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Books by Larry Neal
Black
Fire /
Hoodoo Hollerin Bebop Ghosts
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Larry Neal
Chronology
(3 September 1937 -- 6 January 1981) 1937 -- Lawrence P. Neal was born in Atlanta,
Georgia, to Woodie and Maggie Neal. The family moved to
Philadelphia that Larry and his four brothers grew up
1956 -- Graduated from Roman Catholic High School
with an academic degree.
1961 -- Graduated from Lincoln University, a
predominantly black school in Pennsylvania that, at the
the time of enrollment was all male.
1963 -- Received an M.A. from the
University of Pennsylvania.
1963 --1976 -- Taught at six universities,
including City College of New York (1968-1969) and Yale
University (1970-1975); writer in residence at Wesleyan
University (1969-1970)
1964 -- Married Evelyn Rodgers of Fairfield,
Alabama.
1964 -- Worked as copywriter for John Wiley
and Sons. Wrote for Liberator magazine, a publication
for which he became arts editor. During Liberator period
(1964-1966), Neal wrote journalistic accounts of
cultural events and conducted interviews with writers,
artists, and musicians. A principal mover with LeRoi
Jones in a group that created the Black Arts Repertory
Theatre.
1964 --1970 -- Made five television
appearances, usually as a moderator on Soul, Like It Is,
Time for America,; guests included Harry belafonte, Lena
Horne, Clayton Riley, and Nikki Giovanni.
1964 -- "The Negro in the Theatre," Drama
Critque, 7 (Spring 1964).
1965 -- "Cultural front," Liberator, 5
(June 1965): 26.
1965 -- Shot by someone who disliked his
politics upon leaving the Schomburg Center for Research
in Black Culture.
1966 and 1967 -- Published a number of essays
in Negro Digest that explored the centrality of black
music and black musicians to a black aesthetic. Neal
possessed some talent as a pianist and flutist.
1966 -- "Lenox Avenue Sunday," Television,
Repertory Workshop.
1966 -- "The Black Writer's Role -- James
Baldwin," Liberator, 6 (April 1966): 10.
1968 -- Neal and Baraka edited
Black Fire:
An Anthology of Afro-American Writing; Neal wrote
two important essays that attempted to define the Black
Arts Movement. Just as Alain Locke's
New Negro
captured the spirit of the Harlem Renaissance,
Black
Fire captured the spirit of the Black Arts Movement.
Contains works by Harold Cruse, Stokely Carmichael,
Sonia Sanchez, and
Ed Bullins; William Mahoney, Lindsey
Barrett, Marvin Jackmon (Marvin X), and Charles Fuller.
1968 -- "Black Writer's Views on Literary
Lions and Values," Negro Digest, 17 (January
1968): 35.
1968 -- "Cultural Nationalism and Black
Theatre," Black Theatre, no. 1 (1968): 8-10.
1968 -- "The
Black Arts Movement," Drama Review, 12
(Summer 1968): 29-39.
1968 -- Guest Editor, The Journal of Black
Poetry (Summer, 1968)
1969 -- Black Boogaloo: Notes on Black
Liberation (first book of poetry) published by
Journal of Black Poetry Press. Trippin': A Need for
Change by Neal, Amiri Baraka, and
A.B. Spellman
(Newark: New Ark).
1969 -- "Any Day Now: Black Art and Black
Liberation," Ebony, 24 (August 1969): 54-58, 62.
1969 -- "Toward a Relevant Black Theatre,"
Black Theatre, no. 4 (1969): 14-15.
1970 -- "Politics as Ritual: Ellison's Zoo
Suit," Black World, 20 (December 1970): 31-52.
1970 -- "Free Southern Theatre, the Conquest of the
South," Drama Review, 14 (1970): 169-174
1971 -- Evelyn and Larry adopted son
Avatar.
Hoodoo Hollerin Bebop Ghosts (second
volume of poetry).
1971 -- Holler S.O.S., Screenplay,
Johns Hopkins University, 1971.
1972 -- "Into Nationalism Out of
Parochialism," Performance, no. 2 (April 1972):
32-40.
1972 -- "The Ethos of the Blues," Black
Scholar, 3 (Summer 1972); 42-48.
1972 -- Uncle Rufus Raps on the Squared
Circle," Partisan Review, 39 (1972): 44-62.
1973 -- Moving On Up, Screenplay, A.
Philip Randolph Institute, 1973
1976 -- The Glorious Monster in the Bell of
the Horn, New York, Frank Silvera's Writers
Workshop.
1976 -- "The Black Contribution to American
Letters: Part II, The Writer as Activist -- 1960 and
After." in The Black American Reference Book, by
Mabel M. Smythe (Englewood Cliffs, N.J.) Prentice-Hall,
1976), pp. 767-790.
1976-1979 -- Worked as executive director of
the Commission on the Arts and Humanities in Washington,
D.C. Source: Dictionary f Literary
Biography. Afro-American Writers After 1955: Dramatists
and Prose Writers (Volume 38) * * * * *
posted 5 November 2006 |
