ChickenBones: A Journal

for Literary & Artistic African-American Themes

   

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Malcolm asked her / How could she see

with all that make up covering her natural beauty

and why wasn’t / she proud of real kinky hair?

 

 

 Elvis at the dinner party

                                    By Stacey Tolbert

Once upon a time on a Friday night…

Elvis kept calling my cellie

Cuz everybody knows He’s not dead right?

asked me where he could trade in

His white blue suede shoes for

new black red Kicks

dred his hair

Botox his lips

And get this?

Said

He

Had

Mandingo

DICK

Tatorship going on in Texas and now he’s drivin’ a lexus

And of course

He has the utmost respect for us

Who made him

The jazziest/blusiest/swinginest/palest/bojangles

He is/was

Was/is

Still in bizz

And I’m like

Elvis pleaassee I’m in the middle of dinner

To which he replied

"LOVE …me…ten….der….."

and surrender to my

afro stealin

charm

I told him enough was enough

He already done walked away with all

Of our stuff

I put away my cell walked over to my table

He left another message cuz he startin his own label..

As I sat at the table like a holyghost mouse I

Was Mmmmesermerized and full of emmmmoootion while I sat back and enjoyed

A small amount of commotion

See I was havin dinner with M’s

Marley/Marcus/Malcolm/Martin

The waitress was so confused by all the vibes she was getting

Marcus asked her straight up and down if we could have a space of our

Own

To which she replied

"you mean, in this restaurant or in this town?"

Malcolm asked her

How could she see with all that make up covering her natural beauty and why wasn’t 

she proud of real kinky hair?

To which she replied

"I have to wear make up or I look plain my hair done gone back to African cuz I was in 

the rain."

Marley was slightly upset cuz there was no vegetarian dish so he asked for some 

plantains and what was her wish?

To which she replied

"These days I neva really thought about my wish but I guess I would want to get me a 

new satellite dish cuz mine is on the brinks and so I cant watch TV…and I guess also 

to spend more time with V…that’s my daughter, she 3 and look like me…she gonna be 

just like me."

Martin said nothing but extended his hand

The waitress just looked at the eyes of every man

And there I was with all the M’s

Waiting for the Evolution to begin

The waitress left

And as she walked away

She ran her fingers through her hair

And started wiping her make up away

Gandhi came over and wished us peace

And a few slaves stopped by drenched in ocean breeze

The four girls from the bomb gently kissed me on my cheek

Still dressed in church clothing and Sunday school speak

And Elvis still kept callin my cellie

Leaving me numeric messages of urgency

Last thing he said was he was makin a movie

Bout the return of his legend

And that it was groovy

I left quietly

And tossed out my cell phone

And the M’s told me to

Live the movement, be the movement, spread the movement as I journeyed home . . .

*   *   *   *   *

 

 
  
Stacey Tolbert comes from a mixture of greens and tofu, doused in lyrical sunsets, algebraic variables and locked up in baby-ghurl moonlit militant truth paper. Affectionately known as the Brown Suga Poet. Sista. Mama. healer. Writer. Playwright. Author. Teacher. Workshop facilitator. 

Afrikan.  Human. Her words to a dance of Harlem shake meets 40's waltz and dare not be labeled as an everyday spoken word poet. She be griot. Oracle. Orator. Storyteller. Scribe.

Greens and tofu.

She is the Author of Baring My Soul, Playwright of the drama A Quarter Past The Blues, freelance writer of various print and online magazines spoken wordist, motivational speaker and Workshop facilitator of Healertainment, C.P.A.M. and Sistainment-GirlsGroup workshops.

 

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