ChickenBones: A Journal

for Literary & Artistic African-American Themes

   

Home   ChickenBones Store (Books, DVDs, Music, and more)

Google
 

Online through PayPal

Or Send contributions to: ChickenBones: A Journal / 2005 Arabian Drive / Finksburg, MD 21048  Help Save ChickenBones

Project men and Penthouse men / Poets, painters, printers, and publishers

Bohemians and bankers (that yang money) / Triangular offenders and EBONY squares...

 

 

Poem for Our Fathers
(to all the fathers in the house)

   By Professor ARTURO

 

This poem is for our fathers

This poem is for their strengths

for the intolerance everpresent in their world

for their pride and disappointments

for their pleasures and passions and promises, promises…

This poem is for our fathers

This poem is for New Awlins fathers

(Where they at, girl?)

This poem is for New Awlins men

This poem is for “Dooky” and “Dutch” and Danny Barker

This poem is for the Big Time Crip and Nick the Greek

This poem is for Chopsley and Injun Red

This poem is for the Coaches and the Roaches

This poem is for the brother in the commercial

be hollerin’ ‘bout “LET HER HAVE IT”

This poem is for the English teachers and the midnight creatures

This poem is for the strong men who keep-a comin’ on...

This poem is for traditional men

(men in the tradition)

This poem is for the Kidds and the Professors

This poem is for BIG-OLD men!!!!!

This poem is for lil’ bitty men...

This poem is for “the Sensitive Men of the Nineties”

and the raging bulls of the Fifties:

Men named “Rattlesnake Dick”

Men named “Chakula”

Men named “Oglethotpe”

Men named “Gooseberry”

Men named “Greenhouse”

Men named “Delahoosay”

Men named “Hollywoo-oo-ood

Men named “Bu-Buttt”      Men named “Bay-Bay”

Men named “Pa-Pa”           Men named “Nay-Nay”

Men named “Pa-Dee”         Men named “Tee-Tee”

Men who say “Habari Gani!?!!!”

Men who say “Wha-sssssu-u-u-uup!?!!!”

Men who dri-i-iive like Rodney King

    (and party at the drop of a Congress cap)

 

            GRUMBLIN’ MEN             MUMBLIN’ MEN

            GRAMBLIN’ MEN             GAMBLIN’ MEN

            ZOOT-SUITIN’ MEN          BULLSHOOTIN’ MEN

            dinky men                             STINKY MEN

            SUPER MEN                        PSEUDO MEN

            SUGAR MEN                       BUGAR MEN

            GODLY MEN                      DEVILISHED MEN

 

Men who tell jokes like:  “Yo’ maw so fat -- when she

            buy a ticket, she say --

            ‘Two, please’”

 

                        or jokes like: “Yo’ maw like a roll o’ material—

                                               -ten dollars a yard”!

 

                        or jokes like: “What did the monkey eat

                                        befo’ he ate the banana?

 

 the cherry!”

 

                        or jokes like: “What’s yo’ maw favorite street?

                                         --Common St.!”     

 

Straight-up men           Backslidin’ men

Signifyin men              Ignifying men

God-fearin’ men          Disappearin’ men

 

Men who try to buy love

(“Is it talkin’ to you, daddy?”)

Men who ain’t never been east of East New Orleans...

 

Project men and Penthouse men

Poets, painters, printers, and publishers

Bohemians and bankers (that yang money)

Triangular offenders and EBONY squares...

 

This poem is for our fathers..,

-men who raised other men’s chirrens

like they was they own.

Men who know ‘bout “ten minutes to two”

Men who ain’t never put they lips there (so they say)

Men who favorite record was “I’m a har-ar-ard fottin’ ma-an”…

Men who was on “Poke Chop Hill” (not “Pork Chop Hill”)

Men who say “Rockyfella” (not “Rockefeller”)

Men who say “Huh-why-yuh” (insteada “Hawaii”)

Men who say “Terrybone” (insteada “Terrebonne”)

Men who say “cornder” (insteada “corner”)

Men who say “Congo drums” (insteada “Coonga drums”)

Men who say “trumpetier” (insteada “trumpeter”)

Men who say “umble”   (insteada “humble”)

Men who say “flustrated” (insteada “frustrated”)

Men who say “chinees” insteada “marbles”

Men who say Punchatrain”  insteada “Pontchartrain”

Men who say The House of Shock” Insteada “O.P.P.”

