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Books by Yusef Komunyakaa
I Apologize for the Eyes in My Head
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Dien Cai Dau
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Magic City /
Neo Vernacular
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Thieves of Paradise /
Talking Dirty to
the Gods
Pleasure
Dome /
Jazz Poetry Anthology /
The Second Set /
Taboo: The Wishbone Trilogy
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Blues Chant Hoodoo Revival
By Yusef Komunyakaa my story is
how deep the heart runs
to hide & laugh
with your hands
over your blank mouth
face behind the mask
talking in tongues
something tearing
feathers from a crow
that screams from the furnace
the black candle
in a skull
sweet pan of meat
let's pour the river's rainbow
into our stone water jars
bad luck isn't red flowers
crashed under jackboots
your story is
a crippled animal
dragging a steel trap
across desert sand
a bee's sting inside your heart
& its song of honey
in my groin
a factory of blue jays
in honey locust leaves
wet pages of smoke
like a man
deserting his shadow
in dark woods
the dog that limps away
& rotten fruit on the trees
this story is
the speaking skull
on the mantelpiece
the wingspan of a hawk
at the edge of a coyote's cry
the seventh son's mojo hands
holding his life together
with a black cat bone
the six grandfathers
& spider woman
the ghost dance vision
deer that can't
stand for falling
wunmonije witch doctor
backwater blues
juju man
a silk gown on the floor
a black bowl
on a red lacquered table
x-rated
because it's true
let's pour starlight
from our stone water jars
pain isn't just red flowers
crushed under jackboots
my story is
inside a wino's bottle
the cup blood leaps into
eight-to-the-bar
a man on his knees
facing the golden calf
the silver fish of old lust
mama hoodoo
a gullah basket
woven from your hair
love note from the madhouse
thornbushes
naming the shape
of things to come
old murder weapons
strings of piano wire
let's pour the night
into our stone isn't red flowers
this song isn't red flowers
crushed under silence
our story is
a rifle butt
across our heads
arpeggio of bowed grass
among glass trees
where the kick down doors
& we swan-dive from
the brooklyn bridge
a post-hypnotic suggestion
a mosaic membrane
skin of words
mirrors shattered
in roadhouses
in the gun-barrel night
how a machine moves
deeper into piles
of bones
the way we
crowd at the foot
of the gallows
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Conversations with Yusef Komunyakaa
Edited by
Shirley A. James Hanshaw
Conversations with Yusef Komunyakaa
brings together over two decades of
interviews and profiles with one of
America's most prolific and acclaimed
contemporary poets. Yusef Komunyakaa (b.
1947) describes his work alternately as
"word paintings" and as "music," and his
affinity with the visual and aural arts is
amply displayed in these conversations. The
volume also addresses the diversity and
magnitude of Komunyakaa's literary output.
His collaborations with artists in a variety
of genres, including music, dance, drama,
opera, and painting have produced
groundbreaking performance pieces.
Throughout the collection, Komunyakaa's
interest in finding and creating poetry
across the artistic spectrum is made
manifest. |
For his collection
Neon Vernacular: New and Selected Poems,
1977-1989, Komunyakaa became the first African American
male to win the Pulitzer Prize for poetry. Through his
work he provides keen insight into life's mysteries from
seemingly inconsequential and insignificant life forms
("Ode to the Maggot") to some of the most compelling
historical and life-altering events of our time, such as
the Vietnam War ("Facing It"). Influenced strongly by
jazz, blues, and folklore, as well as the classical
poetic tradition, his poetry comprises a riveting
chronicle of the African American experience.
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1493: Uncovering the New World Columbus
Created
By Charles C. Mann
I’m
a big fan of Charles Mann’s previous
book
1491:
New Revelations of the Americas Before
Columbus, in which he
provides a sweeping and provocative
examination of North and South America
prior to the arrival of Christopher
Columbus. It’s exhaustively researched
but so wonderfully written that it’s
anything but exhausting to read. With
his follow-up,
1493, Mann has taken it to a
new, truly global level. Building on the
groundbreaking work of Alfred Crosby
(author of
The Columbian Exchange and, I’m
proud to say, a fellow Nantucketer),
Mann has written nothing less than the
story of our world: how a planet of what
were once several autonomous continents
is quickly becoming a single,
“globalized” entity.
Mann not only talked to countless
scientists and researchers; he visited
the places he writes about, and as a
consequence, the book has a marvelously
wide-ranging yet personal feel as we
follow Mann from one far-flung corner of
the world to the next. And always, the
prose is masterful. In telling the
improbable story of how Spanish and
Chinese cultures collided in the
Philippines in the sixteenth century, he
takes us to the island of Mindoro whose
“southern coast consists of a number of
small bays, one next to another like
tooth marks in an apple.” We learn how
the spread of malaria, the potato,
tobacco, guano, rubber plants, and sugar
cane have disrupted and convulsed the
planet and will continue to do so until
we are finally living on one integrated
or at least close-to-integrated Earth.
Whether or not the human instigators of
all this remarkable change will survive
the process they helped to initiate more
than five hundred years ago remains,
Mann suggests in this monumental and
revelatory book, an open question. |
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The Persistence of the Color Line
Racial Politics and the Obama Presidency
By Randall Kennedy
Among the best things about
The Persistence of the Color Line
is watching Mr. Kennedy hash through the
positions about Mr. Obama staked out by
black commentators on the left and
right, from Stanley Crouch and Cornel
West to Juan Williams and Tavis Smiley.
He can be pointed. Noting the way Mr.
Smiley consistently “voiced skepticism
regarding whether blacks should back
Obama” . . .
The
finest chapter in
The Persistence of the Color Line
is so resonant, and so personal, it
could nearly be the basis for a book of
its own. That chapter is titled
“Reverend Wright and My Father:
Reflections on Blacks and Patriotism.”
Recalling some of the criticisms of
America’s past made by Mr. Obama’s
former pastor, Mr. Kennedy writes with
feeling about his own father, who put
each of his three of his children
through Princeton but who “never forgave
American society for its racist
mistreatment of him and those whom he
most loved.” His father distrusted
the police, who had frequently called
him “boy,” and rejected patriotism. Mr.
Kennedy’s father “relished Muhammad
Ali’s quip that the Vietcong had never
called him ‘nigger.’ ” The author places
his father, and Mr. Wright, in
sympathetic historical light. |
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The White Masters of the
World
From
The World and Africa, 1965
By W. E. B. Du Bois
W. E. B. Du Bois’
Arraignment and Indictment of White Civilization
(Fletcher)
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Ancient African Nations
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Negro Digest /
Black World
Browse all issues
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Enjoy!
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The Death of Emmett Till by Bob Dylan
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The Lonesome Death of Hattie Carroll
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Only a Pawn in Their Game
Rev. Jesse Lee Peterson Thanks America for
Slavery /
George Jackson /
Hurricane Carter
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The Journal of Negro History issues at Project Gutenberg
The
Haitian Declaration of Independence 1804
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January 1, 1804 -- The Founding of
Haiti
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updated 3 April
2010
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