ChickenBones: A Journal

for Literary & Artistic African-American Themes

   

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 The woman could make / A Steinway talk, and
She had Billy's tear in / Her voice, and Sarah's / Tonality.

 

 

Nina Simone CDs

Forever Young, Gifted & Black: Songs of Freedom and Spirit (2006)  /   Anthology  (2003)   Nina: The Essential Nina Simone  (2000, 2003) 

 The Very Best Of Nina Simone, 1967-1972 : Sugar In My Bowl (1998)  / The Blues (1968, 1991) / Compact Jazz: Nina Simone (1989-1991)

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Well Done, Miss Simone

        By Cliff Chandler 

The woman could sing
And the woman could
Play. She was a teacher,
And she was preacher.

They say beauty is skin
Deep. I say beauty is in
One's eyes.
Lord Nina had beautiful
Eyes, and she was skin-deep.

Her name is Peaches, but
She didn't forget Aunt Sarah.
Told the world what she
Thought of Mississippi
In empirical terms.

The woman could make
A Steinway talk, and
She had Billy's tear in
Her voice, and Sarah's
Tonality.

Sarah who, Sassy
Sarah Vaughn, that's'
Who. And, Billy
Billy Holiday, hello!

She taught men
What a woman is
And women too.
Lord she was an artist
Lord she was an artist.

Baby we're gonna
Miss you, Miss your
Clout.
Miss your love, and,
God knows we're going
To miss your gift.

Nina had style, went
To sleep in the shadows
Of the Eiffel Tower a
Long way

From them cotton fields
Back home.  Bon voyage
My love, bon voyage.
Well done, well done.

 

© 2002 Cliff Chandler -- "Well Done, Miss Simone" read on "The Jazz Spot" National Public Radio, Friday, April 25. 2003

Ain't Got No...I've Got Life (video) / Four Women (video) / / Feelings (video)

Harlem Festival, Part 2 (video)  / Harlem Festival, Part 3  (video) / Harlem festival, Part 4 (video)

 

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Blacks in Hispanic Literature: Critical Essays

Edited by Miriam DeCosta-Willis 

Blacks in Hispanic Literature is a collection of fourteen essays by scholars and creative writers from Africa and the Americas. Called one of two significant critical works on Afro-Hispanic literature to appear in the late 1970s, it includes the pioneering studies of Carter G. Woodson and Valaurez B. Spratlin, published in the 1930s, as well as the essays of scholars whose interpretations were shaped by the Black aesthetic. The early essays, primarily of the Black-as-subject in Spanish medieval and Golden Age literature, provide an historical context for understanding 20th-century creative works by African-descended, Hispanophone writers, such as Cuban Nicolás Guillén and Ecuadorean poet, novelist, and scholar Adalberto Ortiz, whose essay analyzes the significance of Negritude in Latin America. This collaborative text set the tone for later conferences in which writers and scholars worked together to promote, disseminate, and critique the literature of Spanish-speaking people of African descent. . . . Cited by a literary critic in 2004 as "the seminal study in the field of Afro-Hispanic Literature . . . on which most scholars in the field 'cut their teeth'."

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Sister Citizen: Shame, Stereotypes, and Black Women in America

By Melissa V. Harris-Perry

According to the author, this society has historically exerted considerable pressure on black females to fit into one of a handful of stereotypes, primarily, the Mammy, the Matriarch or the Jezebel.  The selfless Mammy’s behavior is marked by a slavish devotion to white folks’ domestic concerns, often at the expense of those of her own family’s needs. By contrast, the relatively-hedonistic Jezebel is a sexually-insatiable temptress. And the Matriarch is generally thought of as an emasculating figure who denigrates black men, ala the characters Sapphire and Aunt Esther on the television shows Amos and Andy and Sanford and Son, respectively.     

Professor Perry points out how the propagation of these harmful myths have served the mainstream culture well. For instance, the Mammy suggests that it is almost second nature for black females to feel a maternal instinct towards Caucasian babies.

As for the source of the Jezebel, black women had no control over their own bodies during slavery given that they were being auctioned off and bred to maximize profits. Nonetheless, it was in the interest of plantation owners to propagate the lie that sisters were sluts inclined to mate indiscriminately.

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The White Masters of the World

From The World and Africa, 1965

By W. E. B. Du Bois

W. E. B. Du Bois’ Arraignment and Indictment of White Civilization (Fletcher)

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Ancient African Nations

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Negro Digest / Black World

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Enjoy!

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The Death of Emmett Till by Bob Dylan  The Lonesome Death of Hattie Carroll  Only a Pawn in Their Game

Rev. Jesse Lee Peterson Thanks America for Slavery / George Jackson  / Hurricane Carter

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The Journal of Negro History issues at Project Gutenberg

The Haitian Declaration of Independence 1804  / January 1, 1804 -- The Founding of Haiti 

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update 6 July 2008

 

 

 

Home Music and Musicians   Chandler Bio 

Related files: Bio-Chronology   Nina Simone: The Emotional Depths of the Spirit World  Nina Remembers   Remembering Nina  Four Women  To be Young, Gifted and Black  Well Done, Miss Simone