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fancy firmament filled with fantasies / of its graceful gait

and sweet soothing scent / warm breeze of wild figment

 

 

THE POET’S PEN

                By Niyi Juliad

its restless ball-point

deftly roves as it rolls

itchy at the joint,

like a cheetah it prowls

 

the ravenous predator

hunts for hidden pictures –

victims of a tireless creator

goaded by the poet’s gestures

 

re-charged from the inkwell

it paints the mystery’s face

with a touch of spell

along its creative space

 

come, let’s unveil the secret

invented by the poet’s pen

the mind needs be discreet

unlocking the cryptic gen

*   *   *   *   *

 

BUT I, EVEN I . . .

 

                        By Niyi Juliad

 

The strappy sandal

Breeds burning blisters

 

The gold ring

Gives gnawing twist

 

The glossy bracelet

Forces wriggly retreat

 

The nice necklet

Mocks the hangman’s noose

 

The dainty anklet

Bites like a manacle

 

The glittery girdle

Causes gripping gripe

 

And the colourful cap

Clamps with a bruising clasp

 

But I, even I,

Choose none of these

And I save my peace.

*   *   *   *   *

 

EYES UPON THE ROAD

 

                        By Niyi Juliad

 

Having lain down this long

on the creaky couch

of defeated dreams

promise of slow-paced goodwill

keeps the soul alive

for endless uneasy moments

 

then eyes are laid

on the pathway of promise –

the same ever-coming promise

the heart set upon the road

and eager senses await every piece

of the crawling whole

 

fancy firmament filled with fantasies

of its graceful gait

and sweet soothing scent

 

warm breeze of wild figment

wraps its arms on the frozen spirit

melting the ice of reality

 

room-corner images projected

through the earth-inclined head

fill up a mighty lake

 

a bowl of scanty contents

is the weightless pride

of even the housetop view

 

many figures forever held

in lingering expectation

set the eyes, yes, upon the road.

*   *   *   *   *

 

AILING MAMMOTH

 

                          By Niyi Juliad

 

Cyclopean and comfortably cradled

he inhabits the trigger-point

of the black African space

 

He is a dying god

of ill-used fortunes

that brew self-induced sad pass

 

Self-appointed Big Brother

lives up to the true name

in actions daring and words grandiose

 

His swarms of swarthy scions

like sand of the sea

defy definite determination

 

The generous princely prince

of the black clan

sees not own foe in the self

 

Itchy hands oft-repeatedly dipped

into the cesspools of earth's secretion

depleted for love of loveless strangers

 

Foreign depositories heighten in time

serviced from un-returnable returns

from the earth’s crude favour

 

Fires of civil acrimony doused

in neighbours’ far-away lands, while

home-grown gall festers like septicaemia

 

The foxy men-in-cracy

conspire in cunning collusion, and

shoot the Behemoth in the foot

 

From the drugged slugs he bleeds

and trudges in tottering gait

totally depleted, totally ailing

 

Unwilling clinicians lack willing tools

clinically unclean, un-sterilized

for the styptic performance

 

Foreign loaners feast on dripping blood

“squeeze the fool more,” they urge

stranglehold heavy like cumber

 

The going songs are tear-jerkers

and the skies gather darkening clouds

who will stop the lachrymal heavens?

Except the One above the clouds  

*   *   *   *   *

 

Niyi Juliad lives in Lagos, Nigeria. Born to a mother who used to be an oral traditional poetry performer, like her father whose gift in oral traditional poetry was well-known among his contemporaries.

Some of his works have been published in some literary magazines and national newspapers. Some have recently been accepted for publication in the annual literary magazine of Poetry International, San Diego State University.

He is currently working on a novel and a book on poetry.

posted 19 December 2005

 

 

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Related files: Osundare's Universe of Burdens    The Poet's Pen & Other Poems   Niyi Osundare At 60  Transitional Writings on Africa