ChickenBones: A Journal

for Literary & Artistic African-American Themes

   

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the women run / to catch black chips / falling off balconies / like an oily rain.

 

 

 

Poetry Collections by Gillian Conoley

Woman Speaking Inside Film Noir  /  Some Gangster Pain   / Tall Stranger  / Beckon  / Lovers in the Used World  /  Profane Halo

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Slave Quarter

              By Gillian Conoley

The French windows

have been left

ajar, curtained

with new lace-shadowing

the zinc-white sink.

Not because the slave quarter

is turned apartment,

painted pink like crepe myrtle

or rotting watermelon,

but because Royal Street

needs a paint job, the ghosts of slaves

have begun to move.

With their dignity,

their unfinished gestures.

 

With aprons

the women run

to catch black chips

falling off balconies

like an oily rain. Men stand

with their buckets, but the wind pours

from the rooftops,

tossing everything

out of reach.

 

It will be years 

until the sun throws back

its sequined mask

and we party,

we carnival. Centuries

until the hound's voice

is silenced

in the taxi's horn.

 

They are going to lie down

next to us

as if nothing has happened.

And we are going to sit

a long time

with our vast wonder and fear,

looking down at them,

waiting for their carved faces

to let us in.

Source: Some Gangster Pain (1987)

 

 
 

Gillian Conoleythe recipient of several Pushcart Prizes and the Jerome J. Shestack Award from The American Poetry Reviewis Poet-in-Residence and Associate Professor at Sonoma State University, where she is the founder and editor of Volt magazine. Conoley is the author of four poetry collections, including the highly praised Some Gangster Pain and Tall Stranger.

Conoley's poetry has appeared in the American Poetry Review, the Kenyon Review, Ironwood, Zyzzyva, Ploughshares, the Denver Quarterly, the Missouri Review and other publications.

The American Book Review says of Conoley's poetry: "Even above the powerfully inventive language and clear, compressed style is a poetic vision that seems utterly transforming. These are poems born of Flannery O'Connor's short stories, with their oddball grace, their undeniable redemption. Combined with Gillian Conoley's dark humor are an eye for detail and a sensibility that are mysteriously compelling. Her characters discover the power of the transforming image and in so doing create an inner life that is rich, surprising, transcendent. It is this odd hopefulness, this recourse to the imagination which transforms the landscape of ordinary lives and longing into something rare, mysterious, and dangerous that are Conoley's special talent."

Her honors and awards include four Pushcart Prize publications, the Academy of American Poets Award, a fellowship from the Washington State Arts Commission, residency at the MacDowell Colony and a grant from Northwest Institute for Advanced Study.

Conoley's work has been anthologized in "Best American Poetry," "Poets of the Northwest," "The Carnegie-Mellon Anthology of Poetry," "American Poetry Annual" and "Jazz Poetry Anthology."

Conoley has taught literature and poetry at several universities. She also has worked as a curator, a literary editor and a professional journalist.

Books by  Gillian Conoley

Woman Speaking Inside Film Noir (Lynx House Press, 1984) / Some Gangster Pain (Carnegie Mellon University, 1987

Tall Stranger (Carnegie Mellon University, 1991) / Beckon (Carnegie Mellon University, 1996)

Lovers in the Used World (Carnegie Mellon University, 2001) / Profane Halo (Wave Books, 2005)

 

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Related files:   Gillian Conoley Reviews  Some Gangster Pain  Slave Quarter  Suddenly the Graves  Goat Without Horns  Guest Poets & Writers