ChickenBones: A Journal

for Literary & Artistic African-American Themes

   

Home 

Google
 

Towards the end of the memoir the reader is taken to a place where the physical

and metaphysical intersect when the main character crosses paths

with a malevolent force, which almost causes her demise

 

 

The Cleansing

By Cheryl Gittens-Jones

The Cleansing, the first of two books, mirrors the phenomenon of colonialism via the life of protagonist Unis MonteClaire.  The poems written in bajan (dialect spoken in Barbados), diary excerpts and other writings, capture the author’s struggle to reconnect to her authentic self.  Traumatized repeatedly, she moves between two existences created to survive: one in light, the other in shadow. 

To tell the story she must disconnect from the pain while simultaneously reliving tragedies of the past.  In the melee following abusive childhood years, many of the true family stories were lost.  Intermingled with personal experience in some areas, the author chooses to create stories to fill gaps lost to trauma.  The Cleansing depicts the strength, courage, and perseverance of a black, West Indian, woman-centered family line, raising their children single-handedly while facing the dire consequences of the fractured black social family structure, which is the archaic legacy of colonialism.

-- Publish America

The Cleansing,is a memoir steeped in the belief of Karma the law of cause and effect. It shows the mental, pyschic, psychological and physiological journey of a young Caribbean woman illegally migrating to the USA. She hopes to find healing by examining a violent and impoverished past in order to understand her present, and to create a more healthy, positive, and secure legacy for future generations.

Towards the end of the memoir the reader is taken to a place where the physical and metaphysical intersect when the main character crosses paths with a malevolent force, which almost causes her demise. She later reveals how her devotion to and belief in the law of Karma and Buddhism saved her life.

It has been a long and difficult journey to bring this story to the world but I have finally done so. My publisher believed my story was important and unique enough to invest in so that it can give others encouragement, inspiration and hope. 

The Cleansing, can be used as an educational tool to help shatter stereotypes that continue to distort our understanding on many levels. The work is written from an international and cross-cultural perspective.

--Cheryl Gittens-Jones

*   *   *   *   *

The Cleansing, is also available through distributors Ingram, Baker and Taylor, Chapters, Canada, and on websites such as: Amazon, Yahoo, Barnes and Noble, Borders, and Walmart

Review copies can be requested in writing from:   support@publishamerica.com

Fax - 301-631-9073  Mail - P.O. Box 151, Frederick, MD 21705

Cheryl’s play: Shaduhs Uh Voodoo at http://oneactplays.net/voodoo.html / Cheryl’s work authorsden.com/peaceanoneluv

 

 
 
Cheryl Gittens-Jones is wife, mother, poet, author of  play Shaduhs Uh Voodoo. She plans to adopt twin nieces orphaned by AIDS. She migrated illegally to the USA in 1987 to pursue dreams of higher education.  Cheryl gained success and redemption through courage, tenacity, perseverance and faith in Nichiren Daishonin’s Buddhism.

In 1995 Cheryl transferred from Cal University of Pennsylvania to Mount Holyoke College, MA. Now a resident of Manchester, CT, and a Mount Holyoke Alum Frances Perkins Class '99. 

Brief description of the cover of The Cleansing

The cover is a self-portrait in woodcut entitled “exposed.”   The image depicts me kneeling on the bare hard floor in the nude staring at my image in a roughly hewn mirror, which is a representation of the Gohonzon, Mandela used in Nicheren Daishonin's Buddhism.  This image depicts many things.  From my perspective the image represents vulnerability, innocence, honesty, self-revelation, and a willingness to face truth and the ramifications of that truth. 

This image is about human revolution. Human revolution is a term used in our Buddhist practice to signify, transformation and inner change or to change one’s karma by actively pursuing higher ideals in one’s life by fully participating, or being fully present and aware of one’s karmic responsibility.

The far left corner where the reflection of the floor cannot be seen represents a blind spot, a negative space, and a place of spirituality or things I cannot perceive with  my naked human eye but, yet, are fully present in  my life experience.  As a result, the floorboards are not reflected back in the mirror.  The roughness of the wooden mirror depicts the harsh realities, which confronted me as I traversed the road from illegitimacy to legitimacy on all levels, i.e., psychologically, spiritually, mentally, and physically.

 

Home  Mona Lisa Saloy

Related files: The Cleansing Cleansing Poem  Cleansing Prologue