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If you follow what happened over the last three summers in Kashmir, for

example, when tens of thousands of unarmed people faced down Indian security

forces with as much courage and determination as the people of Egypt, Tunisia,

Syria and Yemen, you can’t help but wonder why the Western media

switches on the lights to cover some uprisings, and blacks out others.

 

 

Books by Arundhati Roy

Broken Republic / The God of Small Things  / Field Notes on Democracy  / Public Power in the Age of Empire

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 Interview with Arundhati Roy

By Dinyar Godrej

 

Dinyar Godrej: Your writings have grappled with ruthless state violence which is often at the behest of corporate interests. Much of the corporate-owned media in India shies away from covering the civil war-like conditions in many parts of the country. The establishment tends to brand anyone who attempts to present the other side’s points of view as having seditious intent. Where is the democratic space?

Arundhati Roy: You’ve partially answered your own question—newspapers and television channels do not make their money from subscriptions or viewership; in fact, corporate advertisements actually subsidize TV viewership and newspaper and magazine readership, so in effect, the mass media is run with corporate money. Some media houses are directly owned by corporations, some indirectly by majority share-holdings. Some media houses in, say, Central India, have a direct interest in mining and infrastructure projects, so they have a vested interest in the push to displace people in the huge, ongoing land-grab in which land and resources are forcibly taken from the poor and given to the rich—a process which goes by the name of ‘development’.

It would be foolish to expect objective reporting: not because the journalists are bad people, but because of the economic structure of the organizations they work for. In fact, what is surprising is that despite all of this, occasionally there is some very good reporting. But overall we either have silence, or a completely distorted picture, in which those resisting their impoverishment are being labelled ‘terrorists’—and these are not just the Maoist rebels who have taken to arms, but others who are involved in unarmed, but militant, struggles against the government. A climate has been created which criminalizes dissent of all kinds.

There are hundreds, maybe even thousands of the poorest people in jails across the country under charges of sedition and waging war against the state. Many others are just charged under the common criminal penal code. There are the other ‘seditionists’ too, of course—those who have been fighting for self-determination after being inducted into the Union of India without their consent, when the British left in 1947. I refer to Kashmir, Manipur, Nagaland… in these places, tens of thousands have been killed, hundreds of thousands tortured in the nightmarish interrogation centres and army camps all around the country.

And now, the Indian army is migrating to the heart of the country—to fight the Adivasi people whose lands the corporations covet. They say Pakistan is a military dictatorship, but I don’t think the Pakistani army has been actively deployed against its ‘own’ people the way the Indian army has been: Kashmir, Manipur, Nagaland, Hyderabad, Goa, Telengana, Punjab and now, Chhattisgarh, JharkhandOrissa

Anti-corruption campaigning has been at the forefront of media-reported news in India.

Dinyar Godrej: Meanwhile, the relative silence on civil war conditions continues. How does one explain this gap in what makes the news?

Arundhati Roy: I have mixed feelings about the anti-corruption campaign. It gathered momentum after a series of huge scams hit the headlines. The most scandalous of them was what has come to be known as the ‘2G scam’ in which the government sold telecom spectrum for mobile phones (a public asset) to private companies at ridiculously low prices. The companies went on to sell them at huge profits to other companies, robbing the public exchequer of billions of rupees. Leaked phone taps showed how everybody, from the judiciary to politicians to high profile journalists and low profit hit-men, were in on the manoeuvring. The transcripts were like an MRI scan that confirmed a diagnosis that had been made years ago by many of us.

The 2G scam enraged the Indian middle classes, who saw it as a betrayal, as a moral problem, not a systemic or a structural one. Somehow, the fact that the government has signed hundreds of secret Memorandums of Understanding (MOUs) privatizing water, minerals and infrastructure, and signing over forests, mountains and rivers to private corporations, does not seem to generate the same outrage.

Unlike in the 2G scam, these secret MOUs do not have just a monetary cost, but human and environmental costs that are devastating. They displace millions of people and wreck whole ecosystems. The mining corporations pay the government just a tiny royalty and rake in huge profits. Yet the people who are fighting these battles are being called terrorists and terrorist sympathizers. Even if there were no corruption and everything were above board on these deals, it would be daylight robbery on an unimaginable scale.

