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Books by Arthur Flowers
De Mojo Blues
/ Another Good Loving Blues
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Reviews of
Another Good Loving Blues
A Novel by Arthur Flowers
What
do you get when you add a blues piano player, an Arkansas
conjure woman, the Mississippi Delta and the 1920s?
Another Good Loving Blues and the "sound and soul of southern
folks."
A
charming, provocative novel in which Mr. Flowers seamlessly
blends the rich rhythms of the blues and a Deep South patois in
a lyrical, literate style
--Publisher
In
prose which evokes the blues lyrics that provide this novel's
background, Flowers ( De Mojo Blues ) tells a prepossessing
modern fable about loyalty in the sonorous voice of a
third-person narrator, a "griot" (storyteller) also
named Flowers. This alternately playful and solemn tale focuses
on the love between Lucas Bodeen, a suave, piano-playing
bluesman, and Melvira Dupree, a stubborn conjure woman. In 1919
they leave the Mississippi Delta for Memphis, on a "hoodoo
mission" to locate Melvira's elusive mother, but before
finding her they're drawn to rollicking, jazz-infected Beale
Street, a stopping point for many hopeful Southern blacks on
their way north.
The
author downplays Beale Street's violence, drugs and prostitution
in favor of its lively atmosphere and the creative people, who
in his view make up a trustworthy, cooperative
"tribe." Flowers's characters lead by example: Bodeen,
though inclined to wallow in the blues, kicks his whiskey habit,
while Melvira looks for ways to help rather than harm with her
dangerous magic. Skeptics will find that good luck prevails
rather too frequently here; nevertheless, this is a spirited
effort, one that even includes a cameo by the young Zora Neale
Hurston.
--Publishers
Weekly
In a style
that flows as smoothly as the music that forms its core, Flowers
( De Mojo Blues , Dutton, 1986. o.p.) has woven a fable of the
South that captures the heart of the blues musician as few
others have done before. "Every good man needs a real good
woman," sings bluesman Lucas Bodeen at the height of his
passion for Melvira Dupree, a conjurer in Sweetwater, Arkansas.
But Lucas temporarily loses sight of his need and his love when
subjected to the fast life and temptations of Memphis's Beale
Street.
How Lucas and
Melvira pursue separate quests but manage eventually to find
each other and to reconcile their love form a pretty, if
predictable, tale bordering on fantasy. Flowers, himself a
native Memphis blues singer, has captured the time and place to
perfection. Readers interested in this culture will be
fascinated.
--Library
Journal.
Thomas L. Kilpatrick, Southern Illinois Univ. at Carbondale Lib.
A
blues-playing pianist tries to hold on to the conjurewoman he
loves as she searches for her long-lost mother, in an odyssey
across a blues country flavored by a gumbo of different voices
and histories. 15,000 first printing. $10,000 ad/promo.
--Ingram
It's Beale
Street in Memphis in the age when jazz was spelled "jass"
and ragtime was just a glint in Scott Joplin's eye. Lucas Bodeen
is the bluesman, and Melvira Dupree is the conjure woman he
loves. But pitted against them are all the forces of nature, the
clashing of their own stubborn wills, and a society mired in the
laws of Jim Crow and the mob.
Combining the
ancient African storytelling art of the griot with the American
offshoots of blues and hoodoo, Arthur Flowers sings us a story
that makes us smile - a story of life, and how love and
happiness really happen.
--The
New York Times Book Review * * *
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posted Fall 2002 / update 27 June 2008 |
