ChickenBones: A Journal

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white folks whispered . . . / stroking themselves / slowly under bed clothes

 while the chandelier / had its way with the moon

 

 

Poetry Collections by Gillian Conoley

Woman Speaking Inside Film Noir  /  Some Gangster Pain   / Tall Stranger  / Beckon  / Lovers in the Used World  /  Profane Halo

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Goat Without Horns

an expression once common in New Orleans,

 and meaning the Voodoo sacrifice of a young white child

By Gillian Conoley

Ask, and both black and white

will tell you

no one even their great-grandparents

 

knew stole a child from its linen,

ran through wooded neighborhoods

and hoarfrost

 

to Voodoos. No, only cats and chickens

could anyone remember

thrown in the middle air,

 

no tiny god of the cauldron.

If next morning

the mother

was half-awake

 

at a crib, her hands

searching the caul of absence,

it was a story

 

everyone made up,

convenient as beasts

preying antebellum maidens,

 

or the drum-voice

beneath the auction block

at midnight: yes, what

 

white folks whispered

to each other

in the dark,

 

stroking themselves

slowly under bed clothes

while the chandelier

 

had its way with the moon

and crosstown

the ash-ringed coals dimmed:

 

unreadable, untold, child

to fire, sacrificial

burning child

 

before man,

the face at the end

of the flare.

Source: Some Gangster Pain (1987)

 

 
 

Gillian Conoleythe recipient of several Pushcart Prizes and the Jerome J. Shestack Award from The American Poetry Reviewis Poet-in-Residence and Associate Professor at Sonoma State University, where she is the founder and editor of Volt magazine. Conoley is the author of four poetry collections, including the highly praised Some Gangster Pain and Tall Stranger.

Conoley's poetry has appeared in the American Poetry Review, the Kenyon Review, Ironwood, Zyzzyva, Ploughshares, the Denver Quarterly, the Missouri Review and other publications.

The American Book Review says of Conoley's poetry: "Even above the powerfully inventive language and clear, compressed style is a poetic vision that seems utterly transforming. These are poems born of Flannery O'Connor's short stories, with their oddball grace, their undeniable redemption. Combined with Gillian Conoley's dark humor are an eye for detail and a sensibility that are mysteriously compelling. Her characters discover the power of the transforming image and in so doing create an inner life that is rich, surprising, transcendent. It is this odd hopefulness, this recourse to the imagination which transforms the landscape of ordinary lives and longing into something rare, mysterious, and dangerous that are Conoley's special talent."

Her honors and awards include four Pushcart Prize publications, the Academy of American Poets Award, a fellowship from the Washington State Arts Commission, residency at the MacDowell Colony and a grant from Northwest Institute for Advanced Study.

Conoley's work has been anthologized in "Best American Poetry," "Poets of the Northwest," "The Carnegie-Mellon Anthology of Poetry," "American Poetry Annual" and "Jazz Poetry Anthology."

Conoley has taught literature and poetry at several universities. She also has worked as a curator, a literary editor and a professional journalist.

Books by  Gillian Conoley

Woman Speaking Inside Film Noir (Lynx House Press, 1984) / Some Gangster Pain (Carnegie Mellon University, 1987

Tall Stranger (Carnegie Mellon University, 1991) / Beckon (Carnegie Mellon University, 1996)

Lovers in the Used World (Carnegie Mellon University, 2001) / Profane Halo (Wave Books, 2005)

 

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Related files:   Gillian Conoley Reviews  Some Gangster Pain  Slave Quarter  Suddenly the Graves  Goat Without Horns  Guest Poets & Writers