On the whole, when a political movement is mobilized using the language of ‘anti-corruption’, it has an apolitical ‘catch-all’ appeal which could result in a hugely unfair system being strengthened by a sort of moral police force which has authoritarian instincts. So you have ‘Team Anna’: a sort of oligarchy of ‘concerned citizens’—some of them very fine people—led by the old Gandhian Anna Hazare, who talks about amputating the limbs of thieves and hanging people and who has praised Gujarat’s Chief Minister Narendra Modi, who presided over the public massacre of thousands of Muslims in broad daylight.

On the other hand, to shun the anti-corruption movement and set your eyes on a long-term political goal lets the corporate looters and their henchmen in the media, parliament and judiciary off the hook. So it’s a bit of a dilemma.

Dinyar Godrej: Recent Indian government legislation permits web content to be shut down for a variety of reasons. Film censorship is still widely used. Why does the state take such a paternalistic role towards what its citizens have to say?

Arundhati Roy: I think overt censorship is slated to become a big problem in the near future. Internet censorship, surveillance, the project of the electronic UID (Unique Identity card)… ominous. Imagine a government that cannot provide food or water to its people, a government whose policies have created a population of 800 million people who live on less than 20 rupees [about 45 US cents] a day, a country which has the largest number of malnourished children in the world, which has, as a major priority, the desire to distribute UID cards to all of its citizens.

The UID is a corporate scam which funnels billions of dollars into the IT sector. To me, it is one of the most serious transgressions that is on the cards. It is nothing more than an administrative tool in the hands of a police state. But coming back to censorship: since the US government has pissed on its Holy Cow (Free Speech—or whatever little was left of it) with its vituperative reaction to Wikileaks, now everybody will jump on the bandwagon. (Just like every country had its own version of the ‘war on terror’ to settle scores.)

Having said this, India is certainly not the worst place in the world on the Free Speech issue: the anarchy of different kinds of media, the fact that it’s such an unmanageable country and, though institutions of democracy have been eroded, there is a militant spirit of democracy among the people… it will be hard to shut us all up. Impossible, I’d say.

Dinyar Godrej: You have pointed out that nonviolent positions are difficult to hold on to when there is no audience to witness them, and when the opposing force does not blink at the moral challenge and responds with murder. Why do you think pointing that out caused such an uproar?

Arundhati Roy: I have written at some length about this. I do not say that nonviolent satyagraha is an obsolete tool of resistance, not at all. It can be extremely effective; but has to be carried out in the public eye, in front of TV cameras, and for demands—like ‘anti-corruption’— which appeal to the sympathies of the middle class.

However, I do believe that preaching ‘nonviolence at any cost’ from a safe distance to Adivasi people who live in remote forest villages and have watched hundreds of security forces arrive, surround their villages, burn their homes and kill and rape their people, can also be pretty immoral.

If the middle class were to join the battle, then of course nonviolent satyagraha would be an option. But of course it won’t. It can’t. That would be a political oxymoron. Why does pointing this out cause an uproar, you ask? I think because of the fear that once those millions of people who have been so cruelly dispossessed of all they have in order to fire India’s ‘growth’ suddenly unshackle their imaginations and realize that they are not so defenceless after all, the Beautiful People know that no power on earth will be able to protect them.                                                                                            Adivasi woman  

Sure, there may not be a perfect, synchronized revolution in which the masses will overthrow the ruling classes. Instead, there will be a messy insurrection, when all manner of brutality will occur. The poor may not win, but the rich will certainly lose. The feast will end. That’s why the uproar.                                                                                                                                                       

Dinyar Godrej: Are we talking about the narratives we like to make up and then believe in, regardless of the reality of the situation? What is your take on the narratives, especially those of the Western media, around the Arab uprisings?

Arundhati Roy: Well, when the mainstream media begins to report enthusiastically about a series of uprisings—when they described the Arab uprisings as the Arab ‘spring’—and when you know how loaded the reporting around the Israeli Occupation of Palestine is, then if you have your wits about you, you have to be on your guard, a little wary of swallowing the reports hook, line and sinker. If you follow what happened over the last three summers in Kashmir, for example, when tens of thousands of unarmed people faced down Indian security forces with as much courage and determination as the people of Egypt, Tunisia, Syria and Yemen, you can’t help but wonder why the Western media switches on the lights to cover some uprisings, and blacks out others.