          (You know mee-ee-ee-ee-ee…)

Men who say “San Gabriel” (insteada “Saint Gabriel”)

Men who say ‘The Farm” (insteada “Angola”)

Men who say “The Plantation” (insteada “SUNO”)

Men who say “The Lil’ Plantation” (insteada “McDonogh 28”)

Men who say “kinnygawdin” (insteada “kindergarten”)

Men who say “Primmery School” (insteada “Primary School”)

Men who say “sweet shop” (insteada “candy store”)

Men who say “Pell Mell” (insteada “Pall Mall”)

Men who say “sitcheeashun” (insteada “situation”)

Men who say “physical year” (insteada “fiscal year)

Men who say “Mee-row” (insteada “Miro”)

Men who say “BA-NAAAAAANAHS!!!

    WA-TAH-&ME-E-E-E-LU-U-U-UNNNNNNN!!!”

 

Hard-workin’, pitty-pat playin’ men

(Deep South men with they riverfront plates o’ food)

Macdaddies and Shaq daddies

Old daddies and New daddies

First-time daddies             (baker’s dozen daddies)

Wunna them Richard Pryor daddies (“This Mister Gilmore’ property”)

Wunna them “THIS MA HOUSE” daddies

Wunna them “Git that gobbidge out this house “right now” daddies

Wunna them “If-you-don’t-do-it-with-yo’-hands-­

          (and sweat) -- it - ain’t -- WORK” daddies

Wunna them “Git-out-ma-life-woman—

You-don’t-love-me-­no-mo-o-o-o-o-o” daddies . . .

Men who believed in THE BELT

THE WHOLE BELT

NOTHING BUT THE BELT…

Insteada “sneakers” they say “tennis”

Jnsteada “Mother Dear” they say “Ma Dear”

Insteada “Hi, darling” they say “Hey ba-a-a-a-aby”

Insteada “How are you?” they say “Where y’at!?!”

Insteada “Dew-key Chase” they say “deh-key Chase”

Insteada “My woman left me” they say “She kicked me to the curve”

Insteada “cocktail” they say “highball”

Insteada “frozen cups” they say “hucklebucks”

Insteada “scooters” they say “skatemobiles” or “skatin’ trucks”

Insteada “Rose-avelt” they say “Roozevelt”

Insteada “fight” they say “humbug”

lnsteada “tumblin’ “they say “tumble-settin’”

Insteada “robe” they say “housecoat”

Insteada “Bo-yay” they say “BO-LEO”

Insteada “bang-bang” they say “Pie-yah-ah-ah-ah…!”

Insteada “retirement community” they say “old folks home”

Insteada “electoral” they say “electorial”

Inateada “upset stomach” they say “loose bowels”

Insteada “Did you hear me?” they say “YA’ HEARD ME?!!??”

Insteada “Bourbon Street” they say “Sweet Lorraine’s”
            (that’s a commercial)

Insteada “Yes, you’re correct” they say “Yeah ya-right”

Insteada “Sure, you’re correct” they say “Sho ya-right”

Insteada “I know that’s Correct” they say “I know that’s right”

Insteada “Who is that?” they say “Who dat?”

They say Louis Armstrong insteada Herb Alpert

They the Duke of Earl insteada David Duke

They say Eddie Jefferson insteada George Jefferson

They say Buster Crabbbe, Buster Brown, and James Arness
                                    (the real Matt Dillon)

They say Sidney Bechet insteada Kenny G.
                        (Fatha, Fatha)

 

Men     like yo’ grampa and his paw and yo’
            nanann’ parann and her paw and that
            no-good hooligan she was foolin’ with
            way uptown who was tellin’ that girl
            he was gon’ marry her (and never did)

 

Men who git drunk at the picnic -- every year

            (and think they Frankie Beverly)

Men who still debate about which cowboy had the best hoss...

 

Men who came home from World War II--
            bragging of their antics and exploits
            (“I had so much fun in Paris I wish they’ fight agin’”)

 

Old School, Ancient School, Methoozalla School men

            Them “Yes-sir, No-sir, 1-gotta-listen-to-this-mess-

            ‘cause-I-gotta-family-to-feed” men...

