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Books by Naomi Ayala
Wild Animals on the Moon
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This Side of Early
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Reviews
of Naomi
Ayala's
Wild Animals on the Moon..
Publishing History
(Literary)
Books:
Wild Animals on the Moon..
(Curbstone Press, 1997).
Anthologies:
Poetry
Like Bread: Poets of the Political Imagination.
(Curbstone Press, 2000. Expanded edition.)
Freedombook:
An Anthology of Works for Freedom
(ProLIBERTAD Amnesty Campaign to Free the Puerto Rican Political
Prisoners, 1999).
El
Coro: A Chorus of Latino/a Poets
(University of Massachusetts Press, 1997).
Seeds
of Struggle, Songs of Hope: Poetry of Emerging Youth y Sus
Maestros del Movimiento (Centro de la Raza, 1997).
In
Creative Resistance: U. S. Puerto Rican Women (Third Woman
Press, 1994).
Connecticut
Poets, (National League of American PEN Women, Vol. II, 1990).
Journals
(Poetry):
Terra
Incognita (No. 3, 2003): “Consejo
Número 13 Given By an Otherwise Ill-Willed Papi
Chulo Pueblo Man, a Tiwa, Who Cared About Prayers,”
and “Brujo #1
for the Papi Chulo Who Must Go.”
African
Voices (2002): “Chucho,”
“When the Downtown Soup Kitchen was a Restaurant,” and
“Tribute to Your Eyes.”
Beltway
(Summer 2002): Reprints of “Secrets,” “El
placer de la palabra,” “The Night I Walk into Town,”
“Poverty,” “Sweeping,” and “Lawns.”
Red
River Review (August 2001): “The Land of Your Country,”
and “When You Left.”
The
Potomac Review (Vo.
VIII, No. 3, 2001): “Maple Branch,” and excerpts from
“Springer Mountain.”
Peregrine
(Vol. XVIII, 1999, Editor’s Choice):
“Loose About.”
Hanging
Loose (#72,
Spring l998): "Golden Chopsticks."
Peregrine
(Vol. XV, Winter 1996): "Caesura."
Poetry
USA (Summer 1996): "A Coquí in Nueva York."
The
Caribbean Writer (Vol. 9, Summer 1995): "A Man Will Rush
from Behind Me," and "Amber Hands."
Kalliope
(Vol. 17, No. 3, Fall 1995): "It Was Late and She Was
Climbing."
The
Massachusetts Review (Vol. 36, No. 4, December 1995):
"Reform," and "Papo Who'd Wanted to be an
Artist."
Callaloo ("Puerto Rican Women Writers: Special Issue," Vol.
17, No. 3, Summer 1994): "Immigrant's Voice," "If
We Passed You," "Words," "Haiti,"
"For 'S,'" "Airborne,"
"Fifteen-Ten," "For Late Nite Poems," and
"Abuelo's Garden."
Moving
Out (Vol. 15, Nos. 1 & 2, 1993): "Sketch of Alice at
the Factory."
Callaloo ("Puerto Rican Literature: A Special Focus," Vol.
15, No. 4, Fall 1992): "Wild Animals on the Moon," and
"Lawns." .
Next
Phase (Vol. I, No. 7, 1992): "Outside the Lines."
The
Hobo Jungle (Vol. I, No. 8, Autumn, 1990): "Sketch of Alice at the
Factory."
Taller
Literario (Vol. I, Spring 1986): "El
Accidente."
Contact:
Naomi Ayala Riverword@msn.com
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This Side of Early
Poems by
Naomi Ayala
Naomi
Ayala’s poems explore wide-ranging themes in an
ever-changing landscape—from the city streets to
the introspective solace of the woods. These
lyrics deconstruct the political world of man,
offer hope through a compelling, lyrical,
spiritual intimacy, and bridge the gap between
the two with words full of ecological intensity.
Her deep
connections with the working class combine with
a love of the land to offer us lilt and dream,
revelation and foretelling.
In
This Side of Early, Naomi Ayala
exhibits astonishing range, proving that great
poetry is worth waiting for. Like Whitman, Ayala
contains multitudes; she is a poet with an
ethereal vision of another world, and a woman
with a sweet hope for this one: “Drink from this
tree/and ye shall be saved."—Honorée
Fanonne Jeffers, author of
Red Clay Suite |
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Hole
By Naomi Ayala
One morning
they dig up the sidewalk and leave.
No sign of the truck—only the large,
dark shadow digging and digging,
piling up sludge with a hand shovel
beside the only tree.