I found it a little disconcerting how enthusiastically the 19-day ‘revolution’ in Tahrir Square was being reported, how excited [New York Times foreign affairs columnist] Thomas Friedman was about it—but only a few months ago reports seemed to suggest that Hosni Mubarak was sick and dying…

Then you had headlines like ‘Egypt free, army takes charge’ and you know that the army is intricately entwined with the US. I worry that the anger and energy of people who have been repressed for years by puppet dictators is being siphoned off, carefully defused, while the West jockeys to retain the status quo one way or another and replace the old despots with a more streamlined, less obvious form of despotism. The last I heard, people were beginning to gather in Tahrir Square again…

Dinyar Godrej: Surges of people power, as in Tunisia and Egypt, and earlier in the Philippines, are capable of forcing climactic moments and sudden change. But the aftermath often sees a return to old systems and old corruptions. Why is human social organization so resistant to the change we yearn for?

Arundhati Roy: While people in these countries lived under repressive regimes and yearned for democracy, perhaps they didn’t know that real democracy has been taken into the workshop and replaced by the market-friendly version, which is a far more sophisticated form of despotism, not easy for beginners to decode. It might take a little time for people to realize they’ve been sold the wrong model. But meanwhile they have fought heroic street battles, faced down tanks, celebrated victory. They’ve been applauded all the way, while they let off steam. For them to build up that head of steam again isn’t easy. It’ll take years. Human society isn’t resistant to change: it wants change; but sometimes it isn’t smart enough to get what it wants.

Dinyar Godrej: Another world is possible. What are the ways in which we can make it likely?

Arundhati Roy: To work out the complex ways in which we are being conned and corralled into being ‘good’. To realize we’re on our own. Help won’t come. We have to conserve energy, know how and where and when to deploy it. We have to fight our own battles. Ask the Sri Lankan Tamils what it feels like when the chips are down and the ‘international community’ slinks away while your people are slaughtered and then returns to cluck and commiserate in hollow ways.

Source: Newint

Dinyar Godrej—Indian-born—is a former editor of New Internationalist, works as a freelance journalist based in Europe.

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Arundhati Roy—Princess to Pariah

Excerpts by Shoma Chaudhury

 

Seers are never comforting people. And no-one can ever accuse Arundhati Roy of being comforting. Over the last decade, she has been there first at almost every trench-line: illuminating, dissecting, warning, presaging. Taunting the cosy out of their towers. Magnifying the fights of the voiceless. No other contemporary Indian writer—perhaps no Indian writer before—has engaged so fiercely and urgently with the idea and reality of India. And none have taken it apart as unflinchingly.

In keeping with the conflicted nature of India, this has earned Roy curious returns: huge love and huge anger. Two years ago, for instance, India was convulsed by a gruesome terror attack that has come to be known as ‘Mumbai 26/11’. For three days, a stupefied nation watched as a group of young gunmen held a city hostage, blasting people at will, in full view of the world. As the tragedies piled up, news came that Hemant Karkare, chief of Mumbai’s anti-terror squad, had been killed. Karkare was widely considered an honest officer and as the grieving praise poured in, a prominent Indian television anchor leaned into the screen and said: ‘We hope Arundhati Roy is listening. We haven’t invited her to this show because we think she is disgusting.’

The immediate provocation for this outburst lay in an incident earlier that year in Delhi. There had been a shootout in a minority neighbourhood and a police squad had killed two young Muslim boys, claiming they were terrorists. Swimming against the tide, Roy had condemned the incident stridently, asserting the cops had killed in cold blood and asking for an inquiry. Karkare’s martyrdom was now being used to hand out a stinging slap to her for these supposedly ‘anti-national’ stances. But the ugly hostility of the television anchor is not a stray incident: it embodies the way a certain kind of privileged, English-speaking Indian has come to regard Roy. It is the legacy of her writing and activism. In a sense, it is the story of contemporary India.

