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 As guardians of family collections, or as a business person like Nestor, we need to be diligent

about informing a trusted family member about the business and about the location

and disposal of family collections. 

 

 

Scattered Treasures

Losing the Legacy of Photographer Nestor Hernandez, Jr. 

By Donna M. Wells

About two weeks ago, it was brought to the attention of the local African American photography community that the photographs, negatives, portfolios, camera equipment, and photography books belonging to Nestor Hernandez, Jr. were being sold by two vendors at the 6th street and Florida Avenue flea market.  Nestor was a locally based award winning documentary photographer who died in 2006 at the age of 45.  

Although he is recognized for his work as the official photographer for the Children’s Museum and for DC Public Schools, he is best known among his peers for his extensive body of work documenting the people and culture of persons of African descent.  During the last years of his life, he devoted his time to cultural exchange ventures which linked like-minded photographers from around the world. 

Between 1978 and 2003, he made eighteen trips to Cuba, initially making personal connections with his Cuban family.  For his last three trips, he invited American photographers to accompany him to meet and discuss photography with Cuban photographers which resulted in two comprehensive exhibits both in Cuba and in Washington, DC. 

Nestor’s photo prints were being sold for an appalling $3.00 each at the market.  Working with members of a local photography association, we learned that Nestor’s father had placed his son’s collection in a self-storage unit at a commercial facility after Nestor died in 2006.  The father never told the rest of the family and when he himself died unexpectedly a year later, the bill for the storage unit remained unpaid until it was auctioned off recently.  The family is devastated by the loss and this echoes what has happened around the country with family collections, like the Malcolm X Papers and the photographs of Teenie “One Shot” Harris, for example.

The photography community is equally devastated by the loss and by the way Nestor’s legacy is being scattered to the winds.  The vendors informed us that everything had already been sold although they were previously apprised of the situation and were made an offer to purchase everything that was left.  An arts attorney said that nothing could be done about the prints since the storage bin sale was legitimate.  However, the creative rights to print from the negatives remains with the family regardless of the fact that the vendors claim they don’t know who they sold them to. 

The bigger picture is that we need to be more aggressive in protecting family collections, not just in the preservation sense, but in the security of our belongings. The current economic conditions have forced many families to lose their homes and family papers and other treasures are being left behind or lost in the process.  At the same time, venues such as eBay and the Antique Roadshow encourage many of us to see dollar signs on items hanging on the walls and gracing the shelves of our homes.  As guardians of family collections, or as a business person like Nestor, we need to be diligent about informing a trusted family member about the business and about the location and disposal of family collections.  In this high tech environment, this also includes keeping track of and sharing with family members the passwords to e-mail accounts, on-line business services, and website domains.   

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Archival Forum

The Historical Society of Washington, DC

801 K Street, NW / Washington, DC 20001

October 15th, 6:30 pm to 8:30 pm

The Historical Society of Washington, DC, the Exposure Group African American Photographers Association, and the Moorland-Spingarn Research Center at Howard University are hosting a forum to address this issue on October 15th, 6:30 pm to 8:30 pm at the Historical Society.  The situation will be discussed from a variety of perspectives and the panelists will include an archivist, a member of the Hernandez family, a copyright specialist, an arts attorney, and a collector.  This event is free and open to the public.

Speakers include:

Syreeta N. Swann Joseph, Copyright specialist; Larry Frazier, Attorney for Wills, Estates & Probate Law; Philip Merrill, Founder of Nanny Jack & Co., author, historian, and former appraiser of Black Memorabilia on PBS' Antiques Roadshow; Allan Stypeck Owner of Second Story Books / Senior Member; Yvonne Hernandez, Sister, Nestor Hernandez, Jr.; Donna M. Wells, Prints and Photo Librarian at Moorland-Spingarn Research Center, Howard University, author, historian, co-author of Legacy: Treasures of Black History.

Yvonne Carignan, archivist for the Historical Society of Washington, DC, will moderate the program on the 15th.

Donna M. Wells / Prints and Photographs Librarian / Moorland-Spingarn Research Center / Howard University / 500 Howard Place, NW / Washington, DC 20059 / (202) 806-7480 / fax:  (202) 806-6405 dwells@howard.edu  

 

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Donna M. Wells is Prints and Photographs Librarian at Howard University's Moorland-Spingarn Research Center.  Before coming to Howard, she was the assistant archivist for the American Association for the Advancement of Science.  Formerly, she served as the archivist for Gallaudet University, where she also taught Museum Studies, and has also worked as a photo librarian at the Library of Congress.  Since receiving her Masters degree in library and archives administration in 1983, Wells has devoted her work to the care and interpretation of African American collections and to the preservation of Washington, DC history.  Currently, she serves on the city’s Emancipation Celebration Commission and on the Historical Records Advisory Review Board. 

She is also a board member of the Historical Society of Washington, DC and has served on the program committee of the DC Historical Studies Conference since 1995.   In 1993, she was a consultant for the development of an archive at Smithsonian’s Anacostia Museum and in 2001 she was an advisor to the Griffith Stadium Memorial and Museum Project.  Recently, she was drafted to serve as a consultant for Fred’s Army, an organization on Maryland’s Easton Shore which is devoted to honoring their most famous resident, Frederick Douglass. 

Ms. Wells is involved in a number of projects devoted to the care and preservation of historical image collections.  She frequently lectures and conducts workshops on the care of photographs for general audiences.  Her lectures on photographic history incorporate a unique approach that fuses the role of African Americans as the subject, as the creator, and as the critic of images.  Although not a photographer, she is an active member of the Exposure Group African American Photographers Association and the FotoCraft Camera Club, serving as a consultant for their public programs and as a resource for the archiving of their life’s work. 

She has published reviews and articles on photography and on photographers, including Protecting Your Image, which appeared in Essence Magazine in1999, and several short biographies which will be published in the upcoming encyclopedia of African American biographies by Oxford University Press.  She is co-author with Thomas C. Battle of National Geographic’s award winning Legacy: Treasures of Black History.  Currently, she is working as a researcher and writer for Freedom in my Heart: a People’s Courage and Contribution, a joint publication of National Geographic and the U. S. National Slavery Museum

Ms. Wells is a native Washingtonian.  She received her Bachelors of Art in art history from Hampton University, a Masters in Library Science from the University of Maryland, and is A.B.D. in the Department of History at Howard University.

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The photographs of Nestor Hernández, Jr.—Nestor Hernandez, Jr. departed this life on Friday, May 12, 2006 in Washington, DC. He was 45. Nestor will be missed by the many, many people whose lives he touched.

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posted 26 September 2008

 

 

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Related files:   Nestor Hernandez 1960- 2006  My Archival Experience