Books by and about Katherine Dunham

Katherine Dunham Dancing a Life  / Island Possessed  / Black Dance from 1619 to Today  /  A Touch of Innocence: A Memoir of Childhood

Dances of Haiti  /  Equality For A Lightning Bug: A Small Collection of Poems  /  Journey to Accompong

Kaiso!: Writings by and about Katherine Dunham  /  Katherine Dunham: Pioneer of Black Dance

*   *   *   *   *

East St. Louis Plans Big Tribute to Katherine Dunham

June 22 Lincoln Middle School Gymnasium

12 South 10th Street — noon to 3 pm

Wednesday May 31, 2006

East St. Louis — Famed dancer and Choreographer Katherine Dunham died last week at the age of 96. But this city — her adopted hometown — is making sure she's not forgotten anytime soon.

On Tuesday, organizers announced that a citywide tribute to the civil rights activist, anthropologist and publisher will be June 22 — what would have been her 97th birthday — Lincoln Middle School Gymnasium — 12 South 10th Street — noon to 3 pm.

Eugene Redmond, who heads the committee planning the event honoring his friend of nearly four decades, said the celebration is to include testimonials by people influenced by Dunham, the namesake of the technique melding movements from traditional African and Caribbean dance styles.

The event titled "Katherine Dunham: a Familial Memorial Celebration," also is to feature dancers and drummers, Redmond said. "It will be a celebration of her life and an ode to her legacy," said Redmond, who also serves as vice president of the board for the local Katherine Dunham Centers for Art and Humanities.

Charlotte Ottley, a former aide to Dunham, said that culturally, this is a boost East St. Louis needs, and it will happen. Dunham, who died May 21 in an assisted living center in New York city, called East St. Louis home for more than 30 years. She once pressed a cultural crusade that some credited with putting gang leaders in leotards. At the time, she called on everyone to share her love for the arts and "something more constructive than genocide."

Dunham moved to New York in 1999. But Ottley said Dunham had planned to move back to the area for good next month before her 97th birthday bash at St. Louis' Missouri History Museum, also scheduled for June 22. That event will follow the East St. Louis tribute.

Dunham's body has been cremated and a private service by the family was held Friday at the Frank E. Campbell Funeral Chapel, a worker there said Tuesday. Dunham's husband, John Pratt, died in East St. Louis in 1986.

Source: Belleville News-Democrat (Wednesday, May 31, 2006)

*   *   *   *   *

Region Sparkles With Katherine Dunham’s ‘Leg-a-cy’ Amidst Renewal of Her ‘Vision’
EAST ST. LOUIS TO HOST ‘MEMORIAL CELEBRATION’ FOR
THE ‘EMPRESS’ ON JUNE 22 AT LINCOLN MIDDLE SCHOOL
(Day of ‘Memory’ & ‘Honor’ Includes Tours of Katherine Dunham Museum)

By Dawn Orisha
Special to the World

East St. Louis, Illinois—Katherine Dunham, a multi-tiered genius known as “the Duke Ellington of dance,” will be celebrated during a memorial “afterglow” from noon to 3 p.m. on Thursday, June 22, at Lincoln Middle School, 12 South Tenth Street at Broadway Avenue. Called “Katherine Dunham (1909-2006): A Familial Memorial Celebration,” this homage to the “Empress” is free to the public.

(Lincoln School’s outstanding alumni include Attorney-philanthropist Peggy (Gregory) Newman, musicians Eugene Haynes, Miles Davis, Reginald Thomas, and Russell Gunn, athletes LaFonso Ellis and Jackie Joyner-Kersee [who took classes in Dunham Technique at the Mary Brown Center in the 1970s], Ambassador Donald McHenry, National Black Theatre founder Barbara Ann Teer, vocal stylist Leon Thomas, former Peace Corps administrator Reginald Petty, and writers John Hicks, Jerry Herman, and Darlene Roy.)

In 1967—after more than 30 years of studying, performing, consulting, filmmaking, and championing humanitarian causes in 60 countries—the anthropologist-dancer-author opened her Performing Arts Training Center in East St. Louis, one of her “three spiritual homes.”

The former PATC Complex, including a residence and namesakes Museum/Children’s Workshop, is located on North Tenth Street, a. k. a. Katherine Dunham Place. The public is invited to tour the Museum (KD Place and Pennsylvania Avenue) from 9:30 to 11:30 am on June 22.

