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for Literary & Artistic African-American Themes

   

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We was so tired, we was only half-awake --

 Was hulkin' big Scotty and dog-tired me -- Jake

We wouldn't have done it, but we was dead broke

 

 

 

Books by Marcus Bruce Christian

Song of the Black Valiants: Marching Tempo / High Ground: A Collection of Poems  / Negro soldiers in the Battle of New Orleans

I am New Orleans: A Poem / Negro Iron Workers of Louisiana: 1718-1900 /  The Liberty Monument

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Scabs

 

By Marcus B. Christian

 

Ford never made himCadillac wouldn't;

Nor General Motorsthe Austin folks couldn't.

Plug-ugly mountain of black meat and bone,

Yet something the Present could label its own.

 

"Twas the Harmony Street wharf, at eight in the night,

With thirty five of us expecting a fight;

For thirty-three hours we'd worked on a stretch

Worked at unloadingat carry and fetch.

 

We was so tired, we was only half-awake

Was hulkin' big Scotty and dog-tired meJake

We wouldn't have done it, but we was dead broke

And needed the moneyand that was no joke.

 

"Now, look out for strikers till St. Mary's passed,"

I mumbled to Scotty, who'd jumped the truck last.

I hadn't a keyringplain craziness, that;

But Scotty was toting an ugly black gat.

 

At St. Mary Street wharf a car drew along,

Then red hell and death rainedlife went for a song.

"Run, Scotty!" I cried out, "I'll get outa view!"

"And leave you?" asked Scotty, "No I'll stick with you!"

 

While black men ran screaming out into the night,

Big Scotty stood towering and ready for flight;

Defiant he stood there, his gat barking loud,

And death flowed around usa moving, black cloud.

 

He cussed them and called them what came from his head;

Then, suddenly, silence, and then, the car fled.

When things sorta quieted and fighting was done

I thanked the Lord Jesus that Scotty had run.

 

Just then a fear struck me . . . I felt . . . warm and red

Through his jumper the bloodmy partner was dead.

Ford never made himCadillac wouldn't;

Nor General Motorsthe Austin folks couldn't.

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Source: I Am New Orleans & Other Poems By Marcus B. Christian edited by Rudolph Lewis & Amin Sharif

Previous   Next

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Selected Letters  Selected Diary Notes

Memories of Marcus B. Christian (CainsChristian's BioBibliographical Record    Introduction to I AM NEW ORLEANS 

A Theory of a Black Aesthetic   Magpies, Goddesses, & Black Male Identity

Activist Works on Next Level of Change   Intro to I Am New Orleans   Letter from Dillard University

A Labor of Genuine Love  Letter of Gift of Photos   Letters from LSU and Skip Gates

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Negro Iron Workers of Louisiana: 1718-1900

By Marcus Bruce Christian

 

Study of the blacksmith tradition and New Orleans famous lace balconies and fences.

Acclaimed during his life as the unofficial poet laureate of the New Orleans African-American community, Marcus Christian recorded a distinguished career as historian, journalist, and literary scholar. He was a contributor to Pelican's Gumbo Ya Ya, and also wrote many articles that appeared in numerous newspapers, journals, and general-interest publications.

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Audio: My Story, My Song (Featuring blues guitarist Walter Wolfman Washington)

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Mockingbirds at Jerusalem (poetry Manuscript)

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AALBC.com's 25 Best Selling Books


 

Fiction

#1 - Justify My Thug by Wahida Clark
#2 - Flyy Girl by Omar Tyree
#3 - Head Bangers: An APF Sexcapade by Zane
#4 - Life Is Short But Wide by J. California Cooper
#5 - Stackin' Paper 2 Genesis' Payback by Joy King
#6 - Thug Lovin' (Thug 4) by Wahida Clark
#7 - When I Get Where I'm Going by Cheryl Robinson
#8 - Casting the First Stone by Kimberla Lawson Roby
#9 - The Sex Chronicles: Shattering the Myth by Zane