It is difficult to understand the profound, yet scrappy, impact of Roy’s political writing and activism on India unless one recalls the dizzy euphoria of her arrival and the irony of the journey she picked for herself afterwards. Roy was first announced to the world by a breathless article in a leading Indian magazine. The year was 1996. Liberalization of the Indian economy was just five years old. A jubilant middle class was looking for a mascot. Arundhati Roy came tailor-made from heaven: she had an elfin beauty, a diamond flash in her nose, a mane of gorgeous hair, a romantic back-story, and a manuscript that crackled with heart and scintillating prose and had triggered an international bidding war. India loved her.

From the moment The God of Small Things was published, Roy was deemed the chosen one. As the successes of the book piled up—huge advances, translations to 40 languages, and finally the 1997 Booker Prize—it was a done deal. Arundhati Roy was India’s triumphant entry on the global stage; she was the princess at the ball. No-one could have anticipated that the princess would strike the gong even before the midnight hour. Willfully bust the party. Pick open the seams of the gown. Expose the chariot for a pumpkin. Smash the glass slipper. But that is what Arundhati Roy did. In May 1998, barely a few months into the rollercoaster ride of her Booker win, the right-wing BJP-led government tested India’s nuclear bomb. In August 1998, Roy wrote The End of Imagination, an angry impassioned critique of the bomb, her first piece of writing after the novel. 

There can be nothing more humiliating for a writer of fiction to have to do than restate a case that has, over the years, already been made by other people in other parts of the world, and made passionately, eloquently and knowledgeably,’ she wrote. ‘But I am prepared to grovel . . . because, in the circumstances, silence would be indefensible.’  Since The End of Imagination, there has never been a silence from Roy. It was the first in a series of essays that would grow in moral strength and clarity, moving from the somewhat over-emotional hyperbole of the nuclear piece to the clear-eyed discomfitures of her later ones. She had crossed over to the dark side.—NewInt

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Arundhati Roy (born 24 November 1961) is an Indian novelist. She won the Booker Prize in 1997 for her novel, The God of Small Things, and has also written two screenplays and several collections of essays. Her writings on various social, environmental and political issues have been a subject of major controversy in India. . . . Roy began writing her first novel, The God of Small Things, in 1992, completing it in 1996. The book is semi-autobiographical and a major part captures her childhood experiences in Aymanam. The publication of The God of Small Things catapulted Roy to instant international fame. It received the 1997 Booker Prize for Fiction and was listed as one of the New York Times Notable Books of the Year for 1997. It reached fourth position on the New York Times Bestsellers list for Independent Fiction. From the beginning, the book was also a commercial success: Roy received half a million pounds as an advance; It was published in May, and the book had been sold to eighteen countries by the end of June.

The God of Small Things received stellar reviews in major American newspapers such as The New York Times (a "dazzling first novel," "extraordinary," "at once so morally strenuous and so imaginatively supple") and the Los Angeles Times ("a novel of poignancy and considerable sweep"), and in Canadian publications such as the Toronto Star ("a lush, magical novel"). By the end of the year, it had become one of the five best books of 1997 by TIME. Critical response in the United Kingdom was less positive, and that the novel was awarded the Booker Prize caused controversy; Carmen Callil, a 1996 Booker Prize judge, called the novel "execrable," and The Guardian called the contest "profoundly depressing." In India, the book was criticized especially for its unrestrained description of sexuality by E. K. Nayanar, then Chief Minister of Roy's homestate Kerala, where she had to answer charges of obscenity.—Wikipedia

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Occupy Wall Street . . . Heart of Empire

Arundhati Roy: I was never one of those people who was, you know, throwing my hat in the air when he [Obama] won, even though—even though the memory of, you know, old black people, you know, feeling so happy to have a black man in the White House was something you just couldn’t ignore. But to see how he has—I mean, it’s almost reprehensible. You see—what has he done? He’s expanded the war in Afghanistan into Pakistan. Those drone attacks are killing people every day. You know, it’s—I don’t think he has any idea what he’s doing in that subcontinent. You know, no idea whatsoever. It is just devolving into a completely unmanageable, horrendous situation.

