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Cross riffing square kingdoms, riding midnight Scottsboro

trains. We are haunted by the lynched limbs.

 

 

Books by Larry Neal

Black Fire  / Hoodoo Hollerin Bebop Ghosts

 

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Don't Say Goodbye to the Porkpie Hat

               Mingus, Bird, Prez, Langston, and them

By Larry Neal

 

 

Don't say goodbye to the Porkpie Hat

that rolled along on padded shoulders

                       that swang bebop phrases

                       in Minton's jelly roll dreams

Don't say goodbye to hip hats tilted in the style of a soulful

era;

the Porkpie Hat that Lester dug

swirling in the sound of sax blown suns

 

                       phrase on phrase, repeating bluely

                       tripping in an under crashing

                       hi-hat cymbals, a fickle girl

                       getting sassy on the rhythms.

Musicians heavy with memories

move in and out of this gloom;

the Porkpie Hat reigns supreme

smell of collard greens

and cotton madness

commingled in the nigger elegance of the style.

                       The Porkpie Hat sees tonal memories

                       of salt peanuts and hot house birds

                       the Porkpie Hat sees . . .

Cross riffing square kingdoms, riding midnight Scottsboro

trains. We are haunted by the lynched limbs.

On the road:

It would be some hoodoo town

It would be some cracker place

you might meet redneck lynchers

face to face

but mostly you meet mean horn blowers

running obscene riffs

Jelly Roll spoke of such places:

the man with the mojo hand

the dyke with the .38

the yaller girls

and the knifings.

Stop-time Buddy and Creole Sydney

wailed in here. Stop time.

chorus repeats, stop and shuffle.

stop and stomp.

listen to the horns, ain't they mean?

now ain't they mean

in blue

in blue

in blue streaks of mellow wisdom

blue notes

coiling around

the Porkpie Hat

and ghosts of dead musicians drifting through

here on riffs that smack

of one-leg trumpet players

and daddy glory piano ticklers

who

twisted arpeggios

with diamond-flashed fingers.

There was Jelly Roll Morton, the sweet mackdaddy,

hollering Waller, and Willie The Lion Smith—

some mean showstoppers.

 

Ghosts of dead holy rollers ricocheted in the air funky

with white lightnin' and sweat.

Emerald bitches shot shit in a kitchen smelling

of funerals and fried chicken.

Each city had a different sound:

there was Mambo, Rhega, Jeanne;

holy the voice of the righteous sisters.

 

Shape to shape, horn to horn

the Porkpie Hat resurrected himself

night to night, from note to note

skimming the horizons, flashing bluegreenyellow lights

and blowing black stars

and wierd looneymoon changes; chords coiled about him

and he was flying

fast

zipping

past

sound

into cosmic silences

And yes

and caresses flowed from the voice in the horn in the blue

of the yellow whiskey room where bad hustlers with big

coats moved, digging the fly sister, fingerpopping while

tearing at chicken and waffles.

 

The Porkpie Hat loomed specter like, a vision for the world;

shiny, the knob toe shoes,

sporting hip camel coats

and righteous pin stripes—

pants pressed razor shape;

and caressing his horn, baby like.

 

So we pick up our axes and prepare

to blast the white dream;

we pick up our axes

re-create ourselves and the universe,

sounds splintering the deepest regions

of spiritual space

crisp and moaning voices

leaping in the horns of destruction,

blowing death and doom to all who have no use for the 

spirit.

 

So we cook out of sight

into cascading motions of joy delight

shooflies the Bird lolligagging

and laughing for days,

and the rhythms way up in there

wailing, sending scarlet rays, luminescent,

spattering bone and lie.

we go on cool lords

wailing on into star nights,

rocking whole worlds, unfurling song on song

into long stretches of green spectral shimmerings,

blasting on, fucking the moon with the blunt edge

of a lover's tune, out there now, joy rifting

for days and do

railriding and do

talking some lovely shit and do

to the Blues God who blesses us.

 

No, don't say goodbye to the Porkpie Hat—

he lives, oh yes.

 

Lester lives and leaps

Delancy's dilemma is over

Bird lives

Lady lives

Eric stands next to me

while I finger the Afro-horn

Bird lives

Lady lives

Lester leaps in every night

Tad's delight

is mine now

Dinah knows

Richie knows

that Bud is Buddha

that Jelly Roll dug juju

and Lester lives

in Ornett's leapings

the Blues God lives

we live

live

spirit lives

and sound lives

bluebird lives

lives and leaps

dig the mellow voices

dig the Porkpie Hat

dig the spirit in Sun Ra's sound

dig the cosmic Trane

dig be 

dig be

dig be

spirit lives in sound

dig be

sound lives in spirit

dig be

yeah!!!

spirit lives

spirit lives

spirit lives

SPIRIT!!!

SWHEEEEEEEEEEEEEEETT!!!

 

take it again

this time from the top

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posted 4 November 2007

 

 

Home    Amiri Baraka Table  Black Arts and Black Power Figures

Related Files:  Neal Interview in Omowe   Larry Neal Chronology  The Black Arts Movement  (Larry Neal)  “Don’t Say Goodbye to the Pork Pie Hat  Larry Neal Bio 

  Larry Neal Speaks  Black Fire: An Anthology of Afro-American Writing