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Summer Hill
Seven.
Hang Time!: A Poetic Memoir. Bloomington, IN:
AuthorHouse, 2006
Ahmad Maceo Eldridge
Cleaver,
Soul on Islam. Astoria, NY: Seaburn Publishing
Group, 2006
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* *
This winter has not
afforded me enough peace for reading, meditation, and
writing. I have nevertheless read two small books by two
exhilarating black men worlds apart, a few pages a day.
One of them is titled
Soul on Islam., by the son
of Eldridge and Kathleen Cleaver, Ahmad Maceo Eldridge
Cleaver. The book is promoted as a memoir; it indeed
starts out that way and we learn a bit about what
happened to the Cleavers in Algiers (where Ahmad was
born) and Paris. But the book is less about the events
of his life than it is about his faith in the tenets of
Islam to reshape the world for the better, that is, it
is more a testament of faith and an attack on the
promiscuous culture of the West. Then there is the
memoir of a New York poet, Summer Hill Seven, about the
same age as Ahmad.
Seven's book is
mostly poems sandwiched by an essay at the beginning and
one at the end. He calls his
Hang Time!: A Poetic Memoir. His book is indeed closer to a memoir, than
Ahmad's, and much more personal. Some may even say too
personal. In the middle are what is probably fair to
call rap poems, that have to do with a consciousness
that attacks racism, reassures itself of its talent and
ability as writer and actor, and the potency of its
sexuality. But rap is exaggerated (a boasting) stage
performance (a showing out) and that kind of art runs
against the grain of the essence of memoir, an earnest
reflective balanced seriousness.
I do not care that
much about rhyming rap poems, usually they do not work
well on paper, but because of Seven's elevated
consciousness on the whole, the poems work fairly well
in places. Seven's writing is irreverent; he views life
as a kind of game, "play and amusement." Consider an
excerpt from his poem "Freak (In Three Acts)":
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Matter of
fact
if you
really like it from the back freaks,
I know some
tricks
That'll make
it hard to sit for weeks:
But you
gotta be real strong
Not just cuz
ray is real real long
But cuz when
it's right
That is to
say real tight
Ray takes
extra long
All day and all night
I got real
missionary zeal
If you got
real whip appeal
I'll
position you on your back
You may
think I'm foul or whack
But I ain't
coming back
Unless you
do something real unique
Like scream
"daddy!!!!
I really want to be your favorite freak!" |
It is in the essay
sections, when Seven is off the stage that we learn more
about the inner life, the material and intellectual
struggles he had as a child and a young adult. He can be
moving and philosophical:
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When I became a writer --
long before I ever published my first book
-- I began to hang time so that I
will win at the game of "play and
amusement." Poetry captures life's mood in
sound waves. Writing poetry was how I began
to see moments outside the lens of
success-failure. Instead of viewing my life
as a series of victories, accomplishments,
defeats, setbacks, etc -- writing poetry
enabled me to capture and cherish (hang)
the precious moments of life's game. Then
when poetry said: "dreams are the goal - so
hold fast"; "sacrifice is sacred"; "live to
love"; learn to learn"; "playmates are
priceless"; and "everyday is the first and
last" -- I listened. I came to understand
that underprivileged was another way of
saying -- "I have a lot to look forward to!"
(p. 110) |
The book is
bifurcated, maybe like his life: professional and
street-hipster; man on-the-make, one who is thoughtful
and an intellectual. Seven is a lawyer/actor in New
York. Seven also seems to have had an Islamic
connection: he attended Clara Muhammad School and was
subjected to "Quranic recitation and analysis."
On the other hand,
Ahmad is reverent and puritanical and sees the world as
apocalyptic. Initially his voice is one of innocence
when he is recalling his personal past as a child but as
he turns to his faith, that voice become more critical
and harsh in his indictment of the West and
nonbelievers.
In the opening
essay "On Becoming," Ahmad writes:
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My parents didn't enjoy
living neither in Algeria nor France. None
of us cared for the lifestyle in Paris. I
can remember the lewdness of the French even
as a child. We lived in Paris and
pornography was seen openly in the streets.
. . . I was going to walk my younger sister
home from school. Where did I find her? She
was penned against the wall by another
student, a French boy. He was ever so
determined to try and kiss her. I was only
about six years old and she is a year
younger than me. But I kicked that boy so
hard with my cowboy boots he probably still
remembers it to this day. I had to beat him
down just to get hold of my sister. |
Ahmad returned to France years
later as a Muslim and that experience did not
improve his view of the French and their racial and
religious prejudices towards blacks and Arabs. The
careless French government [officials] . . . have
legislated that modesty and part of the Muslim
female's obligatory clothing is forbidden inside
their school system" (14).
With regard to the US conspiracy
to invade Iraq, Ahmad is well-armed with
political invective:
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First, it was
sketched out in the CIA's inner chambers
of deceit and treachery. Then, Bush was
watered and fed it like a cow. Next it
was beefed up, groomed, colored in and
decorated with the finishing touches.
