ChickenBones: A Journal

for Literary & Artistic African-American Themes

   

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i play the possum for her / get a job as a minstrel

with a traveling poetry show. / i make it a scene on the big city stage

 
 

 

 

A Neo-Folklore

By Ahmos ZuBolton II

 

she plays little sally walker

got her hands on her hips

men in her mind

 

she plays sapphire

and old lady shine.

 

i leave my footprints on the door.

she is standing in the yard

with her hair in knots,

i do her a cakewalk

she calls me lying lips

and country.

 

i play the possum for her

get a job as a minstrel

with a traveling poetry show.

i make it a scene on the big city stage,

send her high-heel sneakers,

she does me a gris-gris with a drink

in her hand.

 

she orders me to dance allnight,

in late hour wine time with watermelon on my breath,

i teach her to boogie-woogie, she show me how

to limbo-rock on a bedspread.

Source: Open Places, No.29 (Spring 1980)

It is likely that the "sally walker" of Zu-Bolton refers to the children's song of play, in which one version is found in Marcus Bruce Christian's "I am New Orleans" :

 

"Green grass-tuh, green grass-tuh--how green duh grass grow!

All over, all over, it seems to be so!

Miss Walker, Miss Walker, your true love is dead;

He sent you a letter to turn back your head."

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Ahmos Zu-Bolton (1935-2005) -- Born in Poplarville, Mississippi, Zu-Bolton is the author of A Niggered Amen (Solo Press, 1976), a collection of poetry, and coeditor of Synergy: D.C. Anthology. he was the founder and editor of HooDoo magazine, and has taught fiction and folklore at the Galveston Arts Center, Xavier University, Delgado College, and was Tulane University's  first Writer-in-Residence.

For several years he operated his own publishing firm, Energy Earth Communications. His work has appeared in numerous magazines and in the anthologies Giant Talk, Mississippi Writers: Reflections of Childhood and Youth, Vol. III, and Black Southern Voices: An Anthology of Fiction Poetry, Drama, NonFiction, and Critical Essays (1992). In addition to operating a community bookstore, ZuBolton frequently writes for the Louisiana Weekly.

Photo above: Ahmos ZuBolton II and Haryette Mullen

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Ahmos Zu-Bolton II—(October 21, 1948 - March 8, 2005)—President Madison Apartments, 1908 Florida Ave. NW, Dupont Circle neighborhood, DC.—Zu-Bolton was an activist, teacher, playwright, and the author of three books of poems. He founded Energy BlackSouth Press, edited the literary journal HooDoo and co-edited an innovative journal on cassette tape called Black Box. He co-edited an anthology (with E. Ethelbert Miller), called Synergy D.C. (1975). After working at Howard University in the early 1970s, Zu-Bolton took teaching jobs at Xavier University, Delgado College, and Tulane University. His poetry books are A Niggered Amen (1975), No Spring Chicken (1998), and 1946 (2002).—DCwriters

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Video: "South Side Story" Ta-Nehisi Coates author of The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood discusses Michelle Obama with Paul Coates an outspoken publisher and former Black Panther—his father.

“American Girl" (Ta Nehesi Coates)

When Michelle Obama told a Milwaukee campaign rally last February, "For the first time in my adult life, I am proud of my country," critics derided her as another Angry Black Woman. But the only truly radical proposition put forth by Obama, born and raised in Chicago's storied South Side, is the idea of a black community fully vested in the country at large, and proud of the American dream.

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AALBC.com's 25 Best Selling Books

For July 1st through August 31st 2011
 

Fiction

#1 - Justify My Thug by Wahida Clark
#2 - Flyy Girl by Omar Tyree
#3 - Head Bangers: An APF Sexcapade by Zane
#4 - Life Is Short But Wide by J. California Cooper
#5 - Stackin' Paper 2 Genesis' Payback by Joy King
#6 - Thug Lovin' (Thug 4) by Wahida Clark
#7 - When I Get Where I'm Going by Cheryl Robinson
#8 - Casting the First Stone by Kimberla Lawson Roby
#9 - The Sex Chronicles: Shattering the Myth by Zane

#10 - Covenant: A Thriller  by Brandon Massey

#11 - Diary Of A Street Diva  by Ashley and JaQuavis

#12 - Don't Ever Tell  by Brandon Massey

#13 - For colored girls who have considered suicide  by Ntozake Shange

#14 - For the Love of Money : A Novel by Omar Tyree

#15 - Homemade Loves  by J. California Cooper

#16 - The Future Has a Past: Stories by J. California Cooper

#17 - Player Haters by Carl Weber

#18 - Purple Panties: An Eroticanoir.com Anthology by Sidney Molare

#19 - Stackin' Paper by Joy King

#20 - Children of the Street: An Inspector Darko Dawson Mystery by Kwei Quartey

#21 - The Upper Room by Mary Monroe

#22 – Thug Matrimony  by Wahida Clark

#23 - Thugs And The Women Who Love Them by Wahida Clark

#24 - Married Men by Carl Weber

#25 - I Dreamt I Was in Heaven - The Rampage of the Rufus Buck Gang by Leonce Gaiter

