ChickenBones: A Journal

for Literary & Artistic African-American Themes

   

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I would drop my clothes to them / and say yes, see how the sun / won't leave me alone

 

 

Poetry Collections by Gillian Conoley

Woman Speaking Inside Film Noir  /  Some Gangster Pain   / Tall Stranger  / Beckon  / Lovers in the Used World  /  Profane Halo

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Suddenly the Graves

By Gillian Conoley

I would never say anything against the dead.

I would drop my clothes to them

and say yes, see how the sun

won't leave me alone

what we cover. my neighborhood

is startling luminous.

Yesterday yellow tanks steamshovelled

for the underworld. Otters dove

to sleek back their hair.

On the bench a man old as dirt

sat over his death

while teenagers, their hair

lit with color, chased the greased

and iridescent ducks.

 

There is no peace in my mind anywhere.

If I nap in this light my grandparents rise

and mix their dominoes, their hands

rinsed of sun but bone-pure.

What if I left with them,

and shed my body? Would I

hear a single, melodious siren

singing the power,

the glory? Or would I

live on, as the earth continues.

With that singing in me.

Source: Some Gangster Pain (1987)

 

 
 

Gillian Conoleythe recipient of several Pushcart Prizes and the Jerome J. Shestack Award from The American Poetry Reviewis Poet-in-Residence and Associate Professor at Sonoma State University, where she is the founder and editor of Volt magazine. Conoley is the author of four poetry collections, including the highly praised Some Gangster Pain and Tall Stranger.

Conoley's poetry has appeared in the American Poetry Review, the Kenyon Review, Ironwood, Zyzzyva, Ploughshares, the Denver Quarterly, the Missouri Review and other publications.

The American Book Review says of Conoley's poetry: "Even above the powerfully inventive language and clear, compressed style is a poetic vision that seems utterly transforming. These are poems born of Flannery O'Connor's short stories, with their oddball grace, their undeniable redemption. Combined with Gillian Conoley's dark humor are an eye for detail and a sensibility that are mysteriously compelling. Her characters discover the power of the transforming image and in so doing create an inner life that is rich, surprising, transcendent. It is this odd hopefulness, this recourse to the imagination which transforms the landscape of ordinary lives and longing into something rare, mysterious, and dangerous that are Conoley's special talent."

Her honors and awards include four Pushcart Prize publications, the Academy of American Poets Award, a fellowship from the Washington State Arts Commission, residency at the MacDowell Colony and a grant from Northwest Institute for Advanced Study.

Conoley's work has been anthologized in "Best American Poetry," "Poets of the Northwest," "The Carnegie-Mellon Anthology of Poetry," "American Poetry Annual" and "Jazz Poetry Anthology."

Conoley has taught literature and poetry at several universities. She also has worked as a curator, a literary editor and a professional journalist.

Books by  Gillian Conoley

Woman Speaking Inside Film Noir (Lynx House Press, 1984) / Some Gangster Pain (Carnegie Mellon University, 1987

Tall Stranger (Carnegie Mellon University, 1991) / Beckon (Carnegie Mellon University, 1996)

Lovers in the Used World (Carnegie Mellon University, 2001) / Profane Halo (Wave Books, 2005)

 

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Related files:   Gillian Conoley Reviews  Some Gangster Pain  Slave Quarter  Suddenly the Graves  Goat Without Horns  Guest Poets & Writers