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Books by and about James Baldwin
Go
Tell It on the Mountain /
The Fire Next Time
/
Notes of a Native Son
/
If Beale
Street Could Talk
Carol E. Henderson,
James Baldwin's Go Tell It on the Mountain: Historical And
Critical Essays.
Peter Lang
Publishing, 2006.
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James
Baldwin's Jeremiad
[Or Baldwinism Gone Awry]
By Albert B. Southwick
It seems fair to say that
James Baldwin has had more influence on the thinking of white
Americas in regard to black Americans than any other man living.
His writings, particularly
The Fire Next Time, may
someday be ranked a landmark in race relations, along with
Booker T. Washington’s Atlanta speech of 1895 and W.E.B.
DuBois’
The Souls of Black Folk a decade later.
But unlike those earlier
pronouncements, Baldwin’s angry trumpet sounds with an
uncertain note. Booker T. Washington may have been the essence
of Uncle Tomism, as his detractors claim, but he did spell out a
workable theory of race relations for his time. Du Bois put great
hope in the “talented tenth” who were to lead the Negroes
out of ignorance and squalor. But Baldwin is short on both
theory and hope when it comes to facing the color line dilemma.
He is a jeremiad of despair, a chronicle of outrage, but not
much of a guide for those seeking a way to higher ground.
Baldwin’s eloquence is
unquestioned. A clue to the power of his indictment is the
reluctance of whites to challenge his thesis and assumption. It
is as if the white world were struck dumb by the awfulness of
his revelations in regard to the racial nexus. But challenged he
must be, unless we all want to succumb to the paralyzing
defeatism that accepts race relations as too terrible for human
solution.
What Is He Asking?
To accept Baldwin’s
indictment without protest is to admit that the Christian
churches are a nest of crude hypocrisies, the Christian faith
itself a Pauline abomination of puritanical superstition,
American history a fraud and American democratic a crass
rationalization for brutal exploitation. At its far reaches,
Baldwinism (for this philosophy deserves a name) holds that
liberals and liberalism are part and parcel of a cowardly sham
cleverly designed to keep the Negro’s face ground in the dirt.
The Black Muslims, using
arguments shored up by a contrived theology, have drawn the
logical inference that the white man was created by the devil,
is indeed the devil incarnate, is doomed; and that the only
salvation for colored people is to separate and segregate
themselves completely in their own communities. And truly, if
Christianity, democracy, the American dream and the liberal
conscience are to be cast on the rubbish pile, why not? What
weapons are left to prove the late Malcolm X and the Honorable
Elijah Muhammad wrong? Baldwin does not say. He does insist, at
the end of The Fire Next Time, that the “relatively
conscious whites and the relatively conscious blacks” must
“end the racial nightmare, and achieve our country, and change
the history of the world.” But at another point he concedes,
“ “I know that what I am asking is impossible.” It may
well be, for who knows what he is asking?
The gulf opened up in the
American consciousness by Baldwin can be measured by such a book
as Ruby Berkley Goodwin’s It’s Good to be Black,
published in1953. “Until I argued once with a psychology
teacher,” she wrote, “I didn’t know that all Negro
children grow up with a sense of frustration and insecurity.”
Her book ended with a lilt that seems pathetic today: “I felt
genuinely sorry for everybody in the world lighter than the
brown pair of Red Goose shoes laced to my dancing feet.”
False Dawn of Postwar Ideals
Mrs. Goodwin was not the
only one entranced by that false dawn of postwar ideals W.E.B.
DuBois had doffed his usual pessimism in 1946 to announce,
according to Roi Ottley, that “by 1965 the Negro will have a
fair chance to earn a living at a decent wage.” DuBois foresaw
the disappearance by then of residential segregation, and
Negroes’ “exercising the franchise freely in the South as
well as the North.” A few years later DuBois gave up hope for
the American system and declared for communism as the only
solution.
Not many others have
followed him, but it must be admitted that the dream of racial
justice looks pretty much like a nightmare at the moment.
Franklin D. Roosevelt’s Four Freedoms, proclaimed to apply to
the world, do not yet apply to American Negroes. Prejudice is no
longer a simple evil confined to red-necked Southerners and
doomed under the onslaught of education, but an insinuating,
pervasive force that is in some ways more frustrating in New
Rochelle than in Alabama.
This sea change in national
psychology is not all James Baldwin’s doing, of course. Before
him there were the Montgomery bus boycott, and the sit-ins, and
kneel-ins, and the whole incredible pageant of black America
striding to the center of the national stage. There were Martin
Luther King, and Malcolm X and the black nationalists of all
descriptions, and CORE and SNCC, and Gomillion vs. Lightfoot.
But it was Baldwin who lanced the boil, who forced the whites of
the north — the liberal whites across the country — to gaze
on that which they had not wished to see: their relationship to
the machinery that keeps the Negro in the no man’s land of
two-thirds citizenship.
So far, fair enough. Most
whites need to have the file put to their consciences in regard
to the plight of Negroes. But the indictment goes too far when
it sinks into incomprehensibility. What, for example, are we to
make of LeRoi Jones’ charge that the trouble lies in this
nation’s “puritan colonial temperament” and that “Harlem
. . . exists only because the establishment this temperament
controls needs it to exist. If it did not want that place, and
the nightmare of its implication, to exist, Harlem would be
removed by the time this article appears.”