In America now, I just feel—I just feel a bit upset every time I hear that smooth, silver-tongued, you know, kind of delivery, which actually means nothing most of the time. And so, if—I keep thinking that if George Bush had done what Obama does, everybody would be saying he’s a fascist, you know, but we really step back and make so much space for what’s going on here, that—you know, it’s an old dilemma, of course, that somebody can do by day what the other person does at night. And, you know, people are so caught up in this view that the only choice you have is between the Democrats and the Republicans or between the Congress and the BJP. Our imaginations have been locked into this kind of electoral politics, so we feel like we have to say nice things about him. But I don’t feel like saying nice things about him.—DemocracyNow

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Come SeptemberBut what does the term .anti-American mean? Does it mean you are anti-jazz? Or that you're opposed to freedom of speech? That you don't delight in Toni Morrison or John Updike? That you have a quarrel with giant sequoias? Does it mean that you don't admire the hundreds of thousands of American citizens who marched against nuclear weapons, or the thousands of war resisters who forced their government to withdraw from Vietnam? Does it mean that you hate all Americans? This sly conflation of America's culture, music, literature, the breathtaking physical beauty of the land, the ordinary pleasures of ordinary people with criticism of the U.S. government's foreign policy (about which, thanks to America's .free press., sadly most Americans know very little) is a deliberate and extremely effective strategy. It's like a retreating army taking cover in a heavily populated city, hoping that the prospect of hitting civilian targets will deter enemy fire. But there are many Americans who would be mortified to be associated with their government's policies. The most scholarly, scathing, incisive, hilarious critiques of the hypocrisy and the contradictions in U.S. government policy come from American citizens. When the rest of the world wants to know what the U.S. government is up to, we turn to Noam Chomsky, Edward Said, Howard Zinn, Ed Herman, Amy Goodman, Michael Albert, Chalmers Johnson, William Blum and Anthony Arnove to tell us what's really going on.—Arundhati Roy

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AALBC.com's 25 Best Selling Books


 

Fiction

#1 - Justify My Thug by Wahida Clark
#2 - Flyy Girl by Omar Tyree
#3 - Head Bangers: An APF Sexcapade by Zane
#4 - Life Is Short But Wide by J. California Cooper
#5 - Stackin' Paper 2 Genesis' Payback by Joy King
#6 - Thug Lovin' (Thug 4) by Wahida Clark
#7 - When I Get Where I'm Going by Cheryl Robinson
#8 - Casting the First Stone by Kimberla Lawson Roby
#9 - The Sex Chronicles: Shattering the Myth by Zane

#10 - Covenant: A Thriller  by Brandon Massey

#11 - Diary Of A Street Diva  by Ashley and JaQuavis

#12 - Don't Ever Tell  by Brandon Massey

#13 - For colored girls who have considered suicide  by Ntozake Shange

#14 - For the Love of Money : A Novel by Omar Tyree

#15 - Homemade Loves  by J. California Cooper

#16 - The Future Has a Past: Stories by J. California Cooper

#17 - Player Haters by Carl Weber

#18 - Purple Panties: An Eroticanoir.com Anthology by Sidney Molare

#19 - Stackin' Paper by Joy King

#20 - Children of the Street: An Inspector Darko Dawson Mystery by Kwei Quartey

#21 - The Upper Room by Mary Monroe

#22 – Thug Matrimony  by Wahida Clark

#23 - Thugs And The Women Who Love Them by Wahida Clark

#24 - Married Men by Carl Weber

#25 - I Dreamt I Was in Heaven - The Rampage of the Rufus Buck Gang by Leonce Gaiter

Non-fiction

#1 - Malcolm X: A Life of Reinvention by Manning Marable
#2 - Confessions of a Video Vixen by Karrine Steffans
#3 - Dear G-Spot: Straight Talk About Sex and Love by Zane
#4 - Letters to a Young Brother: MANifest Your Destiny by Hill Harper
#5 - Peace from Broken Pieces: How to Get Through What You're Going Through by Iyanla Vanzant
#6 - Selected Writings and Speeches of Marcus Garvey by Marcus Garvey
#7 - The Ebony Cookbook: A Date with a Dish by Freda DeKnight
#8 - The Isis Papers: The Keys to the Colors by Frances Cress Welsing
#9 - The Mis-Education of the Negro by Carter Godwin Woodson