Two o’clock I come by
and he’s slumbering in the grass beside rat
holes.
Three and he’s stretched across a jagged
stonewall,
folded hands tucked beneath one ear—
a beautiful young boy smiling,
not the heavy, large shadow who can’t breathe.
Four-thirty and the August heat
takes one down here.
He’s pulled up an elbow joint
some three feet round.
At seven I head home for the night,
pass the fresh gravel mound,
a soft footprint near the manhole
like the “x” abuelo would place beside his name
all the years he couldn’t write. |
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Salvage the Bones
A Novel by Jesmyn Ward
On one level, Salvage the Bones is a simple story about a poor black family that’s about to be trashed by one of the most deadly hurricanes in U.S. history. What makes the novel so powerful, though, is the way Ward winds private passions with that menace gathering force out in the Gulf of Mexico. Without a hint of pretension, in the simple lives of these poor people living among chickens and abandoned cars, she evokes the tenacious love and desperation of classical tragedy. The force that pushes back against Katrina’s inexorable winds is the voice of Ward’s narrator, a 14-year-old girl named Esch, the only daughter among four siblings. Precocious, passionate and sensitive, she speaks almost entirely in phrases soaked in her family’s raw land. Everything here is gritty, loamy and alive, as though the very soil were animated. Her brother’s “blood smells like wet hot earth after summer rain. . . . His scalp looks like fresh turned dirt.” Her father’s hands “are like gravel,” while her own hand “slides through his grip like a wet fish,” and a handsome boy’s “muscles jabbered like chickens.” Admittedly, Ward can push so hard on this simile-obsessed style that her paragraphs risk sounding like a compost heap, but this isn’t usually just metaphor for metaphor’s sake. She conveys something fundamental about Esch’s fluid state of mind: her figurative sense of the world in which all things correspond and connect. She and her brothers live in a ramshackle house steeped in grief since their mother died giving birth to her last child. . . . What remains, what’s salvaged, is something indomitable in these tough siblings, the strength of their love, the permanence of their devotion.—WashingtonPost |
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Sex at the Margins
Migration, Labour Markets and the Rescue Industry
By Laura María Agustín
This book explodes several myths: that selling sex is completely different from any other kind of work, that migrants who sell sex are passive victims and that the multitude of people out to save them are without self-interest. Laura Agustín makes a passionate case against these stereotypes, arguing that the label 'trafficked' does not accurately describe migrants' lives and that the 'rescue industry' serves to disempower them. Based on extensive research amongst both migrants who sell sex and social helpers, Sex at the Margins provides a radically different analysis. Frequently, says Agustin, migrants make rational choices to travel and work in the sex industry, and although they are treated like a marginalised group they form part of the dynamic global economy. Both powerful and controversial, this book is essential reading for all those who want to understand the increasingly important relationship between sex markets, migration and the desire for social justice. "Sex at the Margins rips apart distinctions between migrants, service work and sexual labour and reveals the utter complexity of the contemporary sex industry. This book is set to be a trailblazer in the study of sexuality."—Lisa Adkins, University of London |
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The Warmth of Other Suns
The Epic Story of America's Great
Migration
By Isabel Wilkerson
Ida Mae Brandon Gladney, a
sharecropper's wife, left Mississippi
for Milwaukee in 1937, after her cousin
was falsely accused of stealing a white
man's turkeys and was almost beaten to
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a citrus picker, fled Florida for Harlem
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Prize–winning journalist Wilkerson's
magnificent, extensively researched
study of the "great migration," the
exodus of six million black Southerners
out of the terror of Jim Crow to an
"uncertain existence" in the North and
Midwest. Wilkerson deftly incorporates
sociological and historical studies into
the novelistic narratives of Gladney,
Starling, and Pershing settling in new
lands, building anew, and often finding
that they have not left racism behind.
The drama, poignancy, and romance of a
classic immigrant saga pervade this
book, hold the reader in its grasp, and
resonate long after the reading is done.
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The White Masters of the
World
From
The World and Africa, 1965
By W. E. B. Du Bois
W. E. B. Du Bois’
Arraignment and Indictment of White Civilization
(Fletcher)
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Ancient African Nations
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The Death of Emmett Till by Bob Dylan
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The Lonesome Death of Hattie Carroll
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Only a Pawn in Their Game
Rev. Jesse Lee Peterson Thanks America for
Slavery /
George Jackson /
Hurricane Carter
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The Journal of Negro History issues at Project Gutenberg
The
Haitian Declaration of Independence 1804
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January 1, 1804 -- The Founding of
Haiti
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April 2012
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