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Books by
Patricia Jabbeh Wesley
Before the Palm Could Bloom
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Becoming Ebony /
The River Is Rising /
Where the Road Turns
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Becoming Ebony
By
Patricia Jabbeh Wesley * * * *
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In the
Beginning
In
the beginning, there were women, and all things,
creeping and non-creeping, were good.
By
Patricia Jabbeh Wesley That was before time could tell daylight from
night.
When men could speak women's tongues; before
the sea turned blue and took up rolling, foaming, like
a big glass of fresh palm wine. Before oceans learned
to rise and fall, before rivers were first named
rivers.
Before they named the Cavalla River, Cavalla, after
the fish or the fish after the town, or the town after
the river. When Cape Palmas, where I come from,
became Cape Palmas; before there was even a cape
or palm trees. Before Cape Palmas began to give birth
to palm trees that sprouted with fat bottoms and began
to rise, and the coconut learned to be sister to the nut
palm and the nut palm to the bamboo palm, the bamboo
palm to the thatched; or when their grandfather made
them blood relations, or straw relations or bamboo
relations, or cabbage relations or long, thin leaves
relations, or whatever it is that makes them seem
identical twins. But bamboo knows how to prick my
finger when I touch it with an angry heart; the palm tree
will prick lightly, while the coconut stands there, tall.
Coconut breasts hanging from its chest, or head,
or whatever. The way a bamboo grove used to prick
our toes when Mudi and I wandered under its swampy
territory. That was before the time when women took
upon themselves to birth babies, even though men
knew how to, or before men went around boasting
of having this many children and this many sons upon
their mere fingers. Iyeeh says men really birthed babies
then, and women boasted of being the fathers of babies
then, and the children ran for their fathers like they do
today for their mothers when a father calls them
for a whip with a cane. That was long before the car
road bulldozed the giant walnut, the oak, chopping up
the towns and the forests into roads, and rubber trees
sprang up where the forests were, and the coffee
became a tree, becoming first cousin to the cocoa,
and the palm nuts went to the city to be sold for coins.
Suddenly, we girls grew wings like pepper birds, no,
no, like eagles, or like jet planes, and could fly or hop
on a truck to the city where street lights cannot tell
the villager from the city dweller; where a man cannot
tell his wife from his lover; his inside children from his
outside children; where all have lost their hearts to the bars
and the dangling lights, and people fight on street corners;
and after all that, I and all the girls of the world learned
to run wild too, like wild flowers, no, no, wild, like men.
All the women of the world, becoming just men.
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* * * Source: Becoming Ebony by Patricia Jabbeh
Wesley |
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Where the Road Turns
By
Patricia Jabbeh Wesley
In this
her fourth volume, I witness Patricia Jabbeh
Wesley courageously dipping her pen into her
own wound and splashing vivid imagery upon
the canvas of her own skin. That is an
illusion, for that pen is really a scalpel
cutting the gangrenous and the rotten out of
her nation's violated flesh. But that too is
an illusion. That scalpel is a steel tongue
in a powerful Grebo woman's mouth weaving a
fine gauze from dirges, love songs, praise
songs, fragments of aphoristic wisdom,
fables, new myths, narrative and lyrical
dialogues in order to bind our own wounded
psyches.
Proud
Grebo women's voices burst through her mouth
to chastise depraved men who harvest babies
to stoke diamond wars as they blaze through
forests of dry human bones in their imported
death chariots. Beyond celebrating these
fiery taboo-breaking warrior women who are
passionate about peace, justice, their right
to forbidden fantasies, she also claims her
place, though exiled, in the lineage.
Condemned to bear upon her back her home,
she is the strong earthen vessel that
safeguards the essential spiritual Grebo
values bequeathed to her by the village
elders in a circle. Because moving is never
a leaving, memories of home constantly surge
through the poet's wry humor and wit that
serve as balm for the ever-nagging pain. |
To honor her ancestors' memories Wesley has planted
these enduring trees whose fruits must nourish us all if
we are willing to avail ourselves of her poetic gifts.
These are brave and fearless poems in a harsh dark
season, yet necessary for the witness they bear to human
folly while insisting on our capacity to love. With each
new volume, her voice grows stronger as it blends with
those of Ama Ata Aidoo, Alda do Espirito Santo, and Jeni
Couzyn. She is without doubt among the most powerful of
the younger generation of African poets.—Frank
M. Chipasula, editor,
Bending the Bow: An Anthology of African Poetry/
co-editor of
The Heinemann Book of African Women's Poetry
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Pray the Devil Back to Hell
A film directed by Gini Reticker
Pray the Devil Back to Hell
is a captivating new film by director Gini Reticker. It
exposes a different story angle for the largely
forgotten recent events of the women of Liberia uniting
to bring the end to their nation's civil war. This film
is amazing in the way it captivates your attention from
the earliest frames. It doesn't shy away from showing
footage of the violent events that took place during the
Liberian civil war. But the main story of the film is
that of
Leymah Gbowee
and the other women uniting, despite their religious
differences, to force action on the stalled peace talks
in their country. Using entirely nonviolent methods, not
only are the peace talks successful, but Charles Taylor,
the president of Liberia, is forced into exile leading
to the first election of a female head of state in
Africa. The women of this film are truly an inspiration
and no one can fail to be moved by the message of hope
that comes through clearly in this film. These are
heroes that deserve to be remembered and with Pray the
Devil we are able to do that, gaining both a knowledge
of the history we are ignorant of through archival
footage and an understanding of the leaders of this
movement through close-up interviews with the many women
who lead it. The film also offers a great soundtrack &
inspirational song- "Djoyigbe" by Angelique Kidjo &
Blake Leyh.—Amazon
Reviewer |
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Mighty Be Our Powers
How Sisterhood, Prayer, and Sex Changed a Nation at War
By Leymah Gbowee
As a young woman, Leymah Gbowee was broken by the Liberian civil war, a brutal conflict that tore apart her life and claimed the lives of countless relatives and friends. Years of fighting destroyed her country—and shattered Gbowee’s girlhood hopes and dreams. As a young mother trapped in a nightmare of domestic abuse, she found the courage to turn her bitterness into action, propelled by her realization that it is women who suffer most during conflicts—and that the power of women working together can create an unstoppable force. In 2003, the passionate and charismatic Gbowee helped organize and then led the Liberian Mass Action for Peace, a coalition of Christian and Muslim women who sat in public protest, confronting Liberia’s ruthless president and rebel warlords, and even held a sex strike. With an army of women, Gbowee helped lead her nation to peace—in the process emerging as an international leader who changed history. Mighty Be Our Powers is the gripping chronicle of a journey from hopelessness to empowerment that will touch all who dream of a better world.—Beast Books / Pray the Devil Back to Hell |
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Ellen
Johnson-Sirleaf (video)
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The Death of Emmett Till by Bob Dylan
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The Lonesome Death of Hattie Carroll
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Only a Pawn in Their Game
Rev. Jesse Lee Peterson Thanks America for
Slavery
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The Journal of Negro History issues at Project Gutenberg
The
Haitian Declaration of Independence 1804
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January 1, 1804 -- The Founding of
Haiti
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update 4 October 2008
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