#10 - John Henrik Clarke and the Power of Africana History  by Ahati N. N. Toure

#11 - Fail Up: 20 Lessons on Building Success from Failure by Tavis Smiley

#12 -The New Jim Crow: Mass Incarceration in the Age of Colorblindness by Michelle Alexander

#13 - The Black Male Handbook: A Blueprint for Life by Kevin Powell

#14 - The Other Wes Moore: One Name, Two Fates by Wes Moore

#15 - Why Men Fear Marriage: The Surprising Truth Behind Why So Many Men Can't Commit  by RM Johnson

#16 - Black Titan: A.G. Gaston and the Making of a Black American Millionaire by Carol Jenkins

#17 - Brainwashed: Challenging the Myth of Black Inferiority by Tom Burrell

#18 - A New Earth: Awakening to Your Life's Purpose by Eckhart Tolle

#19 - John Oliver Killens: A Life of Black Literary Activism by Keith Gilyard

#20 - Alain L. Locke: The Biography of a Philosopher by Leonard Harris

#21 - Age Ain't Nothing but a Number: Black Women Explore Midlife by Carleen Brice

#22 - 2012 Guide to Literary Agents by Chuck Sambuchino
#23 - Chicken Soup for the Prisoner's Soul by Tom Lagana
#24 - 101 Things Every Boy/Young Man of Color Should Know by LaMarr Darnell Shields

#25 - Beyond the Black Lady: Sexuality and the New African American Middle Class  by Lisa B. Thompson

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What Orwell Didn't Know

Propaganda and the New Face of American Politics

By Andras Szanto

Propaganda. Manipulation. Spin. Control. It has ever been thus—or has it? On the eve of the 60th anniversary of George Orwell's classic essay on propaganda (Politics and the English Language), writers have been invited to explore what Orwell didn't—or couldn't—know. Their responses, framed in pithy, focused essays, range far and wide: from the effect of television and computing, to the vast expansion of knowledge about how our brains respond to symbolic messages, to the merger of journalism and entertainment, to lessons learned during and after a half-century of totalitarianism. Together, they paint a portrait of a political culture in which propaganda and mind control are alive and well (albeit in forms and places that would have surprised Orwell). The pieces in this anthology sound alarm bells about the manipulation and misinformation in today's politics, and offer guideposts for a journalism attuned to Orwellian tendencies in the 21st century.

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Salvage the Bones

A Novel by Jesmyn Ward

On one level, Salvage the Bones is a simple story about a poor black family that’s about to be trashed by one of the most deadly hurricanes in U.S. history. What makes the novel so powerful, though, is the way Ward winds private passions with that menace gathering force out in the Gulf of Mexico. Without a hint of pretension, in the simple lives of these poor people living among chickens and abandoned cars, she evokes the tenacious love and desperation of classical tragedy. The force that pushes back against Katrina’s inexorable winds is the voice of Ward’s narrator, a 14-year-old girl named Esch, the only daughter among four siblings. Precocious, passionate and sensitive, she speaks almost entirely in phrases soaked in her family’s raw land. Everything here is gritty, loamy and alive, as though the very soil were animated. Her brother’s “blood smells like wet hot earth after summer rain. . . . His scalp looks like fresh turned dirt.” Her father’s hands “are like gravel,” while her own hand “slides through his grip like a wet fish,” and a handsome boy’s “muscles jabbered like chickens.” Admittedly, Ward can push so hard on this simile-obsessed style that her paragraphs risk sounding like a compost heap, but this isn’t usually just metaphor for metaphor’s sake.

She conveys something fundamental about Esch’s fluid state of mind: her figurative sense of the world in which all things correspond and connect. She and her brothers live in a ramshackle house steeped in grief since their mother died giving birth to her last child. . . . What remains, what’s salvaged, is something indomitable in these tough siblings, the strength of their love, the permanence of their devotion.WashingtonPost

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Sister Citizen: Shame, Stereotypes, and Black Women in America

By Melissa V. Harris-Perry

According to the author, this society has historically exerted considerable pressure on black females to fit into one of a handful of stereotypes, primarily, the Mammy, the Matriarch or the Jezebel.  The selfless Mammy’s behavior is marked by a slavish devotion to white folks’ domestic concerns, often at the expense of those of her own family’s needs. By contrast, the relatively-hedonistic Jezebel is a sexually-insatiable temptress. And the Matriarch is generally thought of as an emasculating figure who denigrates black men, ala the characters Sapphire and Aunt Esther on the television shows Amos and Andy and Sanford and Son, respectively.     

