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A Response to Look Magazine's

"The Shocking Story of Approved Killing in Mississippi"
By William Bradford Huie

 
 

Books on Emmett Till Murder

 

Death of Innocence A Death in the Delta  The Lynching of Emmett Till / Getting Away with Murder

 

Film on  Emmett Till Murder

 

The Untold Story of Emmett Louis Till  /   The Murder of Emmett Till

 

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The Confessions of the Murderers of Emmett Till

By Amin Sharif

I read the "Confessions" of the killers of Till. It is a chilling account of how peckerwoods in the South think and act. There is one puzzling aspect of the " Confessions" that I can't fathom. Why would any young person raised in the south urge a (relative?) young boy on to certain danger by daring him to try and court a white woman. This doesn't ring true.

Bobo's mother tried to instill in him how dangerous the South was. It is quite possible that Bo would test the dangerous waters of the Southland being from up North. But would a group of young blacks, primarily black boys, raised under the pall of white hot racism do such a thing? Remember, these kids did not think of racism as some kind of imaginary bogey man. They had seen the fear in the eyes of their own fathers and grandfathers. Robert Johnson, the blues singer, called white racism a hell hound bent on tearing a black man to pieces. They-themselves-knew what segregation meant.

 There are several other aspects of the " Confessions" that I also find troubling. The idea that Till was not afraid contradicts the earlier statement that he "wanted to go home." The whole idea that they were out to frighten Bo doesn't make sense. When they entered his room in darkness, Bo had to be frightened. He would have undoubtedly known that something was up when his killers did not "whip" him on the spot. He had most likely been infected by the fear of those around him.

And why was Bo still there anyway? The " Confessions" says that Bo had been convinced by his grandmother to stay--that the threat was overblown. But who is more fearful of a white lynch mob. . . a black woman or a black man? I believe it is the black woman. She find herself deprived of the limited protection that the black man offers if he is lynched. He is the buffer between herself and white hot racism. It is the black woman who feeds fear to black children with her breast milk. It is she who always cautions the black man against acting against the white man. Of course, she has cause!

It is the black woman who must bury the black man when his courage leads him to confront the white man. She lives stigmatized by the black man's action, her children, especially the males are also stigmatized as sons of a "no good" nigger. She lives everyday thinking that the "sins of the father" will be visited upon the sons. After all, the memory of the slave master is long. Just a few thoughts. sharif   

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A Response to Sharif on the Look Confession

Brother Sharif, peace and blessings,

I quite agree with your perspective on the Look exposition of the " Confessions of the Murderers of Emmett Till." What troubles me is not the twists and the lies of Roy Bryant and J.W. Milam and the apology for the murder of Emmett Till, but rather Look's editorial justification for its payment of $4,000 to these two low-life murderers. They begin their re-creation of the murderer's perspective by claiming that they are presenting the "real story" -- the "true account" -- of the killing of Emmett Till. But they do not know the truth; they know only the "truth" of the murderers in that Look and its editors were not eye-witnesses to the events that they assist the murderers to construct.

They become participants in the reconstruction of the murderers' lies and justifications. Thus it is clear to me that the Look story is another form of white persecution of the fourteen-year-old Emmett Till, that these Look editors  by a literary means continue to persecute and justify their persecution of this fourteen-year old boy, and worse, in the most shameless manner. If they wanted to present the story of the murderers in an objective manner they could have done so plainly and in a more efficient manner by a simple question-and-answer process, rather than by this dressed-up literary essay.

All we need do is to look at the face of the murdered Emmett Till to demonstrate that all of things that these murderers claim Emmett did before they put a bullet in his head is an outrageous lie. But surely if we look at the "Letters to the Editor" that this literary essay had its desired effect -- that is, to put a bit of salve on white America's racial guilt.

But let us present these " Confessions" to others and see what is their reaction and what they think about the culpability of Look magazine. 

As ever and always, Rudy

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The story begins when handsome, 14-year-old, Emmett Till of Chicago (born July 25, 1941), who when younger had been a victim of polio, but who now as a strapping lad whose only souvenir of his bout with polio was the sometimes habit of stuttering, was granted permission to visit his uncle Mose Wright, 64-year-old cotton farmer in the small (350 population) magnolia state cotton center of money Mississippi.

The visiting youth's vacation moved along nicely until August 28, 1955, the fifth day of his visit.

In the company of several other youths, Emmett visited Bryant's Grocery in Money and started a chain of events that was later to focus the eyes of the nation and the world upon Mississippi.

Following the discovery of the body the scene shifted to Chicago, Illinois, where for three days some 50,000 persons viewed the youth's mutilated body. At the funeral services the youth's mother, Mrs. Mamie Bradley cried, "I hope my son didn't die in vain."

See also: http://www.npr.org/templates/story/story.php?storyId=1969702  and http://www.musarium.com/ws.html

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Bill Moyers Interviews Douglass A. Blackmon

http://www.pbs.org/moyers/journal/06202008/watch2.html

Douglas A. Blackmon, Slavery by Another Name: The Re-Enslavement of Black Americans from the Civil War to World War II (2008)

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update 2 July 2008

 

 

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Related files: Approved Killing in Mississippi