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Books by Kalamu ya
Salaam
The Magic of JuJu: An Appreciation of the Black Arts
Movement /
360:
A Revolution of Black Poets
Everywhere Is Someplace Else: A Literary Anthology
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From A Bend in the River: 100 New Orleans Poets
Our Music Is No Accident /
What Is Life: Reclaiming the Black Blues Self
My Story My Song (CD)
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I Love You: Post-Katrina New Orleans
By Kalamu ya Salaam
“I love you, Gabe,” a pagan
emotionally embraces a Christian. Our differences are a
classic case of otherness-we are not only old/young,
male/female, radical/conservative, we are also
non-religious/religious. One might rationally assume
given all those differences that Gabe and I would end
up, if not estranged, at the very least alienated.
Gabe is a young, quiet ebony woman with inquisitive eyes
and an enchanting laugh you have to get to know her to
hear. She is as serious as the damage done to New
Orleans, not just by hurricane Katrina, but also by the
neglect and malfeasance of those who are charged with
caring for our wounded city, i.e. our elected officials
at all levels of governance-and that's serious!
I had asked Gabe whether people who didn't know Christ
could know true love. Her face registered her inner
turmoil. As she usually does, Gabe took her time in
responding to such a dangerous inquiry. I even specified
“what about the millions and millions of people who
lived before Jesus appeared? Could they know true love?”
She uttered a soft but unyielding “no.” I was not
surprised.
A strange mixture of sadness and hope roiled inside me.
This was sort of a Middle East moment; that instant when
the other could easily become not just incomprehensible
but also enemy.
Between us, I am the elder who had also been her high
school teacher. I am the male within a patriarchal
society. I am the more worldly in personal experience. I
did not feel threatened by Gabe's response and I tried
my best not to appear threatening in my rejoinder.
Though we both only wanted the best for the other,
nevertheless we were at war with each other; in this
weird case the battlefield was the concept of love.
When I responded, “I love you, Gabe.” Gabe smiled. We
have it on camera. And Ashley, who was there with a
second camera, had immediately also chosen sides.
”I love you too, Gabe.”
We were making a movie about making a movie about
post-Katrina New Orleans life. It is not easy. Life in
these times is not easy. Making a serious movie about
the convoluted truths of these uneasy times is also not
easy.
I was not being glib nor merely mouthing a platitude
when I told Gabe I loved her. Nor, for that matter, was
Ashley simply co-signing a politically correct social
conversation. We were sharing with each other deep, deep
feelings across a chasm of incompatible beliefs.
I am writing these words on a Mac laptop, sitting on a
non-descript, nearly-but-not-quite ugly sofa at Marian's
house. Last night I sat in this exact spot and quoted
Amilcar Cabral to Marian: the people are not fighting
for some ideas in our heads, they are fighting for a
better life. The point being, we win the war by offering
a better life and not because we offer superior ideas.
I also talked about how Americans are junkies hooked on
consumerism and that as long as there is a supply a dope
you can not hope to organize junkies because for junkies
only two things really matter. One is being high and the
other is getting high.
Marian, who converted to Judaism decades ago, laughed in
agreement. And then a little later she admitted, “I
thought you were going to beat up on me. Why can't
people understand?” What she meant was “why don't” not
“why can't.”
I am a born again pagan who does not proselytize my
non-beliefs. I am used to bumping up against Christian
bigotry from friends and associates, from people who
don't even realize they want to narrow and restrict the
human condition, so I could not resist broadly smiling
when Marian threw her head back in delight recalling her
visit to Israel, a country where there “was no Sunday.
You know it's against the law there to knock on
someone's door and ask do they know Christ.”
Earlier in the week I had also reached out to Abram who,
in poker fashion, had called and raised my belief that
Israel was a European problem that the powers that be
foisted on the Arabs to solve. Abram proclaimed he was
for Austria being Israel.
“You know Freud and . . .” Abram
reeled off a list of reasons why Austria. We laughed and
laughed. “I'm serious. Even though I hate it over there,
I would move there.”
Abram didn't have to say he wouldn't move to Israel in
the Middle East.
“And, the Germans won. They really
did. They got rid of most of their Jewish population and
now the majority of the world hates Jews.” Abram is
withering in his sit-down routine.
So there we were, lounging on the steps of his raised
traditional New Orleans shotgun double, commiserating
with each other about the hopelessness of a settlement.
“History proves that occupations
never win. People will always fight for their land.”
I calmly remind Abram, “that's not true. Look at this
country. America is a settler state; they simply wiped
out the indigenous people, proclaimed this a democracy,
and now want to make everybody else adopt the American
way.”
I resist. I may have been born in America, but I refuse
to act American. Yes, there are deep-seated problems in
the world but we don't have to subscribe to
might-makes-right to solve those problems nor do we need
to stake the salvation of others on them adopting our
personal beliefs.
Gabe inspires me. She manifests a serious commitment to
grappling with our city's considerable problems even as
fractures and fissures shatter her personal life. She
remains accepting of the other even as she is strict
with herself. Gabe doesn't avoid the difficult. She is
not afraid to face her fears.
Differences do not separate Gabe and I. She is as
ecumenical as Jesus in her embracing of others.
I know true love because I know Gabe.
posted 25 August 2006 |