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Books by Kalamu ya
Salaam
The Magic of JuJu: An Appreciation of the Black Arts
Movement /
360:
A Revolution of Black Poets
Everywhere Is Someplace Else: A Literary Anthology
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From A Bend in the River: 100 New Orleans Poets
Our Music Is No Accident /
What Is Life: Reclaiming the Black Blues Self
My Story My Song (CD)
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kalamu update 30 sept 2005
(day 1 new york city) i fell asleep on the subway last night. woke
up, we were at the final stop. the conductor was coming thru
locking up. about an hour later, after i got to r's apartment
and had fired up the trusty computer (i was good to go for at
least another solid hour after that lion-sized catnap), checking
email, firing off quick responses, filing some, leaving others
for tomorrow, while simultaneously making phone calls (the treo
650 is a wonderful instrument--phone/pde and more), my daughter
and chief coordinator, asante salaam, laughs loudly, your butt
needed some sleep. i'm sure you're not the first black man to
fall asleep on the subway.
surely not. i had been looking at one young fellow, his head
thrown back, not dozing, but instead full out asleep, and
wondered whether he would wake up in time to make his stop.
turns out i didn't, and he wasn't there, just me with my dumb
self clutching my langston hughes library handbag that had a
sony vx2000 video camera, an olympus 5050 still digital camera,
and an ibook on it. i was loaded for bear and sleeping soundly
as though i were hibernating...
i'm in new york city, but i arrived via long island at some
airport called islip, or something like that, on southwest
airlines, one of the few solvent major airlines flying. it was
raining and uneventful when i got there. not too cool, fortunate
for me, since i was wearing short sleeves. no sooner i turned my
phones on (it's a long story. the 504 area code is still having
major problems. sometimes you get through. sometimes you don't.
so i got another phone, which is where the treo came in, with a
nashville area code, but i keep the old-new phone because so
many people have that number), so no sooner i turned the phones
on, they are ringing. one message is from a guy at the boston
globe wanting an interview.
i call back. he has a speech impediment, a
stutter. i instantly surmise that he is a very good writer,
otherwise, the paper would not have him doing interviews. about
a half hour later he is amazed, or should i say sounds dazed. he
called expecting to get a few comments on rebuilding new orleans.
i gave him more than he thought he was getting. we'll see what
he gets from it on sunday when his article comes out. at one
point he asked me, so what do you think the new new orleans is
going to look like.
i didn't skip a beat, look out our window. just like that,
except probably not as tall. it's still marsh lands down there.
i laugh my bitterest laugh. he falls into a contemplative
silence. a sad silence. he responds after awhile. oh... yeah,
that's about all any of us can truthfully say, oh.
oh. shit. oh. boy. oh. well. hell. oh. oh. oh.
it's the end of an era folks.
hours later i meet lynn pitts in front the underground kmart by
where the trainlines come up and down the way are the subways.
it's penn station. in the city you can live your whole life
underground. only coming up to go to the box where you live. or
work. or play. or fuck. or whatever. hey, it's new york. and
down there in the entrails is a polygot world. every imaginable
people—and some you see, you don't believe. all languages. all
manners of dress and undress. they even have live entertainment
around every corner.
on the way in dorese calls before i can call her. dorese is from
connecticut, i believe, and had spent the last two or three
years in new orleans. teaching school, until she couldn't take
it anymore at the same high school i taught at. except she was
an orleans parish school teacher and i worked in an independent
program. she was under heavy manners.
i did whatever i wanted to do. she had to
answer to administrators (some of whom were well meaning, a few
of whom really cared about the students and did all that they
could within their limited powers to offer some kind of
substantial education, but most of whom were in well over their
dear heads and didn't have a clue of how to make our school
function to actually help the students).
the kids told me about the day dorese went
off on the assistant principal. they said she cursed him out.
good. told him about hisself. and his rules. and all that
fucking shit. and walked out. just up and quit. and they were
proud. proud of dorese for standing up. they loved her because
they knew, viscerally that she really loved them and was doing
everything she could to help them, and... technically, she
didn't end up quitting, she was on leave. they owed her enough
money backpay to start a bank. they never paid her.
in fact, the worse part about it is the irony
that dorese ended up making more money playing music on the
street in the french quarter than she was making with her
teaching 9-to-5 gig (well not actually making, since they hadn't
yet paid her all they owed her, but you understand what i'm
saying--hey yall, don't romanticize new orleans, shit, was way
fucked up down home, the system was about to break down under
it's own steam, it's just that hurricane katrina was the straw,
but the camel was already buckling at the knees under the weight
of historic and ongoing unrelenting exploitation and neglect)...
so anyway dorese and i laughed with each
other on the phone and she told me that she was going to be
playing later in the day at penn station where i was arriving
into the city and where i would meet lynn pitts, a member of our
neo-griot workshop who was now living in new york, lynn was
going to give me the key to r's apartment up in harlem,
"r" is a good friend of my daughter asante, so
"r" offers to let me stay in her one bedroom apartment
for the weekend.
i catch the subway to harlem from penn station, after reassuring
lynn that i'm ok. i stayed up until 4:30, slept for about an
hour. left for the airport at 6am, dozed on the plane, have a
video shoot to do before i sleep, i'm on my way to harlem now,
i'm ok.
i get to "r'" apartment--i would call the sister's
name but i ain't trying to embarrass nobody and i also don't
want no unknowns breaking into her beautiful apartment. it's
like an african oasis amid harlem brownstones. from the outside
it looks non-descript. as soon as you hit the vestibule, that
little space between the big heavy outside front door and the
big heavy inside front door, you know you are entering sacred
space. there are photos and statues and artwork and walking the
three flights up to the fourth floor is like coming through a
natural history museum of west africa. i am enthralled. outside
her door are two pairs of shoes. i enter and stand transfix.
it's like i'm a ghost. or at least an explorer entering a long
ago other world. except this is here and now. and one of the
first things i establish is that the wireless broadband internet
is working. "r" has left a note on the small desk for
me--actually a short page and a half letter.
it's beautiful. amazing. consistent with what i know of new york.
how people survive. it's an experience i wish every traveler
could have. perhaps they should make hotels like this, naw, you
can't do it. this is not commercial. this is a caring circle of
friends sharing with the father of a friend. i don't think i
have ever met "r" but now i know her at levels of
intimacy one can only achieve by sharing someone's living space.
i showered in her tub. walked naked through
her rooms. slept in her bed. sit happily working at her desk.
look at her photos carefully placed all around. drank some juice
from her fridge. talked to her on the phone. looked at the books
on the various book shelves. seen that she has music in the
front room and in the bedroom (stevie wonder is arm's length
from her pillow). i know this woman i have never met. i am
blessed to have someone share their life with me like this. i am
blessed. and because of these blessings, the blessings of
friends like "r," friends whom i don't personally
know... i am grateful, in the midst of all of my
"my-city's-gone-now" sadness, i smile about the small
things, the human sharing, and it is enough to sustain me for
another day.
i feel so blessed to be here... i'm out of time... got to run to
a meeting... will write later about why i fell asleep on the
subway and what all i'm doing in new york... in a minute,
a luta continua
kalamu posted 5 October 2005 |