|
Books by Wilson Jeremiah Moses
Golden Age of Black Nationalism, 1850-1925
(1988) /
The Wings of Ethiopia
(1990)
Alexander
Crummell: A Study of Civilization and Discontent (1992) /
Destiny & Race: Selected Writings, 1840-1898 (1992)
Black
Messiahs and Uncle Toms: Social and Literary Manipulations of a
Religious Myth (1993)
Liberian Dreams: Back-to-Africa Narratives from the 1850s
/
Afrotopia: The Roots of African American Popular History
(2002)
Creative Conflict in African American Thought (2004)
* * *
* *
Uncle
Jeff and His Contempos
By Wilson J. Moses I have been laboring to improve my French by
painfully struggling with Condorcet's essay against slavery.
His and other discourses in that genre—written
by Herder, Kant, Hume, Samuel Johnson, and Adam Smith—sent
Thomas Jefferson into paroxysms of neurotic self-justification.
True enough, all of the above manifested
varying degrees of racism or racial condescension, but none of
them believed that "black inferiority" could justify
slavery or the oppression of the blacks, or the exclusion of
them from the human family. Only Jefferson specifically
attributed to Negroes the prurient instincts of an ape, while
breeding mulattoes. Only Jefferson advocated extending
slavery into the territories acquired by the Louisiana Purchase.
As late as the 1820s!
Another subject: You are aware that Du Bois
wrote fairy tale vignettes, based on Biblical, Germanic, and
classical, mythology. These appeared in
Darkwater,
The Crisis, and
The Souls of Black Folk.
This morning I was struggling with the Contes
of Charles Perrault and a versions of Le Roman do
Renart, designed for the lycee level. Andre
Norton published a translation the trial of Reynard the fox for
children, which I read as a kid in Detroit. I have a
long-standing interest in European fairy tales, including
Mallory's Morte d'Arthur.
I have been reading Lessing's 1759 essay on
fables and his translations into German of Aesop (a Negro?)
yesterday morning. I don't know what influences Lessing
might have had on the Grimm Brothers. I think Lessing must
have influenced people like Leo Frobenius, an important German
student of African myths and legends around 1900.
Senghor and Cesaire say the French negritude
poets were fascinated by Frobenius' work, when it was finally
translated into French. Du Bois read Frobenius in German, and
Frobenius was a major influence on his book The Negro
(1915),
Black Folk, Then and Now (1939, and
The World and Africa (1946), Du Bois writes of the influences of
Richard Wagner on himself in his Autobiography.
As Du Bois did, I have read some of Wagner's
librettos in German, and have found that Wagner's experiments
with archaic poetic diction, like Du Bois's were thrilling.
I believe I have said elsewhere that Du Bois's story, "The
Coming of John" is based on (and makes direct references
to), Wagner's opera Lohengrin, which is a version of the
Hansel and Gretel myth. Lohengrin is the version of
the warrior caste, and "Hansel und Gretel" represents
a version that survived among the peasantry. But
there are other versions of the myth, discovered by the Grimm
Brothers.
I intend to see which West African fairy
tales Frobenius might have found that are similar to "Hansel
und Gretel." The Grimm brothers found a West African
variant of Snow White, but the main character in their version
is neither white, nor a woman. He is a beautiful
black prince, with a shining star on his forehead. (Biblical
cognate?)
The Grimm brothers, unlike Jefferson,
believed that all human beings were united by the same
capacities when it came to literary expression. As did Herder,
they rejected Jefferson's sneaky hypothesis that we are a link
between the human and the orangutan. Gobineau, although he is
remembered only for his Anti-Semitism, believed that the Negro
was artistically equal to other races and attributed the
artistic triumphs of Egyptian civilization to mulaticization.
Several authors of the New Negro Movement recognized the
usefulness of Gobineau to their agenda, as did Senghor, even as
late as the 1960s.
* *
* * *
Wilson Moses, the product of home
schooling, was introduced to European literary and intellectual
history by his mother, Ida Mae Johnson Moses, a self-educated,
proletarian intellectual. The ideas above are more fully
developed in Black Messiahs and Uncle Toms, published by
Penn State Press, and others in Afrotopia and still others in Creative Conflict, both
of the latter published by Cambridge University Press. See
also: http://php.scripts.psu.edu/dept/history/faculty/mosesWilson.php
posted 21 August 2005 * *
* * *
update 3 November 2006 |