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Naked in the Outer Darkness
By
Rudolph Lewis
The crow cawing in the distant
pine had stolen his last kernel
when diggers lowered his casket
four feet into the vault's miry clay.
The world of Jerusalem wasn’t wide
enough to hold his spirit. Decades
now this holy space still holds
the bones of my father; the skull
that grins at the devil’s
apple under a Virginia moon.
Brown leaves scurry in wind
above his tombstone. My moorings
were loosened. Yet do I praise
the fearless patience of the fisherman
of Sansi Swamp in a gone time. Storms
come & go. The aches remain.
The spirit blackened with years.
I went away in rebellion
my heart wrestled like Jacob
with duty & innocence—floor-walking
nights.
Belief bled with anguish &
danced
as an eyewitness wiped away the tears. posted 5 January 2006
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Responses
I am deeply moved, Rudy.—Jeannette
A very moving poem that is more meaningful to
me because I know something about your father, your relationship
with him, and the sacred ground of Jerusalem. And yet
contemporary critics say that it's only the text that matters,
and not the con-text in which the work is created.
Bullshit!—Miriam
Of course, the poem has much to do with the
Etheridge in your Homespun Images, and his poems of
life and death--the personal. So the context here is also texts
(poems) and conversations with you (more text). So what we
have here is not just one text but numerous texts combined in a
creative way. I lifted language from a number of sources,
including your words. I combined, recombined, revised, etc.
until it seemed to make sense. Did I also have the personal in
mind? Of course. As I am learning to write poems the creative
process, I find, is a very complex one that is difficult to
get one's arms around. Thanks for your kind words—Rudy
Yes, I picked up the intertextual resonances
in "this holy space," "the bones of my
father," and "eyewitness." It's interesting
to see how your creative process works--quite amazing.—Miriam
Very good Rudy.
If you are not prepared yet to collect your poems in a
hard-cover edition, you ought, at least to collect them all in
one electronic site. I should like to see you arrange them
chronologically—Wilson
Excellent imagery, though I disagree with
some of your line breaks.—Kam
Rudy, I find your work quite beautiful and
profound. I love it. Last weekend I spent the day at a bookstore
in Tenack, NJ hearing Yusef K. read. Had dinner with him after
the reading and exchanged memories and talk about those heady
days in New Orleans. I didn't get his phone # but there may be a
way to contact him. The mention of your name brought smiles for
both of us. Also, Arturo, former prof from Southern U. New
Orleans is in Conn. Give me your phone # and I'll call you.—Yictove
posted 5 January 2006
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Created
By Charles C. Mann
I’m
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1491:
New Revelations of the Americas Before
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we are finally living on one integrated
or at least close-to-integrated Earth.
Whether or not the human instigators of
all this remarkable change will survive
the process they helped to initiate more
than five hundred years ago remains,
Mann suggests in this monumental and
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Ancient African Nations
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