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A
Crucifix for DeRidder
or The Governor of Ollie Street Returns
By Ahmos ZuBolton II
he came back at us
screaming, hollering
told us stories of something in
his eyes
something peeping thru the deep
and dark of him
we didn't believe him
thought him a make-believe griot,
called him blind in one eye
stoned in the other, said he was a
punch-drunk boxer
fighting ghosts
he wanted a sword in headlines
published the morning after
so he jumped from a window
like it was his life
his final cure a gravity
which killed him
Source: Open Places, No. 29 (Spring 1980)
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Ahmos Zu-Bolton
HooDoo Poet
Opened a Channel to the
Ancestors This evening I was deeply
saddened on receiving news of the passing of the humorous
hoodoo poet Ahmos Zu-Bolton (1935-2005). Lee Grue,
New Orleans poet, sent me these lines:
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Dear Rudy,
I thought you'd like to know: Our old friend
Ahmos died this past week. Adella called to say
that he'd been buried in Deridder. He died in D.C,
but his daughter Amber was with him, and cared for him
in his last illness. I remember the Copastetic
Bookstore with many good memories. Ahmos had a
great capacity for friendship. There is a service
for him at The Community Bookstore this Thursday.
Adella asked me to be on the program. I hope to
write something fitting.
Lee |
The last time I saw Ahmos I
was with Yictove. We stopped by Copastetic. It was near the end
of some reading that was taking place. Maybe that was ten years
ago. We made our amends. I hate to see him go. But he will not
be silenced. He has left behind an enviable body of work
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Below is what I pulled from E Notes,
Ethelbert's Blog:
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Tuesday, March 08, 2005
Miss Walker, Miss Walker, your true love is dead
He sent you a letter to turn back your head
Ahmos Zu-Bolton was the author of A NIGGERED AMEN
(1978) and AIN'T NO SPRING CHICKEN (1998). Yep. Little
Zu was born in 1935. So he leaves us in his 70th year.
Here is what I wrote about him in my memoir FATHERING
WORDS:
"He carried a bag of magazines or maybe it was just
a pouch filled with goober dust, cat eyes and rabbit
feet. The man was southern in the way he walked,
dressed, and spoke. If it were earlier in the century,
it would be a perfect example of the Great Migration.
Here was the type of guy Langston Hughes would meet
while in high school in Cleveland, the guy who spoke in
the rhythms poets wanted to capture on the page.
Henderson had introduced me to the blues and African
American folklore. Ahmos Zu-Bolton introduced me to
himself."
Sad news entering the middle of the
week. I just learned that the poet Ahmos Zu-Bolton died
in D.C. Amber (his daughter) called me this morning and
told me. Ahmos was a wonderful character and a major
influence on my life and work. We met around 1974. It
was just after he had rejected a few of my poems for his
Hoo-Doo magazine.
In the note he sent back he told me
the work was not hoo-doo poetry. I still have no idea
what that was or is. I do know that Ahmos was an
excellent editor and a man walking around with ideas and
spreading folklore; or maybe it was what Sterling A.
Brown called lies. I can see Ahmos coming into the
African American Resource Center at Howard in 1974. He
was working at a community center in Maryland and wanted
to borrow a few films. Once we started talking,
something connected our lives together.
I think we were both in love with the
same woman. Her name was poetry. I invited Ahmos to what
was the second Ascension Poetry Reading. It was held at
Dingane's Den located on 18th Street. Here Ahmos met
many of the DC black poets that were writing at that
time. People like Adesanya Alakoye and Amma Khalil.
Shortly after Ahmos came to work at Howard. He took my
two old jobs. He became assistant director at the
African American Resource Center and research associate
with the Institute for the Arts and Humanites (under the
leadership of Dr. Stephen Henderson).
On good days one could find Ahmos and I typing poems
back and forth on our typewriters in the Resource
Center. I created my character Bo Willie around him . .
. and I guess I started writing longer poems because of
his style. Ahmos was writing science fiction poetry in
the early 1970s. He also introduced me to the work of
the following writers: May Miller, Wanda Coleman, Ai,
Yusef Komunyakaa, Lorenzo Thomas and the list goes on.
It was Ahmos who organized HO0-DOO festivals. It was
Ahmos who was always writing grants and trying to get
funds. He got the D.C. Arts Commission to help pay for
the first anthology of DC Black poetry. That was our
anthology SYNERGY that we published back in the day. The
word taken from my reading of too much Buckminister
Fuller.
I could go on and on about Ahmos and the stories would
slap me on the back and laugh until sunset. I'll stop
for a moment right now and invite his spirit to drop by
and tell the rest of the tale a little later.
Source: http://www.eethelbertmiller1.blogspot.com/ |
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Here's a statement from Charles White, a kinsman and student
of Ahmos:
| Ahmos Zu-Bolton: teacher
My name is Charles White and Ahmos
Zu-bolton was my father in law. I am a poet who learned
a lot from him. I met him for the first time in the year
1995 while I was at Xavier University. At first I did
not know who he was or much about his work, but as time
went on and I spoke to the man and read more of his
work, his genius began to speak to me. Me and my wife
moved to Columbia, Mo in the summer of 2001 and stayed
with her mother and Ahmos for about three months during
that time, me and Ahmos talked a lot about politics and
poetry.
He helped me develop my style and
offered me constructive criticism when needed. He told
me his stories about Howard and Galveston and some of
the famous people he published. He encouraged me to read
my poetry in front of an audience and offered me
opportunities to read when he could. Before he left
Columbia for the last time he expressed to me that he
had put me on the list for a poetry festival that was
coming up in late winter/early spring.
Finally the most significant thing
that tied me and him together as poets was that we were
both Mississippi/ Louisiana poets and loved the south.
Words
are weeping and syllables and sentences are standing at
attention as the lips of a great griot are closed to
future generations.
Please post this on your web site as
a tribute to a great writer and a great mentor
Thanks
Charles White, BA,
M.Ed
Language
Arts
Douglass
High school |
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posted 15 March 2005 |