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Poetry
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| Michael Gregg |
Genesis
Inside Cover |
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| Ryan G. Van Cleve |
Midnight Conversations with My Wife on the Nature of
Love |
2 |
| Ace Boggess |
Red Wine |
3 |
| Erik Anderson Reece |
No Deal |
4 |
| James Doyle |
Refusing the Wreath |
6 |
| Fredrick Zydek |
This Is Not A Vacation |
8 |
| Joyce Odam |
A Blur of Wept Images |
9 |
| Virgil Suarez |
Doña Inez in El Jardin de las Orquidias del Olvido |
10 |
| Ruth Latta |
Not A Trace |
12 |
| Maura Gage |
Directions |
13 |
| Bea Opengart |
Varieties of Religious Experience |
14 |
| Megan Burns |
First of the Month |
16 |
| Dave Brinks |
in dia monde |
18 |
| Dave Brinks |
in the meat the snow |
19 |
| Bryan Thorpe |
This Married Task |
21 |
| Michael McIrvin |
For An Ex-wife |
22 |
| Julie Parker |
Funding the Edge |
23 |
| Linda Bosson |
The Last Photograph |
24 |
| Edward Lowbury |
Birthday 200: For Alison |
25 |
| Meredith Trede |
Madonna And Child |
26 |
| Ray McNiece |
As We Fall Again |
27 |
| Sanford Fraser |
Blonde. |
28 |
| A.D. Winans |
Walking the Streets of North Beach |
29 |
| J.L.Kubicek |
72° North Latitude |
30 |
| Julie Parker |
In the Scale of Grief |
31 |
| Donna Baier Stein |
The Bear Paw |
32 |
| Janet McCann |
Wheelchair |
33 |
| Glen A. Mazis |
Basepaths |
34 |
| Edward Locke |
Country Road |
36 |
| Rebecca Raphael |
Kindling |
37 |
| H. Emilia Paredos |
#4 (from Breath) |
38 |
| Julie Grass |
Consumed |
39 |
| Jennifer Reeser |
Sappho's Ode to Anactoria |
41 |
| Greg Braquet |
Closet View |
42 |
| Christopher Thomas |
Garlands For Your Hair |
44 |
| Christopher Thomas |
Learning to Sleep in Each Other's Arms |
46 |
| Askold Skalsky |
Parallel Arts |
47 |
| Robert Jackson, III |
Dolphin |
48 |
| Bob Slaymaker |
My Wife Breaks Out |
49 |
| E.M. Schorb |
Ready to Walk |
50 |
| John N. Miller |
Oedipus in Corinth |
51 |
| Shoshauna Shy |
Friday Nights at Forty Peach Street |
53 |
| Ben Willensky |
Papageno in the Shower |
54 |
| Lyn Lifshin |
Writing Class, Syracuse Winter |
56 |
| Lyn Lifshin |
In the Second Letter He Said |
57 |
| David Spiering |
Ghazal to a Mannequin Walking |
60 |
| Mark Sheridan Maginn |
Prairie |
61 |
| Dane Cervine |
Sex on the Kitchen Floor |
62 |
| Ander Monson |
I Consider Gary Snyder in the Sauna |
63 |
| Tim Kahl |
The Convent |
65 |
| Francis Alix |
Celluloid Burns |
66 |
| E.W. Sims |
Strung Out |
67 |
| John Grey |
Aunt Elia Explains Emotions to a Jet Pilot |
68 |
| Michael McManus |
The Cafe |
69 |
| B.Z. Niditch |
Dutch Memory |
71 |
| Jon Parrish Peede |
Larkin to His Wife |
72 |
| Richard N. Bentley |
Anticlimax |
73 |
| Simon Perchik |
44 |
74 |
| Naton Leslie |
The Great Gatsby Goes to Jail |
76 |
| Beau Boudreaux |
Poydras Nursing Home |
78 |
| Beau Boudreaux |
Sailing Lake Pontchatrain |
79 |
| Linda Bosson |
What a Difference a "D" Makes |
80 |
| John Nixon, Jr. |
What Poets
Do
Back Cover |
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In Memory of Ben Jennings |
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| Ben Jennings |
The Pride Hotel |
81 |
| James Nolan |
My Wild Lover |
83 |
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Short Stories |
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| John Michael Cummings |
Overnight |
86 |
| Michael Greene |
Jesus with a Blow Torch |
91 |
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Personal Essay |
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| Sascha Feinstein |
Blouse Catching Smoke |
105 |
| Phyllis Parun |
Eroticism: Human Meets Divine |
117 |
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Essay |
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| Lenny Emmanuel |
I. My. Mine. Me |
129 |
| Ben Satterfield |
Language, Fiction, and the Puritan |
145 |
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Reviews |
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| Andrew Frisardi |
A Note on Tom Sexton |
162 |
| Josefa Salmón |
Alfredo de Palchi: Addictive Aversions Le vizione
avversioni |
166 |
| The New Laurel Review, Volume XXII, Editor, Lee
Meitzen Grue; Managing Editor, Lewis Schmidt
| The New Laurel Review is an independent
non-profit literary journal published as often as funds allow.
