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Poetry
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| Michael Gregg |
Genesis
Inside Cover |
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| Ryan G. Van Cleve |
Midnight Conversations with My Wife on the Nature of
Love |
2 |
| Ace Boggess |
Red Wine |
3 |
| Erik Anderson Reece |
No Deal |
4 |
| James Doyle |
Refusing the Wreath |
6 |
| Fredrick Zydek |
This Is Not A Vacation |
8 |
| Joyce Odam |
A Blur of Wept Images |
9 |
| Virgil Suarez |
Doña Inez in El Jardin de las Orquidias del Olvido |
10 |
| Ruth Latta |
Not A Trace |
12 |
| Maura Gage |
Directions |
13 |
| Bea Opengart |
Varieties of Religious Experience |
14 |
| Megan Burns |
First of the Month |
16 |
| Dave Brinks |
in dia monde |
18 |
| Dave Brinks |
in the meat the snow |
19 |
| Bryan Thorpe |
This Married Task |
21 |
| Michael McIrvin |
For An Ex-wife |
22 |
| Julie Parker |
Funding the Edge |
23 |
| Linda Bosson |
The Last Photograph |
24 |
| Edward Lowbury |
Birthday 200: For Alison |
25 |
| Meredith Trede |
Madonna And Child |
26 |
| Ray McNiece |
As We Fall Again |
27 |
| Sanford Fraser |
Blonde. |
28 |
| A.D. Winans |
Walking the Streets of North Beach |
29 |
| J.L.Kubicek |
72° North Latitude |
30 |
| Julie Parker |
In the Scale of Grief |
31 |
| Donna Baier Stein |
The Bear Paw |
32 |
| Janet McCann |
Wheelchair |
33 |
| Glen A. Mazis |
Basepaths |
34 |
| Edward Locke |
Country Road |
36 |
| Rebecca Raphael |
Kindling |
37 |
| H. Emilia Paredos |
#4 (from Breath) |
38 |
| Julie Grass |
Consumed |
39 |
| Jennifer Reeser |
Sappho's Ode to Anactoria |
41 |
| Greg Braquet |
Closet View |
42 |
| Christopher Thomas |
Garlands For Your Hair |
44 |
| Christopher Thomas |
Learning to Sleep in Each Other's Arms |
46 |
| Askold Skalsky |
Parallel Arts |
47 |
| Robert Jackson, III |
Dolphin |
48 |
| Bob Slaymaker |
My Wife Breaks Out |
49 |
| E.M. Schorb |
Ready to Walk |
50 |
| John N. Miller |
Oedipus in Corinth |
51 |
| Shoshauna Shy |
Friday Nights at Forty Peach Street |
53 |
| Ben Willensky |
Papageno in the Shower |
54 |
| Lyn Lifshin |
Writing Class, Syracuse Winter |
56 |
| Lyn Lifshin |
In the Second Letter He Said |
57 |
| David Spiering |
Ghazal to a Mannequin Walking |
60 |
| Mark Sheridan Maginn |
Prairie |
61 |
| Dane Cervine |
Sex on the Kitchen Floor |
62 |
| Ander Monson |
I Consider Gary Snyder in the Sauna |
63 |
| Tim Kahl |
The Convent |
65 |
| Francis Alix |
Celluloid Burns |
66 |
| E.W. Sims |
Strung Out |
67 |
| John Grey |
Aunt Elia Explains Emotions to a Jet Pilot |
68 |
| Michael McManus |
The Cafe |
69 |
| B.Z. Niditch |
Dutch Memory |
71 |
| Jon Parrish Peede |
Larkin to His Wife |
72 |
| Richard N. Bentley |
Anticlimax |
73 |
| Simon Perchik |
44 |
74 |
| Naton Leslie |
The Great Gatsby Goes to Jail |
76 |
| Beau Boudreaux |
Poydras Nursing Home |
78 |
| Beau Boudreaux |
Sailing Lake Pontchatrain |
79 |
| Linda Bosson |
What a Difference a "D" Makes |
80 |
| John Nixon, Jr. |
What Poets
Do
Back Cover |
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In Memory of Ben Jennings |
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| Ben Jennings |
The Pride Hotel |
81 |
| James Nolan |
My Wild Lover |
83 |
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Short Stories |
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| John Michael Cummings |
Overnight |
86 |
| Michael Greene |
Jesus with a Blow Torch |
91 |
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Personal Essay |
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| Sascha Feinstein |
Blouse Catching Smoke |
105 |
| Phyllis Parun |
Eroticism: Human Meets Divine |
117 |
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Essay |
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| Lenny Emmanuel |
I. My. Mine. Me |
129 |
| Ben Satterfield |
Language, Fiction, and the Puritan |
145 |
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Reviews |
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| Andrew Frisardi |
A Note on Tom Sexton |
162 |
| Josefa Salmón |
Alfredo de Palchi: Addictive Aversions Le vizione
avversioni |
166 |
| The New Laurel Review, Volume XXII, Editor, Lee
Meitzen Grue; Managing Editor, Lewis Schmidt
| The New Laurel Review is an independent
non-profit literary journal published as often as funds allow.
