ChickenBones: A Journal

for Literary & Artistic African-American Themes

   

Home   Visit Our Store (Books, DVDs, Music, and more)

Google
 

Online through PayPal

Or Send contributions to: ChickenBones: A Journal / 13219 Kientz Road / Jarratt, VA 23867  Help Save ChickenBones

Today, we see corporate producers engaging new technologies in order to repackage and resell

a given work (book, song, performance, television episode, film, etc.). Their monetary returns

are inestimable. And yet, the creator of the work is not being paid a rightful share

 

 

Books by Louis Reyes Rivera

Sanchocho: A Book of Nuyorican Poetry / Scattered Scripture / Bum Rush the Page

*   *   *   *   *

Support the WGA Strike 


New York, Nov. 12, 2007 – The New York Chapter of the National Writers Union (NWU Local 1981 UAW) calls upon its members to support and join the picket lines of the Writers Guild of America (WGA). As well, we urge all artists and creative cultural workers across the board to join us in solidarity with the WGA.  

The U.S. Constitution originally provided for the establishment of a federal copyright and patent office (Article 6, Section 2) that would record (and in recording, protect) claims of origination regarding the intellectual and creative property of its citizens . This specific inclusion into the Constitution was not an afterthought (as was the Bill of Rights), but an integral part of this nation's founding principles, however flawed.

This factor is at the very heart of the current strike called for by Writers Guild of America (WGA, East and West). The strike, now entering its second week, essentially boils down to this – that writers should receive minimum compensation (residuals, royalties, et al) whenever and however their original material is used and/or adapted into other forms of media beyond the one for which they were initially commissioned to create (be it play, screenplay, television script, short story, novel, article, essay, poem, etc.).

In creating any written work, every writer must consider how best to protect his/her interests in the process of negotiating (a) exclusive ownership of the copyright for the given work, (b) the limited leasing of its inherent production rights (i.e., he dissemination of the given work), and, (c) the manner in which all subsidiary rights are to be shared  between the creator and the producer.

Subsidiary rights include every imaginable manner in which the work is adapted from its original format or genre into other mediums. That's always been a key component to published books being translated or adapted to stage and screen, as it has for musical compositions being performed, recorded and sold (say, from the initial live engagement to a 78rpm record to a 33 vinyl -- and today, to a re-released CD, DVD, iPOD, YouTube, etc.). At every point, writers must protect their right to compensatory payments for their works and in relation to new markets. Thus, not only must writers protect themselves when negotiating for an adequate advance, but as well for corresponding payments as royalty and residual. That's exactly why the NWU was founded. That's why we
include Contract Advisement as a mainstay.  

Today, we see corporate producers engaging new technologies in order to repackage and resell a given work (book, song, performance, television episode, film, etc.). Their monetary returns are inestimable. And yet, the creator of the work is not being paid a rightful share of that surplus income. That's what's at issue here. Those who create the work must be equitably compensated. It was their sweat, their creativity that led to the marketability and the profiteering of that work.

Because we believe that all workers are due their hire, the NY Chapter of the National Writers Union stands in solidarity with the Writers Guild of America in its efforts to reassert that which was long ago intended into law— the right to claim ownership over our respective work and, by extension, to be justly compensated for its use and reuse. We urge our members to join the picket lines by logging on to http://www.wgaeast.org/   for daily updates on picket sites and to join the NWU national letter campaign to all print and blogsite venues. We further urge all creative workers across the board to enjoin the WGA at this most crucial juncture in our history. All of our potential income is at stake here.

Interested parties should note that WGA picket lines for Tuesday, November 13, 2007, will set up at the northeast corner of State Street and Bowling Green, in Manhattan's Battery Park, from 10am to 2pm, inclusive.


In Solidarity

Louis Reyes Rivera        
Chair, New York Chapter, National Writers Union

Louisreyesrivera@aol.com

*   *   *   *   *

 

 

 

 

 

posted 16 November 2007

 

 

Home   Louis Reyes Rivera Table