We are completely supported by the donations of friends and
supporters. each issue in the United States is $10. Institutions
$12. Foreign subscriptions $15 with pay from abroad to be paid
in U.S. currency (money orders or checks payable in such
currency). Editorial and business correspondence should be
addressed to The New Laurel Review, 828 Lesseps Street,
New Orleans, Louisiana, 70117. The New Laurel Review is
non-profit through the help of the New Orleans Poetry Forum.
Phyllis Parun, a native New Orleanian, is the cover artist. This work
is titled "Christabel" after Coleridge's 1797 poem. |
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* * * * *
My own papers are at
The Newcomb Center for Research on Women.
Susan Tucker is the archivist there. She's a wonderful person.
She would give you good advice. The other papers which have to
do with New Laurel Review are at Xavier. Lester Sullivan would
be the person to contact there. Good luck and a wonderful
Christmas. Take pride in your work. It's important to many
people. all best, Lee
* *
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Downtown
By Lee Meitzen Grue
Lee Grue is arguably one of the finest
practitioners of poetry in New Orleans'
storied history. These superb writs are
equal to the upwelling of jazz itself:
from Tremé street corners, to the
wayward French Quarter, to the carefree
vibes of Bywater, all the way to back o'
town; this astonishing collection speaks
from a mythic pantheon off yowls & beats
as timeless as the Crescent City
herself. "If you're missing New Orleans,
and you know what that means, you need
to read Grue's book front to back, place
by place, time by time, name by name,
everything that breaks your broken heart
and asks it to sing. A generous, loving
tribute to poetry and to New Orleans"—Dara
Wier
"Lee Grue's work is one of the majestic
pylons that keeps New Orleans above
water, a pylon woven thickly and subtly
from the city's history. Her poetry
weaves her personal history to the five
centuries of the city's own, a fabric
stronger than the dreams of engineers.
Lee Grue holds us all on the warm open
hand of her music; she emanates the love
that raises the soul levees"—Andrei
Codrescu\ |
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Lee Meitzen
Grue was born in Plaquemine, Louisiana, a small town
upriver. New Orleans has been home for most of her
life. She began reading her poetry at The Quorum
Club during the early sixties. There she met
musicians Eluard Burt and Maurice Martinez
(bandleader Marty Most). Burt had just come back to
New Orleans from San Francisco, where he had been
influenced by the Beats. Eluard Burt and Lee Grue
continued to work together over many years. Burt and
his photographer wife, Kichea Burt, came home to New
Orleans from California again in the nineties, where
the three collaborated on a CD, Live! on Frenchmen
Street. Eluard Burt passed in 2007.
Kichea Burt
contributed some of the photographs in Grue's book
DOWNTOWN. During the intervening years Grue reared
children, directed The New Orleans Poetry Forum
workshop, and NEA poetry readings in the Backyard
Poetry Theater. In 1982 she began editing New Laurel
Review, an independent international literary
journal which is still published today. She has
lived downtown in the Bywater for thirty-five years.
After the flood of 2005 she began teaching fiction
and poetry at the Alvar Library, which is three
blocks from her house. Her other books are:
Trains and Other Intrusions, French Quarter Poems, In the Sweet Balance of the
Flesh, and
Goodbye Silver, Silver Cloud, short fiction.
* *
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The White Masters of the
World
From
The World and Africa, 1965
By W. E. B. Du Bois
W. E. B. Du Bois’
Arraignment and Indictment of White Civilization
(Fletcher)
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Ancient African Nations
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If you like this page consider making a donation
* * * * *
Negro Digest /
Black World
Browse all issues
1950
1960
1965
1970
1975
1980
1985
1990
1995
2000
____ 2005
Enjoy!
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The Death of Emmett Till by Bob Dylan
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The Lonesome Death of Hattie Carroll
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Only a Pawn in Their Game
Rev. Jesse Lee Peterson Thanks America for
Slavery
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The Journal of Negro History issues at Project Gutenberg
The
Haitian Declaration of Independence 1804
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January 1, 1804 -- The Founding of
Haiti
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update 8 July 2008 |
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