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If I ain’t African / how come my feet do this African dance? 

How come every time / I’m in New Orleans or Charleston 

I fall into a trance? 

 

 

If I Ain't African 

By Glenis Redmond 

If I ain’t African 

someone tell my heart 

to stop beating like a djembe drum. 

 

If I ain’t African 

someone tell my hair 

to stop curling up like the continent 

it is from. 

 

If I ain’t African 

someone tell my lips 

to stop singing a Yoruban song. 

Someone speak to my hips, 

tell them their sway 

is all wrong. 

 

If I ain’t African 

how come I know the way home 

along the Ivory Coast? 

Feel it in my breast of bones. 

 

If I ain’t African 

how come my feet do this African dance? 

How come every time 

I’m in New Orleans or Charleston 

I fall into a trance? 

 

If I ain’t African how come 

I know things I’m not supposed to know 

about the middle passage-slavery 

feel it deep down in my soul? 

 

If I ain’t African 

someone tell their gods 

to stop calling on me, 

Obatala, Ellegba, Elleggua, 

Oshun, Ogun! 

 

Tell me why I faint 

every time 

there is a full moon. 

 

 

If I ain’t African 

how come I hear 

Africa Africa Africa 

everywhere I go? 

Hear it in my heartbeat 

hear it high 

hear it low. 

 

If I ain’t African 

someone tell my soul 

to lose it’s violet flame. 

Someone tell their gods 

to call another name. 

Someone take this drumbeat 

out of my heart. 

 

Someone give my tongue 

a new mouth 

to part. 

 

If I ain’t African 

someone tell my feet 

to speak to my knees 

to send word to my hips 

to press a message on to my breast 

to sing a song 

to my lips 

to whisper in my ear, 

 

If I ain’t African 

If I ain’t African 

If I ain’t African 

 

PLEASE 

 

tell my eyes 

‘cause if I ain’t African, 

I ain’t livin’, and 

God knows, 

I ain’t 

 

ALIVE! 

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posted 16 August 2007

Responses

Glenis, What a really marvelous poem - so apt, so heart-touching, soul-stirring, identity-affirming, so much of what Africans need to hear - continental and diasporan!  Congrats! Dr. Rose Ure Mezu

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Go, Tell Michelle
African American Women Write to the New First Lady

Edited Barbara A. Seals Nevergold and Peggy Brooks-Bertram

 

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 updated 16 October 2007

 

 
 

Glenis Redmond is an award-winning performance poet, praise poet, teacher, and writer. For the past twelve years, she has traveled both domestically and abroad, performing and teaching.

Her poetry has won the Carrie McCray literary award 1995, NC Literary Artist Fellowship 2005, Denny C. Plattner Award for Outstanding Poetry, 2005. She is also the two-time recipient of fellowships from both the Vermont Writing Center and the Atlantic Center for the Arts. Glenis has been published in numerous literary journals and publications including Stanford University's Black Arts Quarterly, Obsidian II: Black literature in Review, Emrys Journal, Bum Rush The Page: Def Poetry Jam, Appalachian Journal, Appalachian Heritage and African Voices.

As a performer, Glenis Redmond was the Southeast Regional Individual Poetry Slam Champion in 1997 and 1998, and placed in the top ten twice in the National Individual Slam Championships. She currently presents a variety of performances for audiences of all ages in venues ranging from top performing arts centers to juvenile detention centers. Glenis has performed in many diverse locations including the Paddington Arts Festival in England, the Nuyorican Poets Cafe in New York City, the Poetry Circus Festival in Taos, New Mexico, and the Peace Center in her native South Carolina.

As a teacher, Glenis Redmond has recently been invited to join the national touring roster for the Kennedy Center's Partnership in Education Teacher Training. She helps both professional and amateur writers from 9-90 find their own poetic voices through workshops and classes across the nation.  Email:  poetica11@aol.com and Website:  www.Glenisredmond.com  

 

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