Among the first wave of students, artists, consultants, administrators, and instructors at PATC—part of Southern Illinois University’s Experiment in Higher Education program—were dancers Darryl Braddix, Valerie (Howard) Adams, and Ron Tibbs; poets Henry Dumas, Sherman Fowler and Eugene B. Redmond; filmmakers Reginald and Warrington Hudlin; translator Jeanelle Stovall; drummers Mor Thiam and Rene Calvin; activists Taylor Jones III and Charles Koen; musicians Bernie Dunlap and Julius Hemphill; and singer-actors Oscar Brown, Jr. and Camille Yarbrough.

(During the 1970s, Julliard-trained pianist-composer Eugene Haynes served as PATC’s director.)

The June 22 event will include an invocation by a 97-member drum ensemble (led by PATC-trained percussionists Sylvester Sunshine Lee and Arthur Moore), dance numbers by certified teachers of Dunham Technique, readings of proclamations and telegrams from global dignitaries and organizations, testimonials from Dunham protégés and devotees, poetic recitations, film clips, photo exhibits, and musical selections.

A sampling of speakers/participants includes ESL Mayor Carl Officer, Illinois Rep. Wyvetter Younge, US Cong. William Lacey Clay (St. Louis), Top Ladies of Distinction (national) President Peggy LeCompte, and Illinois Sen. James Clayborne.

According to Fowler, one of the organizers of the Memorial Celebration, the June 22 event “will put us on the road to achieving a primary goal of Miss Dunham’s—that of placing East St. Louis at the cultural, educational, and artistic center of the world.”

Echoing Fowler’s sentiments, Charlotte Ottley, consultant for Katherine Dunham Legacy Affairs, noted: “The ‘Memorial Celebration’ will be a once in a lifetime experience for all of us who have shared the magic of Katherine Dunham: those who remember ‘when,’ the ones who succeeded against the odds in the struggle for institutional survival, and others committed to the future by keeping her legacy alive. Miss Dunham would love our unity, love and collective energy. I'm looking forward to making the world take a second look at East St. Louis, Illinois as re-energized by Miss D’s enormous legacy."

The Board of Directors of the Katherine Dunham Centers for Arts and Humanities is overseeing the memorial. KDCAH President Dr. Lena Weathers said she is "very grateful for the outpouring of support, especially from School District 189, and extremely pleased with the way things are falling into place for this international memorial celebration." (East St. Louis Poet Laureate Redmond, also a member of the KDCAH board, is chairing the memorial planning committee.)

ESL poet Darlene Roy, another member of the planning committee, noted Miss Dunham’s “mystique—and ‘Technique’—still informs (and forms) us as we pledge to tuck-point her institutions and stoke the fires of her awesome legacy.”

Persons desiring to help with expenses for the June 22 memorial may send checks or money orders to Katherine Dunham Centers for Arts and Humanities (KDCAH), 532 North Tenth Street at Katherine Dunham Place, East St. Louis, Illinois 62201. Those wanting to make repetitive long-term contributions in support of the Katherine Dunham Legacy (Museum, Children's Workshop, upkeep of properties) should send tax-deductible donations online to www.kdunhamfund.com.

A 7 p.m. post-memorial program in the Lee Auditorium of the Missouri History Museum—at Lindell and DeBaliviere in St. Louis’ Forest Park—is also free to the public, and will include performances, exhibits, and testimonials. Information: 314 361-8017.

Miss Dunham, who died May 21 in New York City, is survived by a daughter, Marie-Christine Dunham-Pratt; a nephew, Kaye Lawrence Dunham; a goddaughter, Kati Stovall; and former designer and longtime friend Madeline Preston. All survivors will attend the June 22 celebration. Miss Dunham’s husband, John Pratt, died in 1986 in East St. Louis.

For more information about the East St. Louis Memorial, contact Eugene B.Redmond—Chair, Katherine Dunham Familial Memorial Celebration Committee—at 618 650-3991; Email: eredmon@siue.edu 

Source: (Courtesy of Drumvoices/EBR Writers Club Grapevine News Network)

Related links: http://lcweb2.loc.gov/cocoon/ihas/html/dunham/dunham-timeline.html

*   *   *   *   *

*   *   *   *   *

Katherine Dunham

Centers for Arts and Humanities

532 Katherine Dunham Place at 10th Street   East St. Louis, Illinois 62201

phone (618.531.0403     fax: 618.271.0519   Blkwtrfall@aol.com

Now let's invest in making it a lasting one!

Katherine Dunham renowned dancer-choreographer-anthropologist-author, performed on stage (and screen) in 62 countries during 30 years of touring. For nearly 40 years she ahs made East St. Louis (Illinois) her home — a hub of cultural influence attracting the world attention. The Dunham centers need your help. Please select one of the following ways you or your organization can support.

