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After entering the Huntington Avenue doors into the Museum, the Asantehene

will proceed with his palace officials along a red carpet up

the grand staircase to the majestic Koch Gallery.

 

 

His Majesty The King of Asante

Otumfuo Osei Tutu II
From Ghana, Makes First Visit to Boston

Wednesday, November 2, 2005
Museum of Fine Arts

Boston Plans Community Celebration in His Honor


BOSTON, Mass. (October, 2005)-In a rare visit to the U.S., on Wednesday, November 2, the King of the Asante people of Ghana, His Majesty Otumfuo Osei Tutu II-officially known as the Asantehene-will be at the Museum of Fine Arts, Boston (MFA). 

His Majesty will be the guest of honor during a reception at the MFA, accompanied by a delegation of his palace officials.  He will enter the Museum in a ceremonial procession, wearing full regalia, and permit members of the community to pay their respect, while sitting in state.  This event, which is free and open to the public, begins at 6:00 p.m. and will last until approximately 7:30 p.m.

The King's visit to Boston, organized in collaboration with Harvard University, marks the MFA's opening of the exhibition West African Gold: Akan Regalia from the Glassell Collection the same day.  The royal dress and gold adornment on display in the exhibition are among the most spectacular in Africa.

After entering the Huntington Avenue doors into the Museum, the Asantehene will proceed with his palace officials along a red carpet up the grand staircase to the majestic Koch Gallery.  The procession will be accompanied by traditional Asante drumming, horn blowing, and dancing provided by the Ghanaian community in the U.S.  His Majesty will sit in state for approximately one hour and the public will be invited to enter the gallery to greet him.

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AALBC.com's 25 Best Selling Books


 

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The New Jim Crow

Mass Incarceration in the Age of Colorblindness

By Michele Alexander

Contrary to the rosy picture of race embodied in Barack Obama's political success and Oprah Winfrey's financial success, legal scholar Alexander argues vigorously and persuasively that [w]e have not ended racial caste in America; we have merely redesigned it. Jim Crow and legal racial segregation has been replaced by mass incarceration as a system of social control (More African Americans are under correctional control today... than were enslaved in 1850). Alexander reviews American racial history from the colonies to the Clinton administration, delineating its transformation into the war on drugs. She offers an acute analysis of the effect of this mass incarceration upon former inmates who will be discriminated against, legally, for the rest of their lives, denied employment, housing, education, and public benefits. Most provocatively, she reveals how both the move toward colorblindness and affirmative action may blur our vision of injustice: most Americans know and don't know the truth about mass incarceration—but her carefully researched, deeply engaging, and thoroughly readable book should change that.—Publishers Weekly

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Blacks in Hispanic Literature: Critical Essays

Edited by Miriam DeCosta-Willis 

Blacks in Hispanic Literature is a collection of fourteen essays by scholars and creative writers from Africa and the Americas. Called one of two significant critical works on Afro-Hispanic literature to appear in the late 1970s, it includes the pioneering studies of Carter G. Woodson and Valaurez B. Spratlin, published in the 1930s, as well as the essays of scholars whose interpretations were shaped by the Black aesthetic. The early essays, primarily of the Black-as-subject in Spanish medieval and Golden Age literature, provide an historical context for understanding 20th-century creative works by African-descended, Hispanophone writers, such as Cuban Nicolás Guillén and Ecuadorean poet, novelist, and scholar Adalberto Ortiz, whose essay analyzes the significance of Negritude in Latin America. This collaborative text set the tone for later conferences in which writers and scholars worked together to promote, disseminate, and critique the literature of Spanish-speaking people of African descent. . . . Cited by a literary critic in 2004 as "the seminal study in the field of Afro-Hispanic Literature . . . on which most scholars in the field 'cut their teeth'."

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The White Masters of the World

From The World and Africa, 1965

By W. E. B. Du Bois

W. E. B. Du Bois’ Arraignment and Indictment of White Civilization (Fletcher)

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Ancient African Nations

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The Death of Emmett Till by Bob Dylan  The Lonesome Death of Hattie Carroll  Only a Pawn in Their Game

Rev. Jesse Lee Peterson Thanks America for Slavery / George Jackson  / Hurricane Carter

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The Journal of Negro History issues at Project Gutenberg

The Haitian Declaration of Independence 1804  / January 1, 1804 -- The Founding of Haiti 

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update 28 November 2011

 

 

 

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Related files: Staying in Touch with Ghana   / Ashanti Chronology  /  The Ashanti Empire of West Africa  / Ghana - A Year Ago