ChickenBones: A Journal

for Literary & Artistic African-American Themes

   

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Selected Poems from

Nia: Haiku, Sonnets, Sun Songs

By neo-griot Kalamu ya Salaam

 

 

 

Have You Ever Been a Saxophone

 

a breath blown

softly intoned through curved metal

tubing blew in dazzling duo with the germane glow of life

gleaming in the gloaming of a gardenia-honeyed evening

 

have you ever

been a song sung in lyrical falsetto

a melody of sensitivity and sincerity

ear caressing, confessing yes, yes love is a sweet wonder

 

have you ever

ridden a funky rift with the amazing grace

of a soft shoe toe tapper patting out a discreet beat

as you lightly and politely step through the gentle rush

of the erotic movement of slow sucking the tender of ten tan toes

 

have you ever

nimbly negotiated complex changes

with moves so smooth you make silk seem rough

as you unerringly address each emotional moment calling coitus

by its familiar names like saying heart be still, skin stop trembling

when i come to see you i'm running cause walking is much too slow

 

have you ever

been a saxophone, a red saxophone gently blown tenderly as red tyler

resplendently fingering the keys of our feelings, his horn a house

of joy from which dew drops as he smiles, winks and slips unobtrusively

back into the mouth of god, the only womb from which such a magnificent

musician could possibly issue

 

alvin red tyler, a red saxophone

when i grow to full maturity, that's the sound i want to be!

*   *   *   *   *

 

 
 
Mourning the Passing of Alvin "Red" Tyler

Alvin "Red" Tyler died April 3, 1998, age 72 of natural causes. It is with great sadness that we report his passing of this jazz legend. Mr. Tyler, a long time saxophonist on many New Orleans Jazz recordings, performed with Germaine Bazzle, Little Richard, Dr. John, and Fats Domino, recorded on hundreds of other records, and even recorded two of his own albums for Rounder Records. He was part of the mostly overlooked New Orleans group of modernists which included Ed Blackwell, Alvin Batiste and Ellis Marsalis. His writing and playing reveal the controlled, pastel quality of Wayne Shorter's work, informed by New Orleans' rhythmic pragmatism and Tyler's obvious interest in new harmonies and structure. Red was a wonderful sax player, and he will be greatly missed, particularly at the Jazz and Heritage Festival.

 

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