ChickenBones: A Journal

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When the boys talk / she feels the mole on her cheek / shift to the corner she took.

 

 

Poetry Collections by Gillian Conoley

Woman Speaking Inside Film Noir  /  Some Gangster Pain   / Tall Stranger  / Beckon  / Lovers in the Used World  /  Profane Halo

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 Some Gangster Pain

By Gillian Conoley

Eunice is tired of pain, everyone else's.

She wants some gangster pain,

to strut her thick ivories

in a collision of dreams, the pajamas-to-work

dream, the magnolia siege dream.

 

What ya got there Eunice, say Johnny and the boys.

Eunice lives behind the bus,

another fleeing place,

riot of exhaust. She doesn't

have much to say,

but she says it, hello.

 

When the boys talk

she feels the mole on her cheek

shift to the corner she took.

She sees them snap their fingers

to no dog. She knows

 

they wouldn't understand.

She knows her feet point themselves forward

but she keeps walking backwards in rain,

her heels too fast, or the rain seeps

into trees, she can't tell. She likes this street.

 

Johnny and the boys got on

jackets that twitch.

Eunice wears a lot of accessories. The boys

paint a circle on the wall

the color of lips.

Source: Some Gangster Pain (1987)

 

 
 

Gillian Conoleythe recipient of several Pushcart Prizes and the Jerome J. Shestack Award from The American Poetry Reviewis Poet-in-Residence and Associate Professor at Sonoma State University, where she is the founder and editor of Volt magazine. Conoley is the author of four poetry collections, including the highly praised Some Gangster Pain and Tall Stranger.

Conoley's poetry has appeared in the American Poetry Review, the Kenyon Review, Ironwood, Zyzzyva, Ploughshares, the Denver Quarterly, the Missouri Review and other publications.

The American Book Review says of Conoley's poetry: "Even above the powerfully inventive language and clear, compressed style is a poetic vision that seems utterly transforming. These are poems born of Flannery O'Connor's short stories, with their oddball grace, their undeniable redemption. Combined with Gillian Conoley's dark humor are an eye for detail and a sensibility that are mysteriously compelling. Her characters discover the power of the transforming image and in so doing create an inner life that is rich, surprising, transcendent. It is this odd hopefulness, this recourse to the imagination which transforms the landscape of ordinary lives and longing into something rare, mysterious, and dangerous that are Conoley's special talent."

Her honors and awards include four Pushcart Prize publications, the Academy of American Poets Award, a fellowship from the Washington State Arts Commission, residency at the MacDowell Colony and a grant from Northwest Institute for Advanced Study.

Conoley's work has been anthologized in "Best American Poetry," "Poets of the Northwest," "The Carnegie-Mellon Anthology of Poetry," "American Poetry Annual" and "Jazz Poetry Anthology."

Conoley has taught literature and poetry at several universities. She also has worked as a curator, a literary editor and a professional journalist.

Books by  Gillian Conoley

Woman Speaking Inside Film Noir (Lynx House Press, 1984) / Some Gangster Pain (Carnegie Mellon University, 1987

Tall Stranger (Carnegie Mellon University, 1991) / Beckon (Carnegie Mellon University, 1996)

Lovers in the Used World (Carnegie Mellon University, 2001) / Profane Halo (Wave Books, 2005)

 

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Related files:   Gillian Conoley Reviews  Some Gangster Pain  Slave Quarter  Suddenly the Graves  Goat Without Horns  Guest Poets & Writers