ChickenBones: A Journal

for Literary & Artistic African-American Themes

   

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How many of my brothers and my sisters / will they kill

before I teach myself / retaliation? / Shall we pick a number?

 

Haruko/Love Poems

 

 

Books by June Jordan

Some of Us Did Not Die / Civil Wars  (1981) On Call  (1985), Technical Difficulties  (1992)  Affirmative Acts

Directed by Desire   /  Soldier: A Poet's Childhood / Poetry for the People: a Revolutionary Blueprint

Kissing God Goodbye Haruko/Love Poems

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Remembering June Jordan

Books, Bio, and Poems

1936-2002

June 15, 2002 another soldier goneJune Jordan poet, activist, professor Dead at 65

June Jordan, born in Harlem on July 9, 1936, was the child of West Indian immigrant parents. Her future was shaped, for better and for worse, by her relationship with a father who projected his ambitions. She described her childhood in her 1999 memoir, "Soldier: A Poet's Childhood." Subjected to beatings by her father, Ms. Jordan was forced to read and recite from Shakespeare's plays, the Bible, and the poetry of Paul Lawrence Dunbar and Edgar Allan Poe—all before she was five years old. By the time she was seven, she was writing poems herself.

In 1953, she entered Barnard College, where she met Michael Meyer, a white student. The two married in 1955, and had a son, Christopher, in 1958. The couple divorced in 1965. From 1967 to 1978, she taught English at the City College of New York, Yale University, Sarah Lawrence College and Connecticut College. from 1978 to 1989 she taught at the State University of New York at Stony Brook, before coming to UC Berkeley. Among other reward, she received a Rockefeller Grant for creative writing and special congressional recognition for her writing and work in the progressive and civil rights movements.

June Jordan—poet, novelist, essayist,, and political activist -- was one of the world's most articulate and essential voices. Her work transcends traditional bounds of self and society, expressing conscious optimism—the unity of justice, equality, and tenderness. Jordan was one of those rare writer/activists whose great strength was he ability to live what she believed.

Internationally celebrated for her own accomplishments, Jordan was Professor of African American Studies at the University of California at Berkeley where she directed the enormously popular Poetry for the people program. Poetry for the People received a Chancellor's recognition for Community Partnership on September 19, 2000, for reaching out to local high schools, congregations and correctional facilities as well as University students. Jordan has been Professor of English at more than seven North American universities and colleges, including Sarah Lawrence, City College, and Yale University.

Poet triumphant, Jordan's poetry is found in virtually every major anthology of contemporary poetry. She has been included in more than 30 collections such as the Norton Anthology of Modern Poetry, The Norton Anthology of African American Literature, Homegirls: Anthology of Feminism and The Village Voice Anthology. The Library Journal (January 1994) hailed Jordan as, "One of the most important poets writing today." A columnist for The Progressive, Jordan wrote essays, poems, reviews, and articles for a wide range of publications from the New York Times to VIBE and from Ms. to Transition. Her commentary challenged her readers to question their involvement in public life.

Her career was once summed up by author and Nobel laureate Toni Morrison as, "Forty years of tireless activism coupled with and fueled by flawless art." Poet and friend Adrienne Rich said Jordan was endowed with a rare gift for using words with "elegance and precision," Rich said. "I believe she felt that she should use it wherever it was called for." June Jordan, who described herself as a "black radical," often said that writing poetry was a political act."

June Jordan's final essay collection serves as a barometer for the last four decades of radical humanitarian thought. Some of Us Did Not Die is comprised of new works and excerpts from four previous books: Civil Wars (1981), On Call (1985), Technical Difficulties (1992), and Affirmative Acts (1998). From anti-affirmative-action Proposition 209 to the 2000 presidential heist, Jordan has thought, and fought, about the difficult issues. At turns hortatory, critical, and, ruminative, Jordan's disquisitions are not thematically organized. They are framed by something looser, namely her unflagging quest for equity for oppressed people.

Jordan rose to prominence during the 60s Black Arts and women's movements, both of which bolstered and stultified her pluralist impulses. Black Arts' cultural nationalism stifled her individualism and gender critiques, while feminism failed to consistently recognize race as an oppressive agent.

Jordan's insider/outsider status—as a black, bisexual, feminist writer—helped her cultivate a global conscience. Being simultaneously a part of and apart encouraged Jordan to think outside the obvious boxes and caused her to identify with the oppressed "other" anywhere.

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I Must Become A Menace to My Enemies

Dedicated to the Poet Agostinho Neto, President of

The People's Republic of Angola: 1976

I will no longer lightly walk behind

a one of you who fear me:

                                         Be afraid.

I plan to give you reasons for your jumpy fits and facial tics

I will not walk politely on the pavements anymore

and this is dedicated in particular

to those who hear my footsteps

or the insubstantial rattling of my grocery

cart

then turn around

see me

and hurry on

away from this impressive terror I must be:

I plan to blossom bloody on an afternoon

surrounded by my comrades singing

terrible revenge in merciless

accelerating

rhythms

But

I have watched a blind man studying his face.

I have set the table in the evening and sat down

to eat the news.

Regularly

I have gone to sleep.

There is no one to forgive me.

The dead do not give a damn.

I live like a lover

who drops her dime into  the phone

just as the subway shakes into the station

wasting her message

cancelling the question of her call:

fulminating or forgetful but late

and always after the fact that could save or

condemn me

I must become the action of my fate.

II

How many of my brothers and my sisters

will they kill

before I teach myself

retaliation?

Shall we pick a number?

South Africa for instance:

do we agree that more than ten thousand

in less than a year but that less than

five thousand slaughtered in more than six

months will

WHAT IS THE MATTER WITH ME?

I must become a menace to my enemies.

III

And if I

if I ever let you slide

who should be extirpated from my universe

who should be cauterized from earth

completely

(lawandorder jerkoffs of the first the

terrorist degree)

then let my body fail my soul

in its bedevilled lecheries

And if I

if I ever let love go

because the hatred and the whisperings

become a phantom dictate I o-

bey in lieu of impulse and realities

(the blossoming flamingos of my

wild mimosa trees)

then let love freeze me

out.

I must become

I must become a menace to my enemies.

Source: Trouble the Water (325-327)

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1998 Mid-Day Philadelphia Haiku

Black men sleep homeless

Freeze far away from Iraq

Still sleeping still men

for chuck and Jane James

2/16/98

Source:  360° A Revolution of Black Poets (85)

reposted 3 February 2007

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updated 10 June 2008

 

 

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