Ta-daah! A masterpiece was unveiled. A
portrait of a new Iraq!. Bustling and
overflowing with missiles honed in,
targeted and aimed right at Washington,
D.C., New York, and Tel Aviv. This
magnificent work of art was then shaded
with the finishing strokes of the
masters of propaganda Donald Rumsfeld,
Paul Wolfowitz, Condoleeza Rice, and
Colin Powell.
It looked good to the
blind. Yet the United Nations was not
buying the tale. They refused to swallow
this conjured up threat, a cocktail of
the invasion of a sovereign nation. An
invasion for no reason except for Oil.
Then the the cherry
was placed on top of the cake. Right
before Bush stuffed it down American
throats. That the Iraqi people would
greet American soldiers with open arms,
flowers, hugs, and kisses saying, "Oh
you saved us Uncle Sam!" |
As far as a consciousness and
care about writing the above passage is about as
good as it gets in
Soul on Islam. But there are other
insights worthy of note, especially with regard to
American foreign policy:
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If the US
government could get their greedy
hands on Iraqi Oil then they would
rush at the opportunity. That would
give them more room and leverage
against Saudi Arabian Oil. When they
are not crucially dependent on Saudi
Oil then they will try to tell the
Saudis what to do and what to
change. And if Saudi will not change
then some of the extremists
in the American government
have a hope. The extremists
in the American government hope and
pray to make the opportunity arise
to one day invade and take control
of the Kingdom of Saudi Arabia.
However, God will protect the two
cities of Mecca and Medina in the
land of Saudi Arabia (58). |
In "The Bridge Over the
Hellfire," Ahmad presents his vision of the
Apocalypse:
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There are
signs that the day of the
Judgment will be upon us:
One of the
major signs is the second coming
of Jesus, the son of Mary (may
God's peace and blessings be
upon him).
Jesus, the
son of Mary (may God's peace and
blessings be upon him), will
forbid the eating of swine,
break the cross (demand the
abandonment of using this symbol
in worship) and forbid anyone
from worshipping him as God or
the son of. . . .
Try to
remember, as I do so well, all
those folks in the church
telling you, "Jesus paid for
your sins on the cross. Just
believe in Jesus his blood was
"spilled for your sins." Wake-up
Boss and smell the e coffee! Who
is going to pay for YOUR Sins?
No one but you. |
Ahmad's breaking
of the cross reminds me of a passage
in Nathaniel Turner's 1831
Confessions, in which he speaks of Jesus laying down the cross for
the oppress to pick up and carry for
themselves. Ahmad's vision of
Judgment is vivid and graphic, enough to
scare the hell out of the young, and
maybe the old too. "The Bridge Over the
Hellfire" is more akin to an
extended sermon than a memoir.
Both books
Hang Time and
Soul on Islam are probably excellent books for
their age groups and those younger who have suspicions
and an unease about the cultural and political status
quo of American society. They are probably excellent for
those older readers who are interested in what our young
men have endured and the directions they are taking.
Both books are accessible for an American audience
fickle when it comes to literary culture. Ahmad abandons
the personal memoir entirely as he ends his books with
the testaments of Muslim converts, including a Christian
Bishop. This decision was disappointing and very sad
that he did not return like Seven to his parents, their
lives, and their influence on the direction he has
taken. Both books deserve some attention and some
feedback.
I suspect in a way both men because they are special
live a degree of isolation. This indeed is probably more
true of Ahmad whose concern is more about faith than
writing and art, which are the central concerns of
Seven. Ahmad suggests that he will never return to
America, that he has found a home among Arabs, his
Muslim brothers. Both Ahmad and Seven are talented.
Their skills are on an upward curve.
—Rudolph Lewis, Editor,
ChickenBones: A Journal
* * *
* *
Summer Hill Seven.
Hang Time!: A Poetic Memoir. Bloomington, IN:
AuthorHouse, 2006
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Summer Hill Seven (f.k.a. Alím Ákbar) —
author, actor, artist, and attorney. Although raised in Albany,
NY and Trenton, NJ, he has resided throughout the United States
in various cities including Los Angeles, Indianapolis,
Cincinnati, Newark (Delaware and N.J.) and currently New York
City. He graduated,
second in his class, from the historically significant Sister
Clara Muhammad School in Philadelphia, PA, the oldest school in
the United States for the training of Muslim students.
He
began lecturing in jails and correctional facilities while still
in high school.
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Seven graduated with honors from Richard Stockton College of New
Jersey with a B.A. in Political Science and New York University
School of Law, where he was the National Director of Community
Service for the National Black Law Students Association. He
was an adjunct professor in African American Studies at the City
University of New York. Currently
he is affiliated with the University of Delaware’s
Professional Theatre Training Program.