Non-fiction

#1 - Malcolm X: A Life of Reinvention by Manning Marable
#2 - Confessions of a Video Vixen by Karrine Steffans
#3 - Dear G-Spot: Straight Talk About Sex and Love by Zane
#4 - Letters to a Young Brother: MANifest Your Destiny by Hill Harper
#5 - Peace from Broken Pieces: How to Get Through What You're Going Through by Iyanla Vanzant
#6 - Selected Writings and Speeches of Marcus Garvey by Marcus Garvey
#7 - The Ebony Cookbook: A Date with a Dish by Freda DeKnight
#8 - The Isis Papers: The Keys to the Colors by Frances Cress Welsing
#9 - The Mis-Education of the Negro by Carter Godwin Woodson

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1493: Uncovering the New World Columbus Created

By Charles C. Mann

I’m a big fan of Charles Mann’s previous book 1491: New Revelations of the Americas Before Columbus, in which he provides a sweeping and provocative examination of North and South America prior to the arrival of Christopher Columbus. It’s exhaustively researched but so wonderfully written that it’s anything but exhausting to read. With his follow-up, 1493, Mann has taken it to a new, truly global level. Building on the groundbreaking work of Alfred Crosby (author of The Columbian Exchange and, I’m proud to say, a fellow Nantucketer), Mann has written nothing less than the story of our world: how a planet of what were once several autonomous continents is quickly becoming a single, “globalized” entity.

Mann not only talked to countless scientists and researchers; he visited the places he writes about, and as a consequence, the book has a marvelously wide-ranging yet personal feel as we follow Mann from one far-flung corner of the world to the next. And always, the prose is masterful. In telling the improbable story of how Spanish and Chinese cultures collided in the Philippines in the sixteenth century, he takes us to the island of Mindoro whose “southern coast consists of a number of small bays, one next to another like tooth marks in an apple.” We learn how the spread of malaria, the potato, tobacco, guano, rubber plants, and sugar cane have disrupted and convulsed the planet and will continue to do so until we are finally living on one integrated or at least close-to-integrated Earth. Whether or not the human instigators of all this remarkable change will survive the process they helped to initiate more than five hundred years ago remains, Mann suggests in this monumental and revelatory book, an open question.

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Sister Citizen: Shame, Stereotypes, and Black Women in America

By Melissa V. Harris-Perry

According to the author, this society has historically exerted considerable pressure on black females to fit into one of a handful of stereotypes, primarily, the Mammy, the Matriarch or the Jezebel.  The selfless Mammy’s behavior is marked by a slavish devotion to white folks’ domestic concerns, often at the expense of those of her own family’s needs. By contrast, the relatively-hedonistic Jezebel is a sexually-insatiable temptress. And the Matriarch is generally thought of as an emasculating figure who denigrates black men, ala the characters Sapphire and Aunt Esther on the television shows Amos and Andy and Sanford and Son, respectively.     

Professor Perry points out how the propagation of these harmful myths have served the mainstream culture well. For instance, the Mammy suggests that it is almost second nature for black females to feel a maternal instinct towards Caucasian babies.

As for the source of the Jezebel, black women had no control over their own bodies during slavery given that they were being auctioned off and bred to maximize profits. Nonetheless, it was in the interest of plantation owners to propagate the lie that sisters were sluts inclined to mate indiscriminately.

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The White Masters of the World

From The World and Africa, 1965

By W. E. B. Du Bois

W. E. B. Du Bois’ Arraignment and Indictment of White Civilization (Fletcher)

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Ancient African Nations

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Negro Digest / Black World

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Enjoy!

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The Death of Emmett Till by Bob Dylan  The Lonesome Death of Hattie Carroll  Only a Pawn in Their Game

Rev. Jesse Lee Peterson Thanks America for Slavery / George Jackson  / Hurricane Carter

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The Journal of Negro History issues at Project Gutenberg

The Haitian Declaration of Independence 1804  / January 1, 1804 -- The Founding of Haiti 

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update 2 March 2012 

 

 

 

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