Non-fiction

#1 - Malcolm X: A Life of Reinvention by Manning Marable
#2 - Confessions of a Video Vixen by Karrine Steffans
#3 - Dear G-Spot: Straight Talk About Sex and Love by Zane
#4 - Letters to a Young Brother: MANifest Your Destiny by Hill Harper
#5 - Peace from Broken Pieces: How to Get Through What You're Going Through by Iyanla Vanzant
#6 - Selected Writings and Speeches of Marcus Garvey by Marcus Garvey
#7 - The Ebony Cookbook: A Date with a Dish by Freda DeKnight
#8 - The Isis Papers: The Keys to the Colors by Frances Cress Welsing
#9 - The Mis-Education of the Negro by Carter Godwin Woodson

#10 - John Henrik Clarke and the Power of Africana History  by Ahati N. N. Toure

#11 - Fail Up: 20 Lessons on Building Success from Failure by Tavis Smiley

#12 -The New Jim Crow: Mass Incarceration in the Age of Colorblindness by Michelle Alexander

#13 - The Black Male Handbook: A Blueprint for Life by Kevin Powell

#14 - The Other Wes Moore: One Name, Two Fates by Wes Moore

#15 - Why Men Fear Marriage: The Surprising Truth Behind Why So Many Men Can't Commit  by RM Johnson

#16 - Black Titan: A.G. Gaston and the Making of a Black American Millionaire by Carol Jenkins

#17 - Brainwashed: Challenging the Myth of Black Inferiority by Tom Burrell

#18 - A New Earth: Awakening to Your Life's Purpose by Eckhart Tolle

#19 - John Oliver Killens: A Life of Black Literary Activism by Keith Gilyard

#20 - Alain L. Locke: The Biography of a Philosopher by Leonard Harris

#21 - Age Ain't Nothing but a Number: Black Women Explore Midlife by Carleen Brice

#22 - 2012 Guide to Literary Agents by Chuck Sambuchino
#23 - Chicken Soup for the Prisoner's Soul by Tom Lagana
#24 - 101 Things Every Boy/Young Man of Color Should Know by LaMarr Darnell Shields

#25 - Beyond the Black Lady: Sexuality and the New African American Middle Class  by Lisa B. Thompson

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Salvage the Bones

A Novel by Jesmyn Ward

On one level, Salvage the Bones is a simple story about a poor black family that’s about to be trashed by one of the most deadly hurricanes in U.S. history. What makes the novel so powerful, though, is the way Ward winds private passions with that menace gathering force out in the Gulf of Mexico. Without a hint of pretension, in the simple lives of these poor people living among chickens and abandoned cars, she evokes the tenacious love and desperation of classical tragedy. The force that pushes back against Katrina’s inexorable winds is the voice of Ward’s narrator, a 14-year-old girl named Esch, the only daughter among four siblings. Precocious, passionate and sensitive, she speaks almost entirely in phrases soaked in her family’s raw land. Everything here is gritty, loamy and alive, as though the very soil were animated. Her brother’s “blood smells like wet hot earth after summer rain. . . . His scalp looks like fresh turned dirt.” Her father’s hands “are like gravel,” while her own hand “slides through his grip like a wet fish,” and a handsome boy’s “muscles jabbered like chickens.” Admittedly, Ward can push so hard on this simile-obsessed style that her paragraphs risk sounding like a compost heap, but this isn’t usually just metaphor for metaphor’s sake. She conveys something fundamental about Esch’s fluid state of mind: her figurative sense of the world in which all things correspond and connect. She and her brothers live in a ramshackle house steeped in grief since their mother died giving birth to her last child. . . . What remains, what’s salvaged, is something indomitable in these tough siblings, the strength of their love, the permanence of their devotion.—WashingtonPost

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Sister Citizen: Shame, Stereotypes, and Black Women in America

By Melissa V. Harris-Perry

According to the author, this society has historically exerted considerable pressure on black females to fit into one of a handful of stereotypes, primarily, the Mammy, the Matriarch or the Jezebel.  The selfless Mammy’s behavior is marked by a slavish devotion to white folks’ domestic concerns, often at the expense of those of her own family’s needs. By contrast, the relatively-hedonistic Jezebel is a sexually-insatiable temptress. And the Matriarch is generally thought of as an emasculating figure who denigrates black men, ala the characters Sapphire and Aunt Esther on the television shows Amos and Andy and Sanford and Son, respectively.     

Professor Perry points out how the propagation of these harmful myths have served the mainstream culture well. For instance, the Mammy suggests that it is almost second nature for black females to feel a maternal instinct towards Caucasian babies.

As for the source of the Jezebel, black women had no control over their own bodies during slavery given that they were being auctioned off and bred to maximize profits. Nonetheless, it was in the interest of plantation owners to propagate the lie that sisters were sluts inclined to mate indiscriminately.

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The White Masters of the World

From The World and Africa, 1965

By W. E. B. Du Bois

W. E. B. Du Bois’ Arraignment and Indictment of White Civilization (Fletcher)

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Ancient African Nations

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Negro Digest / Black World

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Enjoy!

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The Death of Emmett Till by Bob Dylan  The Lonesome Death of Hattie Carroll  Only a Pawn in Their Game

Rev. Jesse Lee Peterson Thanks America for Slavery / George Jackson  / Hurricane Carter

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The Journal of Negro History issues at Project Gutenberg

The Haitian Declaration of Independence 1804  / January 1, 1804 -- The Founding of Haiti 

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