Would it were so. But the
average person is hard put to see just what he can do to
eliminate Harlem overnight, and if such a burden is put on his
shoulders he may give up all hope that the situation is
redeemable. “it is almost impossible for the white man to
determine just what a Negro is really feeling . . .” wrote
Richard Wright shortly before his death. This mystique,
transmogrified, is one of the roots of the problem. If Negroes
really are that different from whites, then black is black and
white is white and never the twain shall meet – and the Black
Muslims are right after all.
Guilt Feeling Is Not Enough
It is one thing to prick
the conscience of white America, to arouse a sense of guilt for
the wrongs that have been done. But guilt feeling by itself is
not enough; if it becomes too overwhelming, the human psyche has
defense mechanisms that allow the guilt energy to be dissipated
outside of any constructive channels. How many thoughtful white
Americans, thinking of South Africa, feel in their hearts that
the situation in that cursed land is so hopeless that they might
as well forget even trying to think of any solution? And how
many white Americans get a similar bleak feeling when they
consider not only Mississippi but Harlem, Roxbury, New Haven,
Gary and a hundred other places where racial relationships have
been tied into knots which defy unraveling? The feeling is
intensified in practically every case of school integration; for
how many parents are willing to jeopardize their children’s
education for the principle of equality – or for any
principle, no matter how laudable it may be?
Given this sort of
perfectly human dilemma, it is the easiest thing in the world
for a Baldwinite to pour acid into the wound, to push even the
most liberal white man to the wall where he comes face to face
with not his own prejudices so much as the prejudices of others
and a paralyzing feeling of defeatism.
There is a point in trying
to make a person see his moral responsibilities. But is there
any point in making white people of good will feel that their
every motive is suspect? Is a man merely salving his guilt
feelings when he is courteous to Negro maids and janitors? If he
makes an effort to find housing in a decent neighborhood for a
Negro physician or professor, should he be made to feel so
sensitive on the subject that he hesitates to invite Negroes to
his home, because of the fear of some shade of
inverse-reverse-obverse prejudice? The achievement of normal
relations between whites and blacks is difficult enough under
the best of circumstances. But if every social move has to be
analyzed and psychoanalyzed, normal relations will be
impossible.
Doomsday Dust All Over Him
People, black and white,
will just have to do the best they can, James Baldwin’s
apocalyptic prophecies notwithstanding. “A bill is coming in
that I fear America is not able to pay,” he says, doomsday
dust all over him. “At the center of this dreadful storm, this
vast confusion, stand the black people of this nation that has
never accepted them, to which they were brought in chains. Well,
if this is so, one has no choice but to do all in one’s power
to change that after, and at no matter what risk – eviction,
imprisonment, torture, death.”
At no matter what risk. At
the risk of James Baldwin being called an Uncle Tom in certain
circumstances? One wonders if Baldwin is really ready to go all
the way in striving to bring about an improvement in race
relations.
It is not heartless to say
that change will not come with a clap of thunder, and that the
bill being presented to America cannot be paid all at once but
only in installments. It is not hypocritical to point out that
the way to progress is not via Armageddon but by such prosaic
milestones as civil rights laws, federal injunctions, legal
processes, demonstrations, summer projects, voter registration
drives, school busing and tokenism here, there and everywhere.
Negro leaders are rightly suspicious of Fabian policies. The
phrase “it will take time” often masks the secret hope.
“Perhaps it won’t have to be done at all.” Nevertheless
the fact is plain: it will take time.
And the struggle demands
the support of all the good will that can be found, even when it
is found mixed with faint-heartedness and hypocrisy. Wherever
the conscience of the white man flickers there is support for
Negro aspirations, and no one should be written off or read out
of the movement because he is not a hero. People are not all
heroes. Generally they are not very brave or imaginative. Often
they are prisoners of their past. Yet it is the people – the
ordinary people – who have to carry this burden of social
revolution on their backs and in their hearts. God has no other
instruments for his will.
Is it not time for James
Baldwin to put away his whiplash and join hands with the rest of
us sinners? And is it not time for him to wonder whence cometh
his prophetic indignation, which has shaken a great nation to
its core? Source: The Christian Century (March 24, 1965)
| Selected Works
Go Tell It on the Mountain, 1953
Notes of a Native Son, 1955
Giovanni's Room, 1956
Nobody Know
My Name (, 1962
Another Country, 1962
The Fire Next Time, 1963
Blues for Mister Charlie (a play, produced in 1964)
Going to Meet the Man, 1965
Tell Me How Long the Train's Been Gone, 1968
A Rap on Race, with Margaret Mead, 1971
If Beale
Street Could Talk 1974
The Devil Finds Work, 1976
Just Above My Head, 1979
The Evidence of Things Not Seen, 1985
The Price of the Ticket: Collected Non-Fiction,
1948-1985, 1985
Perspectives: Angles on African Art, 1987
Conversations with James Baldwin, 1989
Early Novels and Stories, 1998
Collected Essays, 1998 (ed. by Toni Morrison) |
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updated 2 October 2007 /
update 24 February 2008
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