We are completely supported by the donations of friends and
supporters. each issue in the United States is $10. Institutions
$12. Foreign subscriptions $15 with pay from abroad to be paid
in U.S. currency (money orders or checks payable in such
currency). Editorial and business correspondence should be
addressed to The New Laurel Review, 828 Lesseps Street,
New Orleans, Louisiana, 70117. The New Laurel Review is
non-profit through the help of the New Orleans Poetry Forum.
Phyllis Parun, a native New Orleanian, is the cover artist. This work
is titled "Christabel" after Coleridge's 1797 poem. |
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My own papers are at
The Newcomb Center for Research on Women.
Susan Tucker is the archivist there. She's a wonderful person.
She would give you good advice. The other papers which have to
do with New Laurel Review are at Xavier. Lester Sullivan would
be the person to contact there. Good luck and a wonderful
Christmas. Take pride in your work. It's important to many
people. all best, Lee
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Downtown
By Lee Meitzen Grue
Lee Grue is arguably one of the finest
practitioners of poetry in New Orleans'
storied history. These superb writs are
equal to the upwelling of jazz itself:
from Tremé street corners, to the
wayward French Quarter, to the carefree
vibes of Bywater, all the way to back o'
town; this astonishing collection speaks
from a mythic pantheon off yowls & beats
as timeless as the Crescent City
herself. "If you're missing New Orleans,
and you know what that means, you need
to read Grue's book front to back, place
by place, time by time, name by name,
everything that breaks your broken heart
and asks it to sing. A generous, loving
tribute to poetry and to New Orleans"—Dara
Wier
"Lee Grue's work is one of the majestic
pylons that keeps New Orleans above
water, a pylon woven thickly and subtly
from the city's history. Her poetry
weaves her personal history to the five
centuries of the city's own, a fabric
stronger than the dreams of engineers.
Lee Grue holds us all on the warm open
hand of her music; she emanates the love
that raises the soul levees"—Andrei
Codrescu\ |
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Lee Meitzen
Grue was born in Plaquemine, Louisiana, a small town
upriver. New Orleans has been home for most of her
life. She began reading her poetry at The Quorum
Club during the early sixties. There she met
musicians Eluard Burt and Maurice Martinez
(bandleader Marty Most). Burt had just come back to
New Orleans from San Francisco, where he had been
influenced by the Beats. Eluard Burt and Lee Grue
continued to work together over many years. Burt and
his photographer wife, Kichea Burt, came home to New
Orleans from California again in the nineties, where
the three collaborated on a CD, Live! on Frenchmen
Street. Eluard Burt passed in 2007.
Kichea Burt
contributed some of the photographs in Grue's book
DOWNTOWN. During the intervening years Grue reared
children, directed The New Orleans Poetry Forum
workshop, and NEA poetry readings in the Backyard
Poetry Theater. In 1982 she began editing New Laurel
Review, an independent international literary
journal which is still published today. She has
lived downtown in the Bywater for thirty-five years.
