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Books by Marcus Bruce
Christian
Song of the Black Valiants: Marching Tempo
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High Ground: A Collection of Poems /
Negro soldiers in the Battle of New Orleans
I am New
Orleans: A Poem
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Negro Iron Workers of Louisiana: 1718-1900 /
The Liberty Monument
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DN9
Marriage
& the Husband To Be
December
10, 1943
It
was very cold today. The ground, in places where it was wet, was
frozen. My towel outside when I picked it up this morning was
frozen. It may be beginning to grow warmer.
I
am under my igloo in bed, typing away. Ruth just came in and
made me mad as hell because of the envious way in which she told
of a woman who she had seen in the drugstore, who pulled out a
big roll of money, her husband had just got paid, and she
purchased two dollars and something of cosmetics.
I
[Christian] blew up, when she said that's the kind of husband to
have, and here I [Ruth] am being given a little by little at a
time, or something like that. I raised so much sand that she got
on the defensive and went into the bathroom, locking the bedroom
door and the bathroom door, and screaming at me something
through the closed doors, I being in the bedroom in my igloo. Some life.
<<---Previous
Next--10->> * *
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Selected Letters
Selected Diary Notes Memories of Marcus B. Christian
(Cains) Christian's
BioBibliographical Record Introduction to I AM NEW
ORLEANS
A
Theory of a Black Aesthetic Magpies,
Goddesses, & Black Male Identity
Activist Works on Next Level of Change
Intro to I Am New
Orleans
Letter from Dillard University
A
Labor of Genuine Love
Letter of Gift of
Photos
Letters from
LSU and Skip Gates * * *
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Negro Iron Workers of Louisiana: 1718-1900
By Marcus Bruce Christian
Study of the blacksmith
tradition and New Orleans famous lace balconies and
fences.
Acclaimed
during his life as the unofficial poet laureate of
the New Orleans African-American community, Marcus
Christian recorded a distinguished career as
historian, journalist, and literary scholar. He was
a contributor to Pelican's
Gumbo Ya Ya, and also wrote many articles
that appeared in numerous newspapers, journals, and
general-interest publications. |
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Salvage the Bones
A Novel by Jesmyn Ward
On one level, Salvage the Bones is a simple story about a poor black family that’s about to be trashed by one of the most deadly hurricanes in U.S. history. What makes the novel so powerful, though, is the way Ward winds private passions with that menace gathering force out in the Gulf of Mexico. Without a hint of pretension, in the simple lives of these poor people living among chickens and abandoned cars, she evokes the tenacious love and desperation of classical tragedy. The force that pushes back against Katrina’s inexorable winds is the voice of Ward’s narrator, a 14-year-old girl named Esch, the only daughter among four siblings. Precocious, passionate and sensitive, she speaks almost entirely in phrases soaked in her family’s raw land. Everything here is gritty, loamy and alive, as though the very soil were animated. Her brother’s “blood smells like wet hot earth after summer rain. . . . His scalp looks like fresh turned dirt.” Her father’s hands “are like gravel,” while her own hand “slides through his grip like a wet fish,” and a handsome boy’s “muscles jabbered like chickens.” Admittedly, Ward can push so hard on this simile-obsessed style that her paragraphs risk sounding like a compost heap, but this isn’t usually just metaphor for metaphor’s sake. She conveys something fundamental about Esch’s fluid state of mind: her figurative sense of the world in which all things correspond and connect. She and her brothers live in a ramshackle house steeped in grief since their mother died giving birth to her last child. . . . What remains, what’s salvaged, is something indomitable in these tough siblings, the strength of their love, the permanence of their devotion.— WashingtonPost
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The New Jim Crow
Mass Incarceration in the Age of
Colorblindness
By Michele Alexander
Contrary to the
rosy picture of race embodied in Barack
Obama's political success and Oprah
Winfrey's financial success, legal
scholar Alexander argues vigorously and
persuasively that [w]e have not ended
racial caste in America; we have merely
redesigned it. Jim Crow and legal racial
segregation has been replaced by mass
incarceration as a system of social
control (More African Americans are
under correctional control today... than
were enslaved in 1850). Alexander
reviews American racial history from the
colonies to the Clinton administration,
delineating its transformation into the
war on drugs. She offers an acute
analysis of the effect of this mass
incarceration upon former inmates who
will be discriminated against, legally,
for the rest of their lives, denied
employment, housing, education, and
public benefits. Most provocatively, she
reveals how both the move toward
colorblindness and affirmative action
may blur our vision of injustice: most
Americans know and don't know the truth
about mass incarceration—but her
carefully researched, deeply engaging,
and thoroughly readable book should
change that.—Publishers
Weekly |
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The White Masters of the
World
From
The World and Africa, 1965
By W. E. B. Du Bois
W. E. B. Du Bois’
Arraignment and Indictment of White Civilization
(Fletcher)
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Ancient African Nations
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The Death of Emmett Till by Bob Dylan
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The Lonesome Death of Hattie Carroll
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Only a Pawn in Their Game
Rev. Jesse Lee Peterson Thanks America for
Slavery /
George Jackson /
Hurricane Carter
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The Journal of Negro History issues at Project Gutenberg
The
Haitian Declaration of Independence 1804
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January 1, 1804 -- The Founding of
Haiti
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