Board of Directors: Dr. Lena J. Weathers, Eugene Redmond, Laverne Wizard, Johnny Campbell, LLC, Riley Owens, Theodore Wofford, Charlotte Ottley, Liaison.

This is a tax exempt 501c. 3 not for profit organization. All donations are tax deductible.

*   *   *   *   *

Katherine Dunham Dancing a Life

By Joyce Aschenbreener

Throughout the better part of the twentieth century and in performance halls, classrooms, and communities throughout the world, Katherine Dunham's remarkable career can be traced to the intersection of dance, culture and society.

More than a recounting of Dunham's accomplishments as a dancer and choreographer, this biography is the first to examine thoroughly her pioneering contributions to dance anthropology and her commitment to humanizing society through the arts

Founder of the first self-supporting African American dance company, Dunham relied on her fieldwork as an anthropologist to fundamentally change modern dance. She shaped new dance techniques and introduced other cultures to U.S. and European audiences by fusing Caribbean and African-based movement with ballet and modern dance. Her revolutionary approaches to dance and its connection to the world influenced a generation of dancers, theatrical performers, and scholars. She believes that dancing involves the development of an entire person and that the rituals and traditions of dance are integral to the study of culture.

Throughout her career, she has been a living model of the socially responsible artist working to whet cultural appetites and combat social injustice.

Building on Dunham's published memoirs--A Touch of Innocence (1969; 1980) and Island Possessed (1969; 1994)--Joyce Aschenbrenner's multifaceted portrait blends personal observations based on her own interactions with Dunham, archival documents, and interviews with Dunham's colleagues, students, and members of the Katherine Dunham Dance Company.

Integrating these sources, Aschenbrenner characterizes the social, familial, and cultural environment of Dunham's upbringing and the intellectual and artistic community she embraced at the University of Chicago that laid the groundwork for her development as a dancer, anthropologist, and humanitarian. The book vividly depicts Dunham's and her dancers' touring experiences and includes detailed descriptions of her community cultural and educational programs in East St. Louis.

"Katherine Dunham: dancing a Life is extremely important because there is no other book available that adequately addresses this artist/anthropologist's vast contribution to American culture. Although Dunham's impact on American dance is as great as Martha Graham's, most historians and critics have not given her work the attention it so richly deserves. Joyce Aschenbrenner's deeply researched book is a treasure trove of new information and a labor of love and commitment."

--Jacqui Malone, author of Steppin' on the Blues

"This anthropological biography is a unique labor of love celebrating the roles and contributions of Katherine Dunham. For almost thirty years, Joyce Aschenbrenner, herself an established anthropologist, has been personally and professionally involved with ms. Dunham and Dunham Company programs. Thus, the usual participant-observation fieldwork methodologies and directed and nondirected interviews employed by anthropologists have been enriched by Aschenbrenner's long-term, multifaceted experiences.

"This long-awaited biography contributes greatly to understanding of this powerful African American woman, her pioneer work in dance anthropology, and her continuing efforts to use the arts to challenge injustice whenever possible."

--Charlotte J. Frisbie, professor emeritus of anthropology at Southern Illinois University at Edwardsville

Books By Katherine Dunham   The Wisdom of Katherine Dunham I used to want the words "She tried." on my tombstone. Now I want "She did it." If you dance, you dance because you have to. Every dancer hurts, you know. Go within every day and find the inner strength so that the world will not blow your candle out. The best career advice given to the young is: "Find out what you like doing best and get someone to pay you for doing it." I always believed that if you set out to be successful, then you already were. I wasn't concerned about the hardships, because I always felt I was doing what I had to do, what I wanted to do and what I was destined to do. We weren't pushing Black is beautiful. We just showed it. *   *   *   *   *  (www.eslarp.uiuc.edu/kdunham/)

Joyce Aschenbrenner, professor emerita of anthropology at Southern Illinois University at Edwardsville, is the author of Katherine Dunham: Reflections on the Social and Political Contexts of Afro-American Dance and Lifelines: Black Families in Chicago. She is coeditor of The Processes of Urbanism: A Multidisciplinary Approach and acting curator and education coordinator of the Katherine Dunham Museum. University of Illinois Press 1325 South Oak Street, Champaign, IL 61820 (217) 244-4689 www.press.uillinois.edu / uipress@uillinois.edu  Fax: (217) 244-8082

*   *   *   *   *

 

*   *   *   *   *

 

*   *   *   *   *