ChickenBones: A Journal

for Literary & Artistic African-American Themes

   

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They would “discover” all the places with promise. / And didn't need no titles or deeds.

Then they would appoint people to make everything legal,

to sanction the trickery and greed.

 

 

CDs by Gil-Scott Heron

From South Africa To South Carolina (1976)  Winter In America (1974)  / Pieces Of A Man (1971) / The First Minute Of A New Day

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Books by Gil-Scott Heron

 The Vulture and The Nigger Factory) / Small Talk At 125th And Lenox

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Black History (audio)

By Gil Scott-Heron

I was wondering about our yesterdays,
and digging through the rubble
and to say, the least somebody went
through a hell of a lot of trouble
to make sure that when we looked things up
we wouldn't fair too well
and we would come up with totally unreliable
pictures of ourselves.
But I compiled what few facts I could,
I mean, such as they are,
to see if we could find out a little bit of something
and this is what I got so far:

First, white folks discovered Africa
they claimed it fair and square.
Cecil Rhodes couldn't have been robbing nobody

'cause, hell, there was nobody there.
White folks brought all the civilization,
’cause there wasn't none around.
'how could the folks be civilized
when nobody was writing nothing down?'
And just to prove all their suspicions,
well, it didn't take too long.
They found out there were whole tribes of people

— in plain sight —

running around with no clothes on. That's right!
The men, the women, the young and old,
righteous folks covered their eyes.
And no time was spent considering the environment.
Hell no! this just wasn't civilized!
And another piece of information they had
or at least this is what we were taught
is that “unlike the civilized people of Europe”
these tribal units actually fought!
And yes, there were some “crude implements”
and yes, there was “primitive art”
and yes they were masters of hunting and fishing
and courtesy came from the heart.
And yes there was love, and medicine, religion,
inter-tribal communication by drum.
But no paper no pencils no other utensils
and hell, these folks never even heard of a gun.
And this is why the colonies came
to stabilize the land.
Because the Dark Continent had copper and gold
and the discoverers had themselves a plan.
They would “discover” all the places with promise.
And didn't need no titles or deeds.
Then they would appoint people to make everything legal,
to sanction the trickery and greed.
And back in the jungle when the natives got restless
they would call it  “guerilla attack”!
and they would never describe that folks finally got wise
and decided they would fight back.
But still we are victims of word games,
semantics is always a bitch:
places once referred to as under-developed”
are now called “mineral rich.”
And the game goes on eternally
unity kept just beyond reach
Egypt and Libya used to be in Africa,
but they've now been moved to the “Middle East.”
There are examples galore I assure you,
but if interpreting was left up to me
I'd be sure every time folks knew this version wasn't mine
which is why it is called “His-story.”

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Source: http://terryhowcott.com

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Gil Scott-Heron—b. 1 April 1949, Chicago, Illinois, USA. Raised in Jackson, Tennessee, by his grandmother, Scott-Heron moved to New York at the age of 13. His estranged father played for Glasgow Celtic, a Scottish football team. Astonishingly precocious, Scott-Heron had published two novels (The Vulture and The Nigger Factory) plus a book of poems (Small Talk At 125th And Lenox) by 1972. 

He met musician Brian Jackson when both were students at Lincoln University, Pennsylvania, and in 1970 they formed the Midnight Band to play their original blend of jazz, soul and prototype rap music. Small Talk At 125th And Lenox was mostly an album of poems (from his book of the same name), but later albums showed Scott-Heron developing into a skilled songwriter whose work was soon covered by other artists: for example, LaBelle recorded his "The Revolution Will Not Be Televised" and Esther Phillips made a gripping version of "Home Is Where The Hatred Is."

In 1973, Scott-Heron had a minor hit with "The Bottle," a song inspired by a group of alcoholics who congregated outside his and Jackson's communal house in Washington, DC. Winter In America (on which Jackson was co-credited for the first time) and The First Minute Of A New Day, the latter for new label Arista Records, were both heavily jazz-influenced, but later sets saw Scott-Heron and Jackson exploring more pop-orientated formats, and in 1976 they scored a hit with the disco-based protest single, "Johannesburg".

  From South Africa To South Carolina (Arista 1976)  Winter In America (Strata-East 1974)  Pieces Of A Man (Flying Dutchman 1971)

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posted  14 September 2007

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updated 11 December 2007

 

 

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Related files: Black History   Breath of Life Gil Scott-Heron