Professor Perry points out how the propagation of these harmful myths have served the mainstream culture well. For instance, the Mammy suggests that it is almost second nature for black females to feel a maternal instinct towards Caucasian babies.

As for the source of the Jezebel, black women had no control over their own bodies during slavery given that they were being auctioned off and bred to maximize profits. Nonetheless, it was in the interest of plantation owners to propagate the lie that sisters were sluts inclined to mate indiscriminately.

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India: A Wounded Civilization

By V.S.Naipaul

In 1975, at the height of Indira Gandhi’s “Emergency,” V. S. Naipaul returned to India, the country his ancestors had left one hundred years earlier. Out of that journey he produced this concise masterpiece: a vibrant, defiantly unsentimental portrait of a society traumatized by centuries of foreign conquest and immured in a mythic vision of its past. Indira Gandhi

Drawing on novels, news reports, political memoirs, and his own encounters with ordinary Indians—from a supercilious prince to an engineer constructing housing for Bombay’s homeless—Naipaul captures a vast, mysterious, and agonized continent inaccessible to foreigners and barely visible to its own people.

He sees both the burgeoning space program and the 5,000 volunteers chanting mantras to purify a defiled temple; the feudal village autocrat and the Naxalite revolutionaries who combined Maoist rhetoric with ritual murder. Relentless in its vision, thrilling in the keenness of its prose, India: A Wounded Civilization is a work of astonishing insight and candor

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Captain of the Planter: The Story of Robert Smalls

By Dorothy Sterling

Dorothy Sterling’s biography of Robert Smalls is Captain of the Planter: The Story of Robert Smalls (Garden City, N. Y.: Doubleday & Co., Inc., 1958). In most history books, the contributions of Negroes during the Civil War and Reconstructions are ignored. Robert Smalls was one of the heroes who is rarely mentioned. He was a Negro slave who stole a ship from the Confederates, served on it with the Union Army with distinction, and finally served several terms in Congress.

All this was accomplished against the handicaps first of slavery, then of the prejudice of the Union Army, and finally of the Jim Crow laws, which eventually conquered him. Besides its value in contradicting the history book insinuation that the Negro was incapable of political enterprise and that the South was right in imposing Jim Crow laws, Captain of the Planter is an exciting adventure story. Captain Smalls’ escape from slavery and his battle exploits make interesting reading, and the style is fast moving.—Barbara Dodds

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It's The Middle Class Stupid!

By James Carville and Stan Greenberg

It’s the Middle Class, Stupid! confirms what we have all suspected: Washington and Wall Street have really screwed things up for the average American. Work has been devalued. Education costs are out of sight. Effort and ambition have never been so scantily rewarded. Political guru James Carville and pollster extraordinaire Stan Greenberg argue that our political parties must admit their failures and the electorate must reclaim its voice, because taking on the wealthy and the privileged is not class warfare—it is a matter of survival. Told in the alternating voices of these two top political strategists, It’s the Middle Class, Stupid! provides eye-opening and provocative arguments on where our government—including the White House—has gone wrong, and what voters can do about it. 

Controversial and outspoken, authoritative and shrewd, It’s the Middle Class, Stupid! is destined to make waves during the 2012 presidential campaign, and will set the agenda for legislative battles and political dust-ups during the next administration.

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The White Masters of the World

From The World and Africa, 1965

By W. E. B. Du Bois

W. E. B. Du Bois’ Arraignment and Indictment of White Civilization (Fletcher)

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Ancient African Nations

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Negro Digest / Black World

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The Death of Emmett Till by Bob Dylan  The Lonesome Death of Hattie Carroll  Only a Pawn in Their Game

Rev. Jesse Lee Peterson Thanks America for Slavery / George Jackson  / Hurricane Carter

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The Journal of Negro History issues at Project Gutenberg

The Haitian Declaration of Independence 1804  / January 1, 1804 -- The Founding of Haiti 

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posted 26 September 2011

 

 

 

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