After the flood of 2005 she began teaching fiction
and poetry at the Alvar Library, which is three
blocks from her house. Her other books are:
Trains and Other Intrusions, French Quarter Poems, In the Sweet Balance of the
Flesh, and
Goodbye Silver, Silver Cloud, short fiction.
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Malcolm X
A Life of Reinvention
By
Manning Marable
Years
in the making-the definitive biography of
the legendary black activist.
Of the great figure in twentieth-century
American history perhaps none is more
complex and controversial than Malcolm X.
Constantly rewriting his own story, he
became a criminal, a minister, a leader, and
an icon, all before being felled by
assassins' bullets at age thirty-nine.
Through his tireless work and countless
speeches he empowered hundreds of thousands
of black Americans to create better lives
and stronger communities while establishing
the template for the self-actualized,
independent African American man. In death
he became a broad symbol of both resistance
and reconciliation for millions around the
world. |
Manning Marable's
new biography of Malcolm is a stunning achievement.
Filled with new information and shocking revelations
that go beyond the
Autobiography, Malcolm X unfolds a
sweeping story of race and class in America, from the
rise of Marcus Garvey and the Ku Klux Klan to the
struggles of the civil rights movement in the fifties
and sixties.
Reaching into
Malcolm's troubled youth, it traces a path from his
parents' activism through his own engagement with the
Nation of Islam, charting his astronomical rise in the
world of Black Nationalism and culminating in the
never-before-told true story of his assassination.
Malcolm X will stand as the definitive work on one of
the most singular forces for social change, capturing
with revelatory clarity a man who constantly strove, in
the great American tradition, to remake himself anew.
Pulitzer Prize for History 2012
Winner—For a distinguished and appropriately
documented book on the history of the United States,
Ten thousand dollars ($10,000). Awarded to
Malcolm X: A Life of Reinvention, by the late
Manning Marable (Viking), an exploration of the
legendary life and provocative views of one of the
most significant African-Americans in U.S. history,
a work that separates fact from fiction and blends
the heroic and tragic. (Moved by the Board from the
Biography category.)—Pulitzer
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Ghosts in Our Blood
With Malcolm X in Africa, England, and the Caribbean
By Jan R.
Carew
Carew, an
activist, scholar, and journalist, met Malcolm X
during his last trip abroad only a few weeks before
he was killed in 1965. It made such an impression on
Carew that he felt compelled to search out Malcolm's
family and friends in order to flesh out the family
history. He interviewed Wilfred (Malcolm's older
brother) and a Grenadian friend of Malcolm's mother
named Tanta Bess. Comparing his family's experiences
with that of Malcolm X, he gives the most complete
picture yet of Malcolm's mother. Carew also offers a
tantalizing glimpse of Malcolm X's transforming
himself into El-Hajj Malik El-Shabazz, a man less
blinded by his own racial prejudices yet as
committed to the betterment of his race as ever.
Just before his death, Malcolm X became convinced
that a U.S. agency was involved with those trying to
kill him, and Carew here reveals the evidence
Malcolm X gave him to support these beliefs. The
mystery of Malcolm's death remains unresolved, and
we are once again filled with regret that he was cut
down before he could fulfill the promise of his
later days. While this book will not replace
The
Autobiography of Malcolm X (LJ 1/1/66), it is an
important supplement. All libraries that own the
autobiography should also purchase this one.—Library
Journal |
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The White Masters of the
World
From
The World and Africa, 1965
By W. E. B. Du Bois
W. E. B. Du Bois’
Arraignment and Indictment of White Civilization
(Fletcher)
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Ancient African Nations
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Negro Digest /
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The Death of Emmett Till by Bob Dylan
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The Lonesome Death of Hattie Carroll
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Only a Pawn in Their Game
Rev. Jesse Lee Peterson Thanks America for
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The Journal of Negro History issues at Project Gutenberg
The
Haitian Declaration of Independence 1804
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January 1, 1804 -- The Founding of
Haiti
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April 2012
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