 

The indispensables:

            bellhops and bus drivers

            porters and waiters
            contractors and cigar makers
            house painters and horse players

            longshoremen, merchant marines,

            preachers and pimps

            (“What a difference a cross makes...”)

 

Men who played with they chirrens in warm,

                                    Lake Pontchartrain waters...

 

Bourbon Street bouncers

Favorite uncles

Brothers in the ‘Nam

CHIEFS!!    EXECUTIVES!!!    OFFICERS!!!

Transient residents of Tulane & Broad

Woof men howling at the wayward wind...

 

Fathers and lovers

Nephews and brothers and husbands who love they oldladies

and mens foolin’ ‘round behind they backs

                                       (Ramblin’ Ro-o-o-o-ose…)
and mens who done made the baby
            with that girl ‘round the way
            and ain’t even claimin’ that child...

 

For our fathers…

their riches and wishes

black socks and their dishes

their dreams and devotions

their schemes and their potions

their creams and their lotions

            and stories and glories

            love cries and lives

 

-legacies,                          unending

 

                        EVERLASTING…

 

This poem is for our fathers...

posted 23 August 2007

 *   *   *   *   *

Professor ARTURO (Arthur Pfister), a poet and fiction writer from New Orleans, is a Spoken Word artist, educator, performer, editor and speechwriter who received a Master of Arts degree in Writing from Johns Hopkins University and a B.A. degree in English/Journalism from the State University of New York-College at New Paltz.   Pfister, one of the original Broadside poets of the 1960s, has collaborated on a medley of projects with a mélange of artists including painters, musicians, photographers, dancers, singers, fire eaters, waiters, cab drivers, and other members of the Great Miscellaneous.

He has performed his poetry, fiction, toasts and “jazz poems” on a solo basis or with musical accompaniment at Ebony Square, Vincent’s City Club, the Contemporary Arts Center, the Louisiana Folklife Festival, the New Orleans Jazz and Heritage Festival, the Urban League’s Annual Golden Gala, Ashe Cultural Arts Center, Tulane University’s Amistad Research Center’s Achievement Award Banquet, True Brew Coffeehouse, the Maple Leaf Bar and an array of public/parochial schools, colleges, and churches nationwide.  His work has been accompanied by musical legends such as Eluard Burte, Henry Butler, Willie Cole, Davelle Crawford, Vinny Golia, Kidd Jordan, Kid Millenberg, Earl Turbinton and Gozo Yoshimasu. He has also served as Featured Performance Poet at Sweet Lorraine’s Jazz Club and co-founded the performance series “ARTURO and Joe’s Old Skool Jazz & Poetry Open Mic Night” at the legendary Edgelake Bar (featured in Elvis Presley’s “King Creole”).

His work has appeared in such diverse publications as FAHARI, the American Poetry Review, the Shooting Star Review, the Minnesota Review, the Gallery Mirror, EBONY, From a Bend in the River, Mesechabe, Word Up, the Chicory Review, the New Laurel Review, the New Orleans Tribune, We Speak As Liberators, Black Spirits, A Broadside Treasury, and Swapping Stories: Folktales From Louisiana.

He has taught at educational institutions ranging from Northeastern University (Visiting Poet for the Africana Studies Center) to Texas Southern University (Writer In Residence).   He has served as Academic Instructor for the New Orleans Urban League’s Computer Operations Training Center and as Poet In Residence at the Neighborhood Gallery.   Prior to Katrina he was employed by the New Orleans Job Corps as Academic/Pre-GED Instructor.

Inquiries about the author’s availability for workshops, readings, collaborative projects, seminars, residencies, and publications should be directed to: Professor ARTURO / (504) 975-6676 / arthurpfister@yahoo.com / www.professorarturo.com

*   *   *   *   *

 

MY NAME IS NEW ORLEANS: 40 Years of Poetry & Other Jazz

After surviving the horrors of Hurricane Katrina, Professor ARTURO, a New Orleans spoken word artist/musipoetryst, will have his book, My Name Is New Orleans: 40 Years of Poetry & Other Jazz, a 320- page collection of poetry, songs, psalms, paeans, toasts and hieroglyphs (1968 – 2008) published in late Spring 2009 by Margaret Media, Inc