Summer
began a career as a professional actor while in law school when
he realized the theater was a powerful tool for social change.
He has created roles for both stage and screen. While a law
student he traveled with a national tour of the Pulitzer Prize
winning play, A Soldier’s Story. He created the role of Husband in the mid-west regional
premier of John Henry Redwood’s, The Old Settler at the
Phoenix Theater (Eugene O’Neil Award).
An
entertaining and inspirational speaker, Summer Hill Seven hosts
a weekly internet radio show on WVUD – 2: www.wvud.org and speaks frequently on college campuses throughout the United
States. He
is also author
of
Notes
of a Neurotic |
Summer
Hill Seven created poemedy - a lyrically poetic
storytelling form where the past meets the present to
create poignant, passionate theater for today and
tomorrow. Hang Time! is for tomorrow.
—David
Lamb,Writer/Producer Platanos & Collard Greens
This
is a profound work of art by a very talented and gifted
poet. I highly recommend it to all who appreciate
the spoken and written word.
—Sekou Molefi
Baako, Executive Director, Langston Hughes Community
Library and Cultural Center-Queens Public
LibraryPresident, Black Caucus of the American Library
Association
Summer
Hill Seven’s ebullient “neo-beat-hip-hop” verse explodes
from the page to the stage with a powerful multicultural
message! Delightful!
—Phil
Hubbard,Chair of Performance Studies Department
University of Nevada Las Vegas
Summer
Hill Seven is an exceptionally gifted writer and
performer whose work is both entertaining and thought
provoking.
—Sanford
Robbins,Director, Professional Theatre Training Program,
University of Delaware
Fiercely powerful!
—Jennifer Weaver,
Daily News of Southern Utah
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Ahmad Maceo Eldridge
Cleaver,
Soul on Islam. Astoria, NY: Seaburn Publishing
Group, 2006
 |
Ahmad Maceo Eldridge Cleaver is a 36
years old African-American. He was born in
Algeria while his father, who was a leader
in the Black Panther Party, was in exile
from the turbulent civil rights movement of
the 1960s. Then the family lived in France
and he visited America on two occasions
before his family returned to the USA when
he was 6 years old.
In 1992
he graduated with a B. A. from the Africana
Studies and Research Department at Cornell
University in Ithaca, New York. He was
raised as a Christian and has for the last
13 years been a Muslim. He comes from a
family of writers and social activists. |
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Since embracing Islam he has been a
dedicated student of Islamic studies and
the Arabic language. He has studied the
teachings of Islam in classes held in
mosques under teachers in America,
Sudan, Kuwait and in Qatar. He is fluent
in the Arabic language, have studied it
formally as a Second Language in those
same three different Arabic speaking
nations mentioned above. He has authored
one recently released book entitled
"Soul on Islam." He brings to an
audience an informative and enlightening
presentation that opens their eyes about
the way of life of over 2 Billion
people.
He
has been living abroad for the past 7
years in Doha, the capitol of the small
Arabian Gulf nation of Qatar that
borders Saudi Arabia.
He
works as an Instructor of English as a
Second Language for an oil company. His
background has molded him to become a
bridge of communication between the
Muslim and Arab world and Americans.
http://www.myspace.com/soulonislam |
Soul on Islam
is the first book written by Ahmad Maceo Eldridge
Cleaver, the son of best selling author Eldridge
Cleaver. This book is an informative memoir sketching
his life with his parents, activists in America's civil
rights movement, including details of their life in
Algeria, where he was born, France and in America. Then
the book continues to unfold and gives the reader a very
moving and beautifully put description of how the author
came to embrace Islam twelve years ago. He has spent
nearly a decade living and traveling amongst the Muslims
in countries in the Arabian Peninsula and in Africa and
in the book he shares some of the stories and scenes
that he has passed through while living in Sudan and in
Qatar.
—Publisher
Although
Soul on Islam is a
personal, insider's view of one of America's famous
"militant" families, the author offers that there are
some universal percepts to be learned from his
experiences. Thus through a series of short letters and
essays, he outlines a worldview predicated on the idea
that all human beings come from one place and are
ultimately programmed to serve the one Creator. By
taking this approach, Ahmad Cleaver attempts to bridge
the schisms created by humanity that are based on race,
color, ethnicity, gender, national origin or any other
category used to divide us from one another and our true
nature as human beings. Consequently he begins by
telling his own story, but ends telling the conversion
stories of Muslins from a diversity of backgrounds.
Like myself, you will
likely not agree with absolutely everything that Ahmad
Cleaver says about Islam, the African-American struggle
and the Sixties. However, you are likely to come away
with a greater appreciation for the striking
similarities between the struggles of the youth of today
and the struggles of the youths who came up during the
heyday of the Black Panther Party.
—Dr. James E. Jones, Chair of World
Religions, Manhattanville College * * *
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posted 22 February 2007 / update 1
July 2008 |