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Trane flies / across international skies / raining down notes / melodic messages of hope

 

Better things to come / Mandela's rise / Kubila's triumph / mobutu's demise

 

 

 

Slo' Dance

Poems by Ted Wilson

with an Introduction by Amiri Baraka

 

Mobutu & Zaire

(for Elombe Brath)

The night was a flatted 5th

on the 24th of the 6th

2 days into its cancerian descent

beyond the sun standing at its highest peak

flattened as it was

the night stretched longer

and it did so by degrees invisible to the naked eye

9 days before the annual resurrection

of red          white and blue glory

9 days left before the end of british domination

minus the beatles and brooks brothers

the 9 days of lent/till/black/red/yellow/green

or white beans as a staple fades for the next 2 months

unless they're swimming in a catsup-based bar-b-q sauce

 

Now          it all be hickory charcoal

with mayonnaised potatoes cabbage and elbow

macaronis jive time phonies

no fiber 'til fall

ribs chicken and variations of the beef

ground round shredded embedded

and reconstituted going with the 4th

 

reconstipated       I mean constituted meat and poultry

as if meat and poultry ain't the same

what a game

and the bowels on full time resistance to natural peristalsis

or whatever they call that part of the digestive process

anyway     no gain     no pain

 

As the flattened night yields to dawn

morning makes a sharp left

to a quarter note on a dime

turning 90 degrees to an obscure 6/8

Trane flies

across international skies

raining down notes

melodic messages of hope

 

Better things to come

Mandela's rise

Kubila's triumph

mobutu's demise

 

we look for a smoothness now

a mellow cooling out

mixing old      mixing new

coagulating       a new start      re-start

to build and re-build

to make the earth right       our birth right

 

Trane flies

on every tempo

across oceans of sound

with belief rising

from everyone of them

a sweetness from the balladeer

 

an offering of truth -- Proof

of the possibilities      an endless

nest of potentials

coming from the base

mentoring or massaging

the spirit     flying high

 

Climbing down

breatherizing that brass woodwind tube

blowing trumpet changes

from a drum chord with bass changes

melodically emanating from the keyboard

 

Did you know Stevie Wonder was his student

not seeing     only hearing      focusing

interpreting the changes

translating sound for mass consumption

another step forward to determine

why what where when how

the scene plays out with who

 

Mandela's not the end

and Kabila's not the beginning

it is a continuous flow of struggle lifting and raising mankind

in spit of itself

 

What if we did not come from africa

but to africa

Garvey's gift           a fan shaped mirror

 

Malcolm's tough sharp slicing tongue

DuBois' stamina belief insight and analytical patience

Fidel's return     an army of successful soldiers

schooled in guerilla science

 

 

What if we did not come from but to Africa

what if we did not come to but from Africa

and we did

no-no-no      no beginning, no ending

but a continuous flow of struggle and lifting

and lilting and struggle in spite of as Trane hands off to Stevie

and Stevie hands off to . . . and

on an on and on

as mobutu fades into a night of flatted fifths

 

alongside tshombe casavubu baby doc batista

and the rest of our mistakes

 

We stretch to take control of our existence

determine we do so by degrees    invisible to the naked eye

                                                           . . . over and out!

*   *   *   *   *

Source: Ted Wilson. Slo' Dance. Brooklyn, NY: Shamal Books, 2003 / Contact: Shamal Books, GPO Box 16, NYC 10116 (718) 622 4426

 

Ted Wilson, formerly with Pride and Liberator magazines,  is a writer, producer, and promoter, most recently with the Bread Is Rising poetry series in New York City.

A cultural worker since the 1960s Black Liberation/human rights movements, Ted's writings have appeared in several journals: The Black Nation; Black American Literature Forum; Callaloo; NOBO: Journal of African American Thought; and anthologies: Amiri Baraka: The Kaleidoscopic Torch (ed. J.E. Gwynne); In Defense of Mumia (eds. S.E. Anderson, T. Medina); Black Fire: An Anthology of Afro-American Writing  (eds. L. Jones, L. Neal); New Rain #9: Our Fathers/Ourselves (eds. G. Johnston, M. M'Buzi Moore)].

He also works as a Construction Manager Consultant and Developer currently involved in an effort to develop a Cultural/Arts district in Newark, New Jersey.

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update 4 August 2008

 

 

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Related files: Slo Dance Reviews   Celebrating the Release  Acknowledgements  Slo Dance Table   Slo Dance Introduction  A Real Long Look   The Protector  Mobutu and Zaire

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