had organized Turner’s Meeting
House. According to the
"1831
Confessions," Turner’s
grandmother was an active member of this Cross Keys’ Methodist
community. From these men and women, Nathaniel Turner, as a child, learned
the Protestant gospel, that is, the eternal purposes of God.
Sources
Consulted
Douglass,
Frederick.
Narrative of the Life of Frederick Douglass: An American Slave,
Written by Himself. New York: Bedford/St. Martin's Press,
2002.
Du Bois, W.E.B. “Toussaint L'Ouverture,
Gabriel Prosser, Denmark Vesey & Nat Turner.” In Chapter 9 W. E. B.
Du Bois.
The Negro Church; Report of a Social Study Made Under the Direction
of Atlanta University; Together With the Proceedings of the Eighth
Conference for the Study of Negro Problems, Held at Atlanta
University, May 26th, 1903. Atlanta, GA.: The Atlanta
University Press, 1903.
Francis, Gilbert, and Katherine Futrell.
Nat Turner
Insurrection—1831. Southampton County Historical Society Living Library, 4 tapes.
Gates, Henry Louis and Kwame Anthony Appiah, eds.
Africana: The Encyclopedia of the African and African American
Experience. Pennsylvania: Running Press, 2003.
Gray, Louis Herbert.
The Mythology of All Races.
Volume VI. Boston: Marshall Jones Company, 1927.
Hall, Thomas Cunning.
The Religious Background of American
Culture. Boston: Little, Brown, and Co., 1930.
Johnson, F. Roy.
The Nat Turner Slave Insurrection.
Murfreesboro, N.C.: Johnson Publishing Company, 1966.
Lings, Martin.
Muhammad: His Life Based on the Earliest
Sources. Rochester, Vermont: Inner Traditions, Ltd., 1983.
McKenzie, John L.
Dictionary of the Bible.
Milwaukee: The Bruce Publishing Company, 1965.
Sobel, Mechal.
Trabelin’ On: The Slave Journey to an
Afro-Baptist Faith. Princeton, N.J.: Princeton University Press, 1988.
Weatherford, W. D.
American Churches and the Negro: An
Historical Study from Early Slave Days to the Present. Boston: The
Christopher Publishing House, 1957.* *
* * *
Nathaniel
Turner:
Christian
Martyrdom in Southampton
A
Theology of Black Liberation
By Rudolph Lewis
Chapter 5 The Bible and Biblical Typology
/
Chapter 7 Methodist
Elders Interview Miracle Child
* *
* * *
 |
Narrative of the Life of Frederick Douglass
An American Slave, Written By Himself
By Frederick
Douglass
One would expect the autobiography of any individual to
be bursting with emotion, heartfelt feelings coursing
through the sentences, each word blaring the author's
perspective on any institution baring his/her interest.
Yet, the
Narrative of the Life of Frederick Douglass
adheres not to the common stereotype of such work,
relying heavily on statements of fact and observation,
rather than personal standpoint and beliefs, to
illuminate the cruelty and inhumanity which slavery
imparts upon its host.
The absence of these common aspects does not detract
from the profound nature of his work, as the objectivity
lends more credence to his argument in that it is not
tainted by prejudice, hate, or anger. He simply
describes the world as it was, not as he perceived it to
be, recounting his journey from slave to freeman in a
manner almost entirely numb, surprisingly detached.—Sandra |
* *
* * *
Mahalia
Jackson—How I Got Over
|
How I Got Over
By Mahalia Jackson
How I
got over
How did I make it over?
You know my soul look back and wonder
How did I make it over?
How I made it over
Going on over all these years?
You know my soul look back and wonder
How did I make it over.
Tell me how we got over, Lord.
Had a mighty hard time coming on over.
You know my soul look back and wonder.
How did we make it over?
Tell me how we got over, Lord.
I've been falling and rising all these years.
But you know my soul look back and wonder.
How did I make it over?
But soon as I can see Jesus
the man that died for me,
man that bled and suffered,
and he hung on Calvary,
and I want to thank him for how he brought me.
And I want to thank God for how he taught me.
Oh thank my God how he kept me.
I'm gonna thank him 'cause he never left me.
Then I'm gonna thank God for 'ole time religion
and I'm gonna thank God for giving me a vision.
One day I'm gonna join the heavenly choir.
I'm gonna sing and never get tired.
And then I'm gonna sing somewhere 'round God’s altar.
And I'm gonna shout all my troubles over.
You know I've gotta thank God and thank him for being
so good to me. Lord yeah.
How I made it over, Lord?
I had to cry in the midnight hour
coming on over.
Bt you
know my soul look back and wonder
How did I make it over?
Tell me how I made it over Lord God Lord
Falling and rising all these years
you know my soul look back and wonder.
How did I make it over?
I'm gonna wear a diadem in that new Jerusalem.
I'm
gonna walk the streets of gold
It's the homeland of the soul
I'm gonna view the host in white.
They've been traveling day and night.
Coming up from every nation
They're on their way to the great Coronation]\
Coming from the north, south, east, and west
they on their way to a land of rest
and they’re gonna join the heavenly choir.
You know we're gonna sing and never get tired
and then we're gonna sing somewere 'round God’s altar
and then we're gonna shout all our troubles over.
You know we gotta thank God
and
thank Him for being so good to me.
You know I come to thank God, this evening.
I come
to thank him, this evening.
You know all, all night long
God kept his angels watching over me
and early this morning, early this morning
God told his angel, God said “Touch her in my name.”
God said “Touch her in my name.”
I 'rose this morning, I 'rose this morning
I 'rose this morning, I feel like shouting
I feel like shouting, I feel like shouting
I feel like shouting, I feel like shouting
I feel like shouting, I feel like shouting
I just gotta thank God, I just gotta thank God
I just gotta thank God, I just gotta thank Him
Thank God for being so good
God’s been good to me. |
* * * * *
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The Death of Emmett Till by Bob Dylan
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Only a Pawn in Their Game
Rev. Jesse Lee Peterson Thanks America for
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update 28 June 2008