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i could hear grass growing around the edges of the green lake

i could hear stalactites ringing in my cave of vision

bats batting my eyes shut

their own eyes howling like owls in the dead dark

 
 

 

the visibility trigger/a poem for kwame nkrumah

By Edward Brathwaite

and so they came up over the reefs

up the creeks and rivers

oar prong put-put

hack tramp silence

 

and i was dreaming near morning

i offered you a kola nut

your fingers huge and smooth and red

and you took it

your dress makola blue

 

and you broke it into gunfire

 

the metal was hot and jagged

it was as if the master of bronze

had poured anger into his cauldron

and let it spit spit sputter

and it was red blue black in my face

 

it was as if a maggot

had slapped me in the belly

and I had gone soft like the knead of my wife’s bread

 

i could hear salt leaking out of the black hole of kaneshie

i could hear grass growing around the edges of the green lake

i could hear stalactites ringing in my cave of vision

bats batting my eyes shut

their own eyes howling like owls in the dead dark

 

and they marched into the village

and our five unready virginal elders met them:

 

bowl calabash oil carafe of fire

 

silence

 

and unprepared and venerable

i was dreaming mighty wind in trees

our circles talismans: round but round village cooking pots

 

the world was round and we the spices in it

time wheeled around our memories like stars:

yam cassava groundnut sweetpea bush

 

and then it was yams again:

birth child hunter warrior

and the breath which is no more

 

which is birth

which is child

which is hunter

which is warrior

which is breath

 

that is no more

 

and they brought sticks rods roads bullets straight objects

 

birth was not breath

but gaping wound

 

hunter was not animal

but market sale

 

warrior was child

that is no more

 

and i beheld the cotton tree: guardian of graves

rise upward from its monument of grass

crying aloud in its vertical hull

calling for crashes of branches: vibrations of leaves

 

there was a lull of silver

 

and then the great grandfather gnashing upwards with its

teeth of roots

split down its central thunder

the stripped violated wood crying aloud its murder

the leaves’ frontier signals alive with lamentations

 

and our great odoum

triggered at last by the ancestors into your visibility

crashed into history

*   *   *   *   *

Source: Black WorldMay 1973 • Vol. XXII No. 7 • Chicago, IL 60605

posted 25 March 2006

 

 

Home    Transitional Writings on Africa

Related files: The Fact of Blackness (1952)  Black World and Fanon  Fanon and the Concept of Colonial Violence  New Work by Baraka   a poem for kwame nkrumah

Ashanti Empire  Ashanti Chronology    The African World