Schedule your organization's venue for a performance/book signing:  arthurpfister@yahoo.com 

 http://professorarturo.blogspot.com/

*   *   *   *   *

AALBC.com's 25 Best Selling Books


 

Fiction

#1 - Justify My Thug by Wahida Clark
#2 - Flyy Girl by Omar Tyree
#3 - Head Bangers: An APF Sexcapade by Zane
#4 - Life Is Short But Wide by J. California Cooper
#5 - Stackin' Paper 2 Genesis' Payback by Joy King
#6 - Thug Lovin' (Thug 4) by Wahida Clark
#7 - When I Get Where I'm Going by Cheryl Robinson
#8 - Casting the First Stone by Kimberla Lawson Roby
#9 - The Sex Chronicles: Shattering the Myth by Zane

#10 - Covenant: A Thriller  by Brandon Massey

#11 - Diary Of A Street Diva  by Ashley and JaQuavis

#12 - Don't Ever Tell  by Brandon Massey

#13 - For colored girls who have considered suicide  by Ntozake Shange

#14 - For the Love of Money : A Novel by Omar Tyree

#15 - Homemade Loves  by J. California Cooper

#16 - The Future Has a Past: Stories by J. California Cooper

#17 - Player Haters by Carl Weber

#18 - Purple Panties: An Eroticanoir.com Anthology by Sidney Molare

#19 - Stackin' Paper by Joy King

#20 - Children of the Street: An Inspector Darko Dawson Mystery by Kwei Quartey

#21 - The Upper Room by Mary Monroe

#22 – Thug Matrimony  by Wahida Clark

#23 - Thugs And The Women Who Love Them by Wahida Clark

#24 - Married Men by Carl Weber

#25 - I Dreamt I Was in Heaven - The Rampage of the Rufus Buck Gang by Leonce Gaiter

Non-fiction

#1 - Malcolm X: A Life of Reinvention by Manning Marable
#2 - Confessions of a Video Vixen by Karrine Steffans
#3 - Dear G-Spot: Straight Talk About Sex and Love by Zane
#4 - Letters to a Young Brother: MANifest Your Destiny by Hill Harper
#5 - Peace from Broken Pieces: How to Get Through What You're Going Through by Iyanla Vanzant
#6 - Selected Writings and Speeches of Marcus Garvey by Marcus Garvey
#7 - The Ebony Cookbook: A Date with a Dish by Freda DeKnight
#8 - The Isis Papers: The Keys to the Colors by Frances Cress Welsing
#9 - The Mis-Education of the Negro by Carter Godwin Woodson

#10 - John Henrik Clarke and the Power of Africana History  by Ahati N. N. Toure

#11 - Fail Up: 20 Lessons on Building Success from Failure by Tavis Smiley

#12 -The New Jim Crow: Mass Incarceration in the Age of Colorblindness by Michelle Alexander

#13 - The Black Male Handbook: A Blueprint for Life by Kevin Powell

#14 - The Other Wes Moore: One Name, Two Fates by Wes Moore

#15 - Why Men Fear Marriage: The Surprising Truth Behind Why So Many Men Can't Commit  by RM Johnson

#16 - Black Titan: A.G. Gaston and the Making of a Black American Millionaire by Carol Jenkins

#17 - Brainwashed: Challenging the Myth of Black Inferiority by Tom Burrell

#18 - A New Earth: Awakening to Your Life's Purpose by Eckhart Tolle

#19 - John Oliver Killens: A Life of Black Literary Activism by Keith Gilyard

#20 - Alain L. Locke: The Biography of a Philosopher by Leonard Harris

#21 - Age Ain't Nothing but a Number: Black Women Explore Midlife by Carleen Brice

#22 - 2012 Guide to Literary Agents by Chuck Sambuchino
#23 - Chicken Soup for the Prisoner's Soul by Tom Lagana
#24 - 101 Things Every Boy/Young Man of Color Should Know by LaMarr Darnell Shields

#25 - Beyond the Black Lady: Sexuality and the New African American Middle Class  by Lisa B. Thompson

*   *   *   *   *

Sister Citizen: Shame, Stereotypes, and Black Women in America

By Melissa V. Harris-Perry

According to the author, this society has historically exerted considerable pressure on black females to fit into one of a handful of stereotypes, primarily, the Mammy, the Matriarch or the Jezebel.  The selfless Mammy’s behavior is marked by a slavish devotion to white folks’ domestic concerns, often at the expense of those of her own family’s needs. By contrast, the relatively-hedonistic Jezebel is a sexually-insatiable temptress. And the Matriarch is generally thought of as an emasculating figure who denigrates black men, ala the characters Sapphire and Aunt Esther on the television shows Amos and Andy and Sanford and Son, respectively.     

Professor Perry points out how the propagation of these harmful myths have served the mainstream culture well. For instance, the Mammy suggests that it is almost second nature for black females to feel a maternal instinct towards Caucasian babies.

As for the source of the Jezebel, black women had no control over their own bodies during slavery given that they were being auctioned off and bred to maximize profits. Nonetheless, it was in the interest of plantation owners to propagate the lie that sisters were sluts inclined to mate indiscriminately.

*   *   *   *   *

 

Sex at the Margins

Migration, Labour Markets and the Rescue Industry

By Laura María Agustín

This book explodes several myths: that selling sex is completely different from any other kind of work, that migrants who sell sex are passive victims and that the multitude of people out to save them are without self-interest. Laura Agustín makes a passionate case against these stereotypes, arguing that the label 'trafficked' does not accurately describe migrants' lives and that the 'rescue industry' serves to disempower them. Based on extensive research amongst both migrants who sell sex and social helpers, Sex at the Margins provides a radically different analysis. Frequently, says Agustin, migrants make rational choices to travel and work in the sex industry, and although they are treated like a marginalised group they form part of the dynamic global economy. Both powerful and controversial, this book is essential reading for all those who want to understand the increasingly important relationship between sex markets, migration and the desire for social justice. "Sex at the Margins rips apart distinctions between migrants, service work and sexual labour and reveals the utter complexity of the contemporary sex industry. This book is set to be a trailblazer in the study of sexuality."—Lisa Adkins, University of London

*   *   *   *   *

Faces At The Bottom of the Well: The Permanence of Racism

By Derrick Bell

In nine grim metaphorical sketches, Bell, the black former Harvard law professor who made headlines recently for his one-man protest against the school's hiring policies, hammers home his controversial theme that white racism is a permanent, indestructible component of our society. Bell's fantasies are often dire and apocalyptic: a new Atlantis rises from the ocean depths, sparking a mass emigration of blacks; white resistance to affirmative action softens following an explosion that kills Harvard's president and all of the school's black professors; intergalactic space invaders promise the U.S. President that they will clean up the environment and deliver tons of gold, but in exchange, the bartering aliens take all African Americans back to their planet. Other pieces deal with black-white romance, a taxi ride through Harlem and job discrimination. Civil rights lawyer Geneva Crenshaw, the heroine of Bell's And We Are Not Saved (1987), is back in some of these ominous allegories, which speak from the depths of anger and despair. Bell now teaches at New York University Law School.—Publishers Weekly

*   *   *   *   *

The White Masters of the World

From The World and Africa, 1965

By W. E. B. Du Bois

W. E. B. Du Bois’ Arraignment and Indictment of White Civilization (Fletcher)

*   *   *   *   *

Ancient African Nations

*   *   *   *   *

If you like this page consider making a donation

online through PayPal

*   *   *   *   *

Negro Digest / Black World

Browse all issues


1950        1960        1965        1970        1975        1980        1985        1990        1995        2000 ____ 2005        

Enjoy!

*   *   *   *   *

The Death of Emmett Till by Bob Dylan  The Lonesome Death of Hattie Carroll  Only a Pawn in Their Game

Rev. Jesse Lee Peterson Thanks America for Slavery / George Jackson  / Hurricane Carter

*   *   *   *   *

The Journal of Negro History issues at Project Gutenberg

The Haitian Declaration of Independence 1804  / January 1, 1804 -- The Founding of Haiti 

*   *   *   *   *

*   *   *   *   *

ChickenBones Store (Books, DVDs, Music, and more)  

 

 

 

 

 

update 25 March 2012

 

 

 

Home Literary New Orleans

Related files: Malcolm  SHINE and THE TITANIC   Poem for Our Fathers  Poem for Our Mothers