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Books By
Paul Laurence Dunbar
The Collected Poetry of Paul Laurence Dunbar /
The Sport of the Gods /
Majors and
Minors /
The Heart of Happy Hollow
Lyrics of Lowly Life
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In His Own Voice: Dramatic & Other Uncollected Works
Little Brown Baby /
Paul Laurence Dunbar Reader /
Best Stories of Paul Laurence Dunbar
Collected Works of Paul Laurence Dunbar
/
The Fanatics /
Folks from Dixie
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Paul Laurence Dunbar
(1872-1906)
First African-American
Professional Poet
Paul Laurence Dunbar (1872-1906)was a poet and an author who was acknowledged
as the first important black poet in American literature.
His ability was recognized from early
childhood and he enjoyed his greatest popularity in the early
twentieth century; he wrote not only dialect poems but also novels,
short stories, essays, and many poems in standard English.
The son of Matilda and Joshua Dunbar, natives
of Kentucky, Paul was born on June 27 in Dayton, Ohio, and died
there on February 9, 1906. His parents separated in 1874. His mother abandoned made a living as a "colored washerwoman."
Among her customers was the Wright family of Dayton.
Matilda Jane, a
remarkable woman, was devoted to her son and had a great influence
on him. Born in slavery, she learned poetry by listening to her
slave-master read poetry at family gatherings, and she was
determined that Paul receive an education and inspired him in the
writing of poetry.
Dunbar produced twelve poetry books, four books of short stories, five novels
and one drama. Forty of his poems were set to music by famous
musicians of his time, including Samuel Coleridge-Taylor and the black
composer J. Rosamond Johnson. Fifteen of his short stories appeared in
such publications as Lippincott's, The Sunday Evening Post,
Independent, Dayton Tattler, Harper's Weekly,
Century,
Denver Post, Smart Set, Outlook, Bookman,
and Current Literature.
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A Dunbar Chronology
1890 (December 13) -- Dunbar and an associate, Preston Finley, published
the first issue of Dayton Tattler, a black-oriented weekly
newspaper printed by Wright & Wright, Printers, owned by Orville
and Wilbur Wright
1891 -- graduated from Dayton, Ohio's Central High School
with honors; in the same class as Wilbur and Orville Wright.
1893 -- recited poetry at the World's Fair, where
he met Frederick Douglass, who called him on of America's most
promising young writers.
1895 -- went to Toledo and, with the help of attorney Charles A. Thatcher and
psychiatrist Henry A. Tobey, obtained work there reading his poetry at
libraries and literary gatherings.
1895 --
Majors and
Minors, Dunbar's second collection of verse published by Tobey and
Thatcher
1896 -- Dunbar dialect poems
received positive reviews from the
eminent novelist William Dean Howells in Harper's Weekly. This recognition by America's greatest critic was the
beginning of Paul's national reputation.
1897 -- sponsored by the Savage Club in London, England,
to give a series of readings and, after his return to America, obtained employment at the Library of Congress in
Washington
1898 (March 8) -- married Miss Alice Ruth
Moore, a teacher and writer from New Orleans.
1902 -- Moore and Dunbar
separate. Separation caused Dunbar to suffer emotional depression.
1903 -- developed tuberculosis. Stayed
a short period in Colorado;
returned to Washington; health continued to decline as
he persisted in producing poems; reliance on alcohol to temper
his physical and psychological problems exacerbated his
illnesses.
1904 -- returned to Dayton to stay with his mother.
1906 (February 9) -- died in his mother's arms at the age of 33.
Schools, banks, and hospitals all over the country have
been named in his honor. In 1938 his family home was dedicated as a state museum by the
Ohio Historical Society and is now a national landmark. In 1976 the
U.S. Postal Service issued a commemorative stamp in his honor. His
tomb at Dayton's Woodland Cemetery is marked by a statue erected in
his memory. Most recently, the University Library of Wright State
University has been renamed the Paul Laurence Dunbar Library.
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We Wear the Mask
By Paul Laurence Dunbar
We wear the mask that grins and lies,
It hides our cheeks and shades our eyes-
This debt we pay to human guile;
With torn and bleeding hearts we smile
And mouth with myriad subtleties,
Why should the world be over-wise,
In counting all our tears and sighs?
Nay, let them only see us, while
We wear the mask.
We smile, but oh great Christ, our cries
To Thee from tortured souls arise.
We sing, but oh the clay is vile
Beneath our feet, and long the mile,
But let the world dream otherwise,
We wear the mask!
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http://www.dayton.lib.oh.us/archives/dunbar.htm
update 11 July 2008 |