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Books by Marcus Bruce
Christian
Song of the Black Valiants: Marching Tempo
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High Ground: A Collection of Poems /
Negro soldiers in the Battle of New Orleans
I am New
Orleans: A Poem
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Negro Iron Workers of Louisiana: 1718-1900 /
The Liberty Monument
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Letter 15
Elmer Anderson Sends
"Man on Horseback"
to W.C. Handy for Song Publication
OPPORTUNITY-Journal of Negro Life
Published by the National Urban League,
1133 Broadway, Room 826
New York City
August Fifth 1936
My dear Mr. Christian:
Thank you very much for your letter. I am going to send your poem ['Men on Horseback'] over to
W.C. Handy and see what he can do with it.
I will have Handy get in touch with you directly. If he does
not compose the music himself he is acquainted with a great number of composers who, I am sure, could do justice to it.
Very sincerely yours,
Elmer Anderson Carter, Editor
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William Christopher
Handy (1876-1958) Born in a log cabin near the
banks of the Tennessee River in Florence, Alabama.
The future composer of
"St. Louis Blues" and "Beale Street Blues" spent his
childhood in the post-slavery South of the late 19th century. As both
the son and grandson of African Methodist Episcopal ministers, Handy's
first exposure to music occurred in his family's church, Greater St.
Paul AME.
Handy's most famous composition
"St. Louis Blues," was published in 1914. He later created the
"Yellow Dog Blues," "Joe Turner Blues" and
"Beale Street Blues." In all, the composer wrote some 40 songs
which he personally classified as "blues."
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In his later years, even after
the gradual, devastating loss of his eyesight, Handy continued to write,
perform, arrange and publish secular and sacred numbers that are now
considered cornerstones of pure American music. He also wrote or
compiled three books related to the blues - "Blues Anthology"
(1926), "Treasury of the Blues" (1949) and his autobiography,
"Father of the Blues" (1941).
W.C. Handy died in New York
City on March 28, 1958. For the past 19 years, his beloved hometown of
Florence has paid tribute to the immortal "Father of the
Blues" with the week-long W.C. Handy Music Festival.
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Selected Letters
Selected Diary Notes Memories of Marcus B. Christian
(Cains) Christian's
BioBibliographical Record Introduction to I AM NEW
ORLEANS
A
Theory of a Black Aesthetic Magpies,
Goddesses, & Black Male Identity
Activist Works on Next Level of Change
Intro to I Am New
Orleans
Letter from Dillard University
A
Labor of Genuine Love
Letter of Gift of
Photos
Letters from
LSU and Skip Gates * * *
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Negro Iron Workers of Louisiana: 1718-1900
By Marcus Bruce Christian
Study of the blacksmith tradition and New
Orleans famous lace balconies and fences.
Acclaimed during his life
as the unofficial poet laureate of the New Orleans
African-American community, Marcus Christian recorded a
distinguished career as historian, journalist, and literary
scholar. He was a contributor to Pelican's
Gumbo Ya Ya, and also wrote many articles that appeared
in numerous newspapers, journals, and general-interest
publications. |
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Audio:
My Story, My Song (Featuring blues guitarist Walter Wolfman Washington)
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1493: Uncovering the New World Columbus
Created
By Charles C. Mann
I’m
a big fan of Charles Mann’s previous
book
1491:
New Revelations of the Americas Before
Columbus, in which he
provides a sweeping and provocative
examination of North and South America
prior to the arrival of Christopher
Columbus. It’s exhaustively researched
but so wonderfully written that it’s
anything but exhausting to read. With
his follow-up,
1493, Mann has taken it to a
new, truly global level. Building on the
groundbreaking work of Alfred Crosby
(author of
The Columbian Exchange and, I’m
proud to say, a fellow Nantucketer),
Mann has written nothing less than the
story of our world: how a planet of what
were once several autonomous continents
is quickly becoming a single,
“globalized” entity.
Mann not only talked to countless
scientists and researchers; he visited
the places he writes about, and as a
consequence, the book has a marvelously
wide-ranging yet personal feel as we
follow Mann from one far-flung corner of
the world to the next. And always, the
prose is masterful. In telling the
improbable story of how Spanish and
Chinese cultures collided in the
Philippines in the sixteenth century, he
takes us to the island of Mindoro whose
“southern coast consists of a number of
small bays, one next to another like
tooth marks in an apple.” We learn how
the spread of malaria, the potato,
tobacco, guano, rubber plants, and sugar
cane have disrupted and convulsed the
planet and will continue to do so until
we are finally living on one integrated
or at least close-to-integrated Earth.
Whether or not the human instigators of
all this remarkable change will survive
the process they helped to initiate more
than five hundred years ago remains,
Mann suggests in this monumental and
revelatory book, an open question. |
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The Persistence of the Color Line
Racial Politics and the Obama Presidency
By Randall Kennedy
Among the best things about
The Persistence of the Color Line
is watching Mr. Kennedy hash through the
positions about Mr. Obama staked out by
black commentators on the left and
right, from Stanley Crouch and Cornel
West to Juan Williams and Tavis Smiley.
He can be pointed. Noting the way Mr.
Smiley consistently “voiced skepticism
regarding whether blacks should back
Obama” . . .
The
finest chapter in
The Persistence of the Color Line
is so resonant, and so personal, it
could nearly be the basis for a book of
its own. That chapter is titled
“Reverend Wright and My Father:
Reflections on Blacks and Patriotism.”
Recalling some of the criticisms of
America’s past made by Mr. Obama’s
former pastor, Mr. Kennedy writes with
feeling about his own father, who put
each of his three of his children
through Princeton but who “never forgave
American society for its racist
mistreatment of him and those whom he
most loved.” His father distrusted
the police, who had frequently called
him “boy,” and rejected patriotism. Mr.
Kennedy’s father “relished Muhammad
Ali’s quip that the Vietcong had never
called him ‘nigger.’ ” The author places
his father, and Mr. Wright, in
sympathetic historical light. |
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The White Masters of the
World
From
The World and Africa, 1965
By W. E. B. Du Bois
W. E. B. Du Bois’
Arraignment and Indictment of White Civilization
(Fletcher)
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Ancient African Nations
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The Death of Emmett Till by Bob Dylan
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The Lonesome Death of Hattie Carroll
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Only a Pawn in Their Game
Rev. Jesse Lee Peterson Thanks America for
Slavery /
George Jackson /
Hurricane Carter
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The Journal of Negro History issues at Project Gutenberg
The
Haitian Declaration of Independence 1804
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January 1, 1804 -- The Founding of
Haiti
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February 2012
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