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Jamie Walker Table

 

 

Books by Jamie Walker

101 Ways Black Women Can Learn to Love Themselves: A Gift for Women of All Ages  /  Signifyin’ Me: New and Selected Poems

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 Bio-Sketch

Dr. Jamie Walker, originally from Oakland, California, resides in Washington, D.C.  Walker graduated magna cum laude from San Francisco State University, where she studied Theater Arts and Black Studies.  She received both her Masters and Ph.D. in African American and Caribbean Literature from Howard University. Her dissertation was on poet Sonia Sanchez and her master’s thesis was on author Jamaica Kincaid

Walker starred in several plays throughout California. She won first place in the state of California for her dramatic interpretation of August Wilson's play, Fences, and toured with The San Francisco Mime Troupe and The African American Shakespeare Company.  She hosted a late-night talk show on WHBC 830 AM called, "Soul Talk.”

Her first book, 101 Ways Black Women Can Learn to Love Themselves: A Gift for Women of All Ages  (2002). Poems from her second book, Signifyin’ Me: New and Selected Poems (2005) will be published two forthcoming anthologies: Gumbo for the Soul: The Recipe for Literacy in the African American Community and Are All the Women Still White?: Globalizing Women’s Studies.

In Fall 2001, Walker received a distinguished scholarship award from poet Sonia Sanchez on behalf of The Elizabeth Howard and Thornton H. Trust Fund.  That same year, poet Ethelbert Miller recommended Walker for a Lannan Poetry Fellowship at The Shakespeare Library in Washington, D.C. She was selected by Camille O. Cosby and Renee Poussaint to join the first class of students in The National Visionary Heritage Fellowship Program 

Walker’s essays and poetry are published in Role Call: A Generational Anthology of Social & Political Black Literature & Art (Third World Press 2002), edited by Tony Medina and Samiya Bashir; It Doesn’t Take a Genius: Five Truths to Inspire Success in Every Student (McGraw-Hill 2005), edited by Tommie Lindsey;   I Woke Up and Put My Crown On: The Project of 76 Voices (Publish America 2005), edited by Rochelle Hart; and Check the Rhyme: An Anthology of Female Poets and Emcees (Lit Noire Publishing 2006), edited by DuEwa Frazier.

Jamie teaches African American Literature at Howard University and freelances for Heart & Soul magazine. She is 30 years old.  She is available for interviews. .  .  . more

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101 Ways   

For Baraka    

For Big V   

Bred in the Womb 

Haiku3

The Healing Power of Poetry

In praise and support of Amiri Baraka

Loneliness   

Manifesto for My Soul 

Shifting Transitions   

Tanka 

Thousands Bid Farewell to Luther Vandross

Related files

Alphabet Versus Goddess  

Alphabet vs Goddess Epilogue 

Alphabet Versus Goddess Preface

Amiri Baraka Bio

ChickenBones Black Arts and Black Power Figures

Lifting 

Mama's Magic 

Mango

New Generation of Civil Rights Leaders

Sex Time and Power 

Sexual Healing Interview

Sexual Healing Reviews 

Shaking the Tree

She  

Should whites wear shackles and chains to reverse history

Somebody Blew Up America

What We Carry

Will Not Apologize, Will Not Resign

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As I grew older, I would carry this same book with me all the way to San Francisco State University where I eventually graduated magna cum laude with a bachelor's degree in Theater Arts. It was not only theater, however, that I immersed myself in at the university, it was also Black Studies. And, as we know, Black Studies was first started in this country at San Francisco State University when Jimmy Garrett and Nathan Hare, in the late 1960s, asked poet and female leader of the Black Arts Movement, Sonia Sanchez, to teach one of the first Black Studies courses in the nation. Later, Amiri Baraka (along with Ed Bullins, Marvin X, and several others) would join her, coming to S.F. State to teach, showcase, and produce his revolutionary black theater plays. Healing Power of Poetry By Jamie Walker

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When he debuted with his first solo album, Never Too Much (Epic Records 1981), Luther was overjoyed. He worked so hard to maintain control over his own songs and it finally paid off. His first album, which included songs like “Never Too Much,” “Don’t You Know That,” and “A House is Not a Home” sold over 1 million copies.

Luther won his first Grammy for Best of Luther Vandross (Sony Records) in 1989. As one of the premiere R&B singers of his time, Luther would go on to sell over 25 million records, garner 8 Grammy’s, and countless BET, Soul Train, NAACP Image, and American Music Awards. Thousands Bid Farewell to Luther Vandross

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Other Articles by Jamie Walker

"Camille O. Cosby and Renee Poussaint Launch New Visionary Leadership Project"

"Sonia Sanchez Speaks at the MLK Library"

"Dealing With Writers Block: Eight Things to Do While You're Waiting In Limbo"

"'Controversial' High School Poem Inspires a School Board Meeting"

"Sonia Sanchez Inspires Many at Heart's Day 2002"

"Federal Panel to Decide on Redistricting Case in Georgia

created 28 April 2007

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update